One standout pairing features Rob, a 32-year-old heterosexual man who creates explicit gay content on OnlyFans as a full-time career, handcuffed to Charlie, a 44-year-old self-described prudish housewife from Sussex. Rob, tattooed and open about his "gay-for-pay" work, explained to Charlie over dinner, "I’ve had many jobs in the past. And then it was just like, ‘This isn’t making me money. What can I do? So there is this website called OnlyFans… And I make gay porn for the gay industry." Charlie reacted with shock, describing the revelation as "a bit of a shock," while her husband Simon labeled the industry "sleazy" during a tense family discussion.

The pairing has sparked visible discomfort, with Charlie expressing she felt "really uncomfortable" and worried about personal boundaries, such as during Rob's shower where she wore a blindfold and confided, "I don’t even like my husband seeing me with nothing on." Simon broke down in tears, stating, "I’m just not comfortable with this… That sort of world that you're in, it’s sleazy and so to bring that into our family home is a challenge." Rob responded defiantly, saying, "I couldn’t give a f*** to be honest about what people think about what I do as a job."

In an exclusive clip from episode three, aired ahead of its March 9 premiere, tensions escalated when Rob hosted fellow adult content creators at his studio, explaining gay terminology like "bear," "twink," and "otter" to Charlie, who called the scenario something she "never thought she would encounter." During dinner, Rob joked, "on the menu tonight is steak and bl*wjobs," prompting Charlie to label the behavior "perverted" and "inappropriate," emphasizing boundaries: "I get boys banter, I get having a joke, but there’s also a line." She added that discovering Rob's career was "quite tough" with her family present.

Despite friction, Rob expressed optimism in a pre-premiere statement, noting surprise that "two people, living two completely different lives worlds apart can become great friends," adding, "We put our judgements aside and listened to our hearts." The first two episodes ended on a cliffhanger, leaving viewers questioning if the pair would continue. Episode three aired March 9 at 9pm on Channel 4, with all episodes available to stream.

The series has drawn attention for spotlighting a heterosexual creator in gay adult content, raising discussions on "gay-for-pay" performers and their role in LGBTQ+ media consumption, though no formal statements from LGBTQ+ organizations appear in coverage yet. Other pairings, like a 79-year-old baronet using bolt cutters to escape, underscore the experiment's intensity. Viewers have engaged online, with PinkNews inviting respectful commentary on the dynamics. As the show progresses, it tests whether forced proximity can humanize professions often stigmatized, including those intersecting with LGBTQ+ audiences.

In the video, which has garnered over a million views on social media, Roan narrated her experience while slowly turning her phone camera to capture the crowd shouting and pressing in around her. Dressed with smoky eyeliner and a scarf wrapped around her head in an old Hollywood style, she stated, “When you’re disregarded as a human, this is what it’s like. I’m just trying to go to dinner, and I’ve asked these people several times to get away from me.” She continued, pointing out specific individuals, “These are all the people who are completely disregarding all of my boundaries,” and urged them to “please leave me alone.”

One photographer approached asking for an autograph, saying “Hii” and “Can you sign,” which Roan declined, emphasizing that red carpet interactions differ from private moments like going to dinner. Another voice in the crowd called her a “fashion icon,” but she persisted in her request for space. Roan has not issued a formal statement beyond the video, but sources note her consistent use of social media to remind fans and media to respect her personal space as her fame surged in 2024.

This Paris encounter is not Roan's first clash with paparazzi. At the 2024 MTV Video Music Awards, she rebuked a photographer who yelled “shut the f**k up” on the red carpet, responding, “Don't. Not me, b***h!” In October 2025, during the Grammy Awards afterparty at the Universal event, she called out a photographer for past rudeness, saying, “You yelled at me at the Grammy party… You were so rude to me, and I deserve an apology for that.” These incidents underscore a pattern where Roan, a prominent voice in queer pop music, asserts her humanity against aggressive media pursuit.

For LGBTQ+ communities, Roan's actions resonate as a stand against dehumanization, a frequent challenge for queer celebrities navigating fame. Her open identification as a queer icon amplifies discussions on privacy rights for transgender people, gay individuals, and others in the spotlight who face intensified scrutiny. The video's virality on platforms like YouTube and social media has sparked conversations about media ethics, with outlets framing it as Roan "turning the tables" or taking "firm action." As Paris Fashion Week continues, Roan's bold response serves as a reminder of the boundaries all public figures, especially those from marginalized communities, seek to maintain.

Full House aired from 1987 to 1995, with Sweetin joining the cast at age 5 as the middle Tanner daughter. Coulier played Joey Gladstone, the fun-loving TV uncle to Sweetin's character. Sweetin recalled seeing Morissette, then around 18 or 19 years old, visiting the set during the early 1990s while Coulier, in his early 30s, was dating her.

The song "You Oughta Know," released in 1995 as the lead single from Morissette's album Jagged Little Pill, features raw lyrics about betrayal and a new lover who resembles the singer. Sweetin said she "knew who that was about" upon hearing it, pointing to lines describing a partner who looked like "an older version" of Morissette—matching Coulier's next girlfriend. "Some of the lyrics in there, I was like, 'I know who that's about,'" Sweetin stated on the podcast.

As a child star, Sweetin noted she stayed silent on the revelation initially. She later spoke with Coulier about it as an adult. Coulier has previously confirmed the rumors, recounting in a 2022 interview how he listened to the album in his car and realized, "Ooh, I think I may have really hurt this woman."

The podcast episode, hosted by Bob the Drag Queen—a prominent figure in drag and queer entertainment—aired recently, sparking coverage across entertainment outlets. Sweetin reflected on aging out of her "kid" role on set: "Suddenly you age out of being 'the kid,' and then they were like, 'We're gonna tell you all the s--- you missed.'"

This anecdote sheds light on the behind-the-scenes dynamics of Full House, a family-oriented show that resonated with millions during its run. It also revisits the cultural impact of "You Oughta Know," which propelled Morissette to global stardom and became a defining track of 1990s alternative rock. Coulier, Morissette, and Sweetin have each addressed the connection over the years, confirming the link without dispute from the parties involved.

This marks Amelia's first significant on-screen romance since her relationship with Dr. Kai in Season 19, played by E.R. Fightmaster. Scorsone told Shondaland that Amelia was originally conceived as a queer character, noting her debut episode featured a relationship with a female fellow that was cut for time. She highlighted past teases, such as Amelia's crush on Carina DeLuca, but emphasized the Kai arc as the first on-camera depiction of her queerness. Scorsone described Amelia as "officially the longest-running queer character on television."

The storyline arrives amid recent challenges for queer representation on the show, following Amelia's sabbatical after a traumatic explosion that killed Dr. Monica Beltran and the departures of other sapphic characters like Helm. Coverage notes a perceived "queer drought," with limited sapphic arcs involving characters like Teddy and Millin. Dr. Wright stands out immediately, dismissing Ben Warren's bravado and establishing her confidence.

Toni asks Amelia on a date, but Amelia hesitates, citing her son Scout, a factor that ended her relationship with Kai, who did not want children. She fabricates a "sunrise hike" excuse before confessing the truth; Toni reveals she is also a single mother living with her sister, who helps with her son, leading to a rain-checked date. Scorsone addressed Amelia's readiness for romance, stating to Shondaland: “Amelia is so gun-shy about life that she can’t picture beyond, like, next week. She’s still in this place of emotional and psychological guardedness, with complex PTSD from all of the trauma she’s been through.”

LGBTQ+ media outlets have celebrated the rapid progression of the romance, contrasting it with past "crumbs" and prolonged teases. Autostraddle described the pair's chemistry as "coy" and beaming, while DIVA Magazine called it a "hard-launched" and "super hot" development welcomed by fans. Lesbian Mojo praised the episode for delivering "more sapphic action than we had all last year combined," highlighting the electric tension from med school flashbacks.

Scorsone commended the show's approach: “One of the things that’s so refreshing about our show is that we’ve always shown things are more complex than a binary. The world is always evolving, and the characters are always meeting new situations with curiosity and adventure.” While fans express excitement, they note potential complications ahead, given Grey's Anatomy's history of dramatic twists. The storyline underscores ongoing sapphic visibility in network television, building on arcs like Carina DeLuca's past relationships.

Launched in 2019, "On Purpose" has released over 800 episodes, building a large audience focused on health, wellness, and personal growth topics. iHeartMedia had proposed a four-year extension, but Shetty's team declined, prompting discussions with other audio companies for future opportunities.

In an email to advertising partners, iHeartMedia executives Jenna Craig and Adrienne Pabst stated, “We love Jay and have enormous respect for him and what we’ve accomplished together, including both doubling his audience and his revenue.” They added, “But as sometimes happens with professional relationships, we’re going in different directions. This is in no way a reflection on Jay or the quality of his content.”

The departure aligns with Shetty's recent expansion into multimedia production through his new company, Perfect Strangers Media. This venture has secured two deals with Netflix for one scripted series and one unscripted series, with more projects underway, emphasizing stories of human connection. The podcast will continue operations through the remainder of the iHeartMedia term, maintaining its availability on platforms like iHeartRadio.

Despite the partnership ending, iHeartMedia continues to recognize Shetty's contributions to podcasting. Shetty will receive the 2026 Social Impact Award at the iHeartPodcast Awards on March 16, 2026, at ACL Live at the Moody Theater in Austin, Texas, for using his platform to foster conversations on mental health. "On Purpose" is nominated in categories including Best Wellness & Fitness and Best Advice/Inspirational at the same event.

No specific LGBTQ+ community responses or direct impacts from this business decision have been reported in available coverage. Shetty's content, which often features guests discussing identity, purpose, and personal growth, has broadly appealed to diverse audiences, including transgender people and others in the LGBTQ+ community seeking mental health resources, though no on-the-record statements from LGBTQ+ organizations address this event. The podcast's emphasis on empathy and self-reflection aligns with wellness needs in affirming spaces for LGBTQ+ individuals, but the partnership change does not alter its ongoing accessibility.

This development reflects broader shifts in the podcast industry, where creators increasingly seek flexible deals amid growing competition from platforms like Spotify and Apple Podcasts. Shetty's next steps could influence how wellness content reaches global listeners, including those in LGBTQ+ communities prioritizing mental health support. Both iHeartMedia and Shetty have framed the split positively, focusing on future collaborations elsewhere.

So ahead of Sunday’s Oscars, Associated Press Film Writers Lindsey Bahr and Jake Coyle have selected their own awards, because while a movie year might be celebrated for its best film or best performances, dishing out honors for the best cat or funniest prop is just as important.

Most pure display of movie-star charisma: Keke Palmer, ‘One of Them Days’

Keke Palmer has been good in many things (especially Jordan Peele’s “Nope”), but she’s a sensational dynamo in “One of Them Days.” The movie, in the spirit of “Friday,” takes place across a desperate day in Los Angeles, and Palmer carries it throughout. Theatrical studio comedies are practically extinct but Palmer in “One of Them Days” reminds you what we’ve been missing. —J.C.

Best cat: ‘Sorry, Baby’

There must be something wrong with us as a society that Eva Victor felt the need to clarify that nothing bad happens to the tiny gray tabby on the poster for “Sorry, Baby.” Olga, played by Noochie, is just there for cuddles, coffee and to give Agnes, and the audience, a smile. —L.B.

Most ecstatic religious ceremony: ‘The Testament of Ann Lee’

In Mona Fastvold’s richly earthy drama about Shaker founder Ann Lee (Amanda Seyfried), nothing is more glorious than the Protestant sect’s ritual dances. In secret gatherings, bodies sway and heave — and, yes, shake — in spiritual communion, sinuously moving to Shaker hymns rearranged by Daniel Blumberg. “Step it Up” and “Bring it On” have nothing on “The Testament of Ann Lee.” —J.C.

Funniest prop: The goldfish in ‘Splitsville’

In the scope of the broad relationship comedy “Splitsville,” the goldfish are rather minor players. And yet their existence in a kids bedroom that gets torn apart by two men (Kyle Marvin and Michael Angelo Covino) fighting over a woman (Dakota Johnson) sets into motion one of the funniest movie scenes of the year, in which Marvin’s character makes the ill-advised decision to go on a roller coaster holding a half-dozen water-filled bags of (fake) goldfish. It is silly. It is dumb. It was not an easy sequence to film. And it works. —L.B.

Best opening: ‘On Becoming a Guinea Fowl’

In Rungano Nyoni’s arresting second feature, a woman named Shula (Susan Chardy) is driving down an empty Zambian road at night while dressed as Missy Elliott — specifically the garbage-bag Missy Elliott of the “The Rain (Supa Dupa Fly)” music video. In the middle of the road she sees a man lying down dead, and realizes it’s her uncle. “On Becoming a Guinea Fowl” goes from there, digging into a dark family past. But you’d be hard pressed to find a more beguiling start to a movie. —J.C.

Best use of a star, as a star: Gwyneth Paltrow in ‘Marty Supreme’

Really this should be about all the extraordinary “Marty Supreme” supporting cast who didn’t get their due, but let’s just appreciate the great Gwyneth Paltrow for a moment and her perfect casting as a silent-era star now in her 50s. I refuse to say “fading” because Kay is luminous other among mortals, the perfect use of a movie star as movie star. Also, she’s a witheringly wise counterpart to Marty’s delusions. Let’s hope it’s not another seven years before her next significant role. —L.B.

Best location find: ‘One Battle After Another’

It’s rare that a scene is so good that it gives you goose bumps as it’s happening. But the roller-coaster car-chase finale of Paul Thomas Anderson’s film will stand as an all-timer. Essential to that is the so-called “River of Hills” road near Borrego Springs, California, a spot stumbled upon by location manager Michael Glaser. —J.C.

Most devastating costume: Nina Hoss in ‘Hedda’

The best kind of costumes tell a story and there was scarcely a more heartbreaking turn than Eileen Lovborg’s (Nina Hoss) in Nia DaCosta’s “Hedda.” Eileen — a brilliant, proudly queer academic in a world dominated by men — is making her triumphant and sober return at a party, dressed to kill in a bust-hugging gown that will eventually be cruelly manipulated and used against her. Bravo to costume designer Lindsay Pugh. —L.B.

Best psychedelic experience: Tim Robinson in ‘Friendship’

Think of on-screen hallucinatory trips and you probably imagine something wild and colorful, something like “Alice in Wonderland.” But in Andrew DeYoung’s “Friendship,” a quest for enlightenment takes the most hysterically mundane turn you’ve ever seen. When Tim Robinson’s suburban schlub Craig Waterman is handed an exotic frog to lick, he’s promised a mind-altering experience. What he gets, I won’t ruin, but it involves the sandwich franchise Subway. —J.C.

Best performance by a child: Lexi Venter in ‘Don’t Let's Go to the Dogs Tonight’

A wise critic once told me that he never criticizes a child’s performance — fault lies only with the director. Does the same logic apply to a great one? Perhaps. Embeth Davidtz found magic in the non-professional star of her directorial debut. Lexi Venter was 7 when Davidtz entrusted her with the role of Bobo, smartly knowing that the best thing she could do was help create scenarios where she didn’t have to act. —L.B.

Best elevator pitch: ‘No Other Choice’

After 25 years at a paper mill, a man is laid off. Fretful of losing his house and his family, he analyzes his closest competition for a new job, and decides to bump off each one. Who wouldn’t want to see that movie? The source of Park Chan-wook’s latest thriller is Donald E. Westlake’s 1997 novel “The Ax” (already adapted into a 2005 film by Costa-Gavras). In the hands of Park, it’s a perfect movie concept that plays out in elegant derangement. —J.C.

Most beautifully tone-shifting scene: Bridget Everett and Josh O’Connor in ‘Wake Up Dead Man: A Knives Out Mystery’

In the middle of a hurried chase for clues, the detective trail of Rian Johnson’s third “Knives Out” mystery suddenly goes off the rails. When O’Connor’s Father Jud Duplenticy calls a construction company to track something down, his conversation with a woman named Louise (Everett) turns acutely personal. Her mother is in hospice, she says, and she’s struggling. Father Jud shifts from private eye to spiritual guide, and “Wake Up Dead Man” transforms from murder mystery into something more deeply empathetic. —J.C.

Enríquez posed the question: "What is the quality you like most in men?" Rosalía responded with laughter: "That he’s gay." Enríquez replied, "Well, that makes two of us," prompting more laughter between the two.

Rosalía then expanded on her perspective, noting the rigidity of framing attraction by gender. "It is kind of funny that they separate the two because the first thing to mind is what is the quality that stands out the most or catches your attention, of any person," she said. When Enríquez was asked about qualities in women, she cited "sense of humour."

The interview clip has circulated widely online since its release around March 3, 2026, generating reactions that interpret Rosalía's remark as praising the emotional qualities often associated with gay men, such as loyalty, humor, and lack of romantic competition. Social media users commented: "Is gay the new standard for men?" and "That’s another word for ‘loyalty.’" Others noted, "every straight man just learned he's been outperformed by someone who isn't even competing."

This exchange aligns with Rosalía's past relationships and public statements on sexuality. In 2019, she dated transgender actor Hunter Schafer, known for her role in the HBO series Euphoria. Schafer later described their connection in a 2024 GQ interview as a "beautiful friendship" that remains like family. In a 2025 Elle Magazine interview, Rosalía expressed reluctance to label her sexuality, stating, "I think of freedom. That’s what guides me."

Rosalía's comments have resonated within LGBTQ+ communities, prompting discourse on the "gay best friend" dynamic—close platonic bonds between gay men and women valued for emotional support and authenticity. Instinct Magazine highlighted how such friendships provide "less posturing, less ego, more emotional fluency," framing gay men as a "gold standard" for companionship in some cultural narratives. The outlet posed questions to gay men about whether they embrace or feel fatigued by this role, reflecting broader conversations on emotional labor in cross-orientation friendships.

Rosalía, a Grammy-winning artist known for collaborations with Billie Eilish and Bad Bunny, continues to defy norms in her career. She recently joined the cast of Euphoria's third season alongside Schafer, with new additions including Sharon Stone and Natasha Lyonne. The season is set to premiere on April 12, 2026, on HBO and HBO Max in the US, and April 13 on Sky and NOWTV in the UK.

The Spotify A/Presenta series aims to foster intimate discussions on artistry, and this installment underscores Rosalía's candid approach to personal topics. Her remarks, delivered playfully, highlight ongoing cultural shifts toward fluid understandings of attraction and platonic ideals, particularly affirming gay men's roles in diverse social circles. While some view the statement as a compliment to gay men’s interpersonal strengths, others caution against generalizations, emphasizing that individuals vary regardless of orientation.

The announcement arrived on February 11, 2026, via a 13-second teaser on social media displaying the tracklist, which includes 13 songs such as "Çike Çike," "$hit" featuring Fetty Wap, "Tokyo," "Hysteria," "New Religion," "Time," "I Like You Better than Me," "Nobody's There," "The Way I Want You," "Drink and a Little Love," "Nightfalls," "One Day," and "Sad Girls." Marketed as a visual album, every track will be paired with its own music video, released individually as singles to avoid conforming to traditional album boundaries.

Promotion kicked off with a four-minute "supercut" video titled "Dirty Blond ," featuring snippets of all 13 tracks remixed by DJ Diplo, alongside visual elements where Rexha portrays various characters. The supercut teases a diverse range of sounds, from dance and pop to ballads and country. Rexha shared the tracklist and a series of dates on Instagram, potentially signaling individual release schedules.

Key promotional single "I Like You Better than Me" dropped on February 13, 2026, the same day the album's release date was confirmed, followed by "Çike Çike" on February 20. "Çike Çike," partly sung in Albanian, nods to Rexha's heritage—her parents are Albanian, and her birth name Bleta means "bee" in the language, connecting her to artists like Dua Lipa and Ava Max. The album's lead single, "New Religion," was released on March 6, 2026.

In interviews, Rexha emphasized the personal significance of the project. Speaking to "Billboard", she stated, “I worked so hard on this album. It’s been three years now, and every song is so important to me. They’re like your babies, you know? I don’t want to be conformed by a certain sound or certain boundaries.” In a statement, she added, “This next chapter is about creative freedom — trusting my instincts, trusting my voice, and finally doing things the way I’ve always wanted to. I’ve learned a lot, I’ve lived a lot, and I’m fully tuned into myself now. Following my gut has been one of the best decisions I’ve made in my career. This era is fearless, loud, and unapologetic — no filters, no limits. "Dirty Blonde" is me owning exactly who I am.”

The album's development traces back to late 2025, when "Billboard" reported Rexha's signing with Timeline Management on December 16. On January 11, 2026, she posted on Twitter about leaving the "Khia asylum," sharing an image of the Grim Reaper "freeing" artists like Sabrina Carpenter, Charli XCX, and Zara Larsson, and confirmed her independent move to EMPIRE. A January 22 social media post featured a whiteboard with "ins and outs," crossing out "fatter" and "victim"—referencing online fatphobia and her 2023 stage injury from a thrown phone—and embracing "unapologetic" and "confident," alongside a teaser site areudirty.com. In a "Variety" interview, she expressed, "this new era is about embracing every part of myself comfortable in my own lane."

While no direct LGBTQ+ community responses are documented in coverage, Rexha's themes of self-acceptance, body positivity, and defiance against industry constraints resonate with broader conversations in queer and ally spaces about authentic self-expression in pop music. The album will be available in formats including cassette, CD, digital download, streaming, and vinyl. Fans can pre-order via EMPIRE platforms.

Directed by Isabella Poynter-Symonds, the 8-minute film portrays Nikki Van Blair as "the biggest diva you've never heard of" and a legend of the Sydney wrestling scene. Van Blair's journey in professional wrestling represents a significant milestone for transgender athletes, particularly in a sport traditionally dominated by cisgender performers, offering visibility and inspiration to transgender people navigating male-dominated arenas.

'Heel Turn' is part of Queer Screen's Trans & Gender Diverse Shorts program, which is available on demand, making it accessible to global audiences interested in stories of transgender and gender diverse individuals. Queer Screen, an organization dedicated to LGBTQ+ cinema in Australia, curates such programs to amplify voices from the transgender community, fostering greater understanding and affirmation of diverse gender identities.

Nikki Van Blair has carved out a notable presence in Sydney's independent wrestling circuit, where she performs as a pro wrestler known for her distinctive style and persona. Her story in 'Heel Turn' underscores the challenges and triumphs faced by transgender women in combat sports, contributing to broader conversations about inclusion in professional wrestling.

The film's release comes at a time when transgender representation in sports media is gaining traction, with outlets like Outsports highlighting stories that celebrate transgender athletes' achievements. In Australia, independent wrestling scenes provide platforms for diverse performers, and Van Blair's prominence exemplifies how transgender people are breaking barriers in entertainment and athletics.

Isabella Poynter-Symonds, the director, captures Van Blair's larger-than-life character, positioning her as a trailblazer whose work resonates within LGBTQ+ communities seeking authentic portrayals. The documentary's inclusion in a dedicated transgender shorts program signals community support for narratives that affirm transgender identities in high-energy, physical pursuits like wrestling.

While specific quotes from Van Blair or Poynter-Symonds are not detailed in available coverage, the film's promotional descriptions emphasize her legendary status, inviting viewers to discover her contributions. This project aligns with ongoing efforts by LGBTQ+ media to document real-life stories of resilience, potentially influencing perceptions of transgender participation in sports globally.

The availability of 'Heel Turn' on demand through Queer Screen broadens its reach beyond festival circuits, allowing transgender people and allies worldwide to engage with Van Blair's story. Coverage from specialized outlets underscores the documentary's role in elevating transgender voices in niche sports, promoting person-first narratives that humanize and celebrate their experiences.

As independent wrestling continues to diversify, figures like Nikki Van Blair pave the way for future transgender athletes, with 'Heel Turn' serving as a timely record of her impact. The film's focus on her Sydney-based career highlights local scenes' importance in fostering inclusive environments for LGBTQ+ performers.