Elijah Allman’s arrest on March 1 was his second in New Hampshire in a matter of days. Allman, the 49-year-old son of the iconic singer and actress, was also detained Feb. 27, accused of acting belligerently at a prestigious prep school in Concord.

It is unclear if Allman, of Malibu, California, has any connection to the home in Windham, New Hampshire. He is being held in the Rockingham County Department of Corrections, Superintendent Jonathan Banville said.

The hearing Wednesday was continued until an undetermined date after Allman got an attorney Wednesday morning. The attorney, Sarah Landres, did not respond to a request for comment.

Allman, whose father was the late singer Gregg Allman, is charged with two counts of criminal mischief, one count of burglary and a count of breach of bail for breaking into the home on March 1. Police said in a report that Allman did not have permission to be at the home and forcibly entered it.

Officials at St. Paul's School said Allman last month identified himself as the parent of a prospective student and slipped into the dining hall as some students were leaving the building. Police responded to reports that he was disturbing people in the building.

He was charged with four misdemeanors in the school incident: two counts of simple assault, criminal trespass and criminal threatening. Allman was also charged with a violation of disorderly conduct, which is illegal in the state but not considered a crime. He was released on bail.

Allman did not respond to an email requesting comment, and a phone number for him was not working.

In December 2023, Cher filed a petition to become a temporary conservator overseeing her son’s money, saying Allman's struggles with his mental health and addiction have left him unable to manage his assets and potentially put his life in danger.

The petition says the superstar performer's son is entitled to regular payments from a trust fund. But “given his ongoing mental health and substance abuse issues,” she is “concerned that any funds distributed to Elijah will be immediately spent on drugs, leaving Elijah with no assets to provide for himself and putting Elijah’s life at risk,” the petition says.

Los Angeles Superior Court Judge Jessica Uzcategui denied the request, saying she was not convinced that a conservatorship was urgently needed. Allman was in the courtroom with his attorneys, who acknowledged his previous struggles but argued that he was in a good place, was attending meetings, getting treatment and reconciling with his estranged wife.

Bam Adebayo had a night for all time on Tuesday, with a point total second to only Wilt Chamberlain in the NBA record books. Adebayo scored 83 points, setting league marks for free throws made and attempted in a game for the Miami Heat in a 150-129 win over the Washington Wizards.

“An absolutely surreal night,” Heat coach Erik Spoelstra said. “Obviously, we’ve been blessed to have been part of a lot of big moments in this arena. This one, it just happened. Moments happen and I’m grateful that we’re all able to be a part of it and witness it.”

Chamberlain's record of 100 points has stood since 1962. Kobe Bryant — one of Adebayo's basketball heroes — was No. 2 on the list with 81. Adebayo never thought he'd be in that club.

And then came a night he'll never forget.

“Wilt, me, then Kobe,” Adebayo said. “It sounds crazy.”

Adebayo’s final numbers: 20 of 43 from the field, 36 of 43 from the foul line, 7 for 22 from 3-point range.

He was in tears as he hugged his mother, Marilyn Blount, before leaving the floor after the game. Emotions were kept in check, until then.

“For me, it was just remaining calm, remaining locked in and understanding that I can go for something special,” Adebayo said. “I didn’t think it was going to be 83. But to have this moment is surreal, because like I said, man, to be able to do it at home, in front of my mom, in front of my people, in front of the home fans, this is a mark in history that will forever be remembered.”

Adebayo's career high, before Monday, was 41.

That was passed by halftime.

“I looked at the stat sheet. It was pretty crazy: 40 shots, 40 free throws, 20 3s, that takes a lot of stamina, man," Houston star and Adebayo's USA Basketball teammate Kevin Durant said. “It takes a lot of energy to go out there and put those shots up and also make them, set a record, surpass Kobe as the second highest-scoring player in the history of the game. I mean, damn. Congrats to him. Huge, huge accomplishment, something we're going to be talking about forever.”

Adebayo started with a 31-point first quarter and never stopped rolling. He was up to 43 at halftime, 62 by the end of the third quarter. And then came the fourth, when the milestones kept falling despite facing double-, triple- and what once appeared to be a quadruple-team from a Wizards defense that kept sending him to the foul line.

“BAM BAM BAM,” former Heat forward LeBron James posted on social media. James had the Heat single-game record of 61 points, set on March 3, 2014. He's now No. 2 on the team list — by a wide margin.

The NBA's previous best this season was 56, by Nikola Jokic for Denver against Minnesota on Christmas night. The last player to have 62 points through three quarters was Bryant, who had exactly that many going into the fourth for the Los Angeles Lakers against Dallas on Dec. 20, 2005.

Adebayo got to the line 16 times in the fourth, and the game had some comical moments. The Heat made clear they kept wanting Adebayo to get the ball and get to the line, even in a blowout. The Wizards tried to foul others — but couldn't stop the scoring onslaught.

“You’ve got to give him credit," Wizards coach Brian Keefe said. "In the first half he shot the ball terrific, he scored the ball really well. Obviously, he came out and had a little bit in the third, too. They obviously kept him in the game, and there was a lot of fouls called — 16 free throws in the fourth quarter. I was trying to take the ball out of his hands, he still got some free throws 40 feet from the rim. I can’t explain some of those calls. That’s all I got to say on that.”

And Adebayo only needed the first half to set a career high, too.

Adebayo's 31 points in the opening quarter broke the Heat record for points in any quarter — and tied the team record for points in a first half before the second quarter even started.

He finished the first half with 43 points, a team record for any half and two points better than his previous career high — for a full game, that is — set Jan. 23, 2021, against Brooklyn.

Adebayo’s season high entering Tuesday was 32. He matched that with a free throw with 5:53 left in the second quarter, breaking the Heat first-half scoring record.

He was just getting started.

“I would say once he got to 50, then we’re thinking, all right, maybe he can get to 60,” Spoelstra said.

He got to 60, late in the third.

“And when he got to 60, it just kept on going,” Spoelstra said. “We might as well go for 70.”

He got to 70,

“And then, I didn’t dare even think about taking him out at that point,” Spoelstra said. “We just kept on going.”

When Spoelstra finally declared Adebayo's night over, he was waiting to greet the center with a big hug. Teammates did the same, as did some of the Wizards after the final buzzer. Adebayo made his way over to Heat managing general partner Micky Arison for congratulations, before eventually getting to the locker room.

Everyone wanted his jersey, which he kept. The game ball was secured. The nets were cut down as souvenirs. A'ja Wilson, Adebayo's longtime girlfriend and the four-time WNBA MVP, could barely keep from crying.

“I know he says that I’m his inspiration,” Wilson said. “But I don’t think he has a clue how much he inspires me to continue to be the person that I am.”

Finally, Adebayo made his way to the parking garage, exhausted. He never had an opportunity to meet Bryant, who died in 2020, and often wonders what it would be like to have him as a confidant. He had those same thoughts Tuesday, after topping Bryant's 81.

“Just a surreal moment,” Adebayo said, “being in the company with somebody I idolized growing up.”

“Sadly sometimes it’s a little bit of ignorance but, look, that is why we have to open more spaces for people to connect with classical music,” Dudamel said Tuesday night at an event to announce the programming of his first season as the New York Philharmonic's music director.

Dudamel spoke from the stage of Lincoln Center's David Geffen to an audience that included donors, musicians, the orchestra board, community leaders and composers in addition to journalists. Dudamel's remarks sparked loud applause.

During a conversation with fellow actor Matthew McConaughey at a CNN and Variety town hall at the University of Texas at Austin’s Moody College of Communication in February, the 30-year-old Chalamet was asked by McConaughey about whether shortened audience attention spans have impacted studio decisions about the content of theatrical films, forcing more early action.

“I admire people, and I’ve done it myself, to go on a talk show and go: Hey, we’ve got to keep movie theaters alive. We got to keep this genre alive,’” Chalamet said. “And another part of me feels like if people want to see it, like 'Barbie,' like 'Oppenheimer,' they’re going to go see it and go out of their way to be loud and proud about it. And I don’t want to be working in ballet or opera or things where it's like where it’s like, ‘Hey! Keep this thing alive,’ even though no one cares about this anymore. All respect to the ballet and opera people out there. I just lost 14 cents in viewership.”

Chalamet received his third Academy Award nomination, for “Marty Supreme.” His comments sparked an online backlash from arts organizations.

“Everybody has the right to say, but you have to do things with knowledge, with facts. I think we have to say to the young generation, the opposite,” Dudamel said. “It’s very funny. Cinema is a result of opera, of music, of all of these kind of things.”

Matías Tarnopolsky, the New York Philharmonic CEO, was seated next to Dudamel and issued a public offer to Chalamet.

“He can sit with me anytime,” Tarnopolsky said. “I’ll give him a free ticket and he’s invited to come and hear the New York Philharmonic.”

Dudamel, 45, is among the world's most famous conductors. He is leaving the Los Angeles Philharmonic this summer after 17 seasons as music director to become the music director of the New York orchestra.

At one point, Dudamel feigned not knowing Chalamet, saying: “Which is the name of that?” before cutting off as the audience laughed.

“That way of thinking has to end,” he said. “Music is reborn all the time and it brings us the values of empathy through the beauty of what it is. So this is the reality of music. This is the real dimension of music and we need that more for our young people.”

The video, available on YouTube at https://www.youtube.com/watch?v=G7V2Biy3omw, draws inspiration from an essay by Eline van der Velden, Tilly's creator, real-life actor, and CEO of production company Particle6 and AI talent studio Xicoia. It reflects on the "extreme backlash" following Tilly's global debut last year, while emphasizing the humanity and creativity in her development, amid broader conversations sparked by stars like Matthew McConaughey and Ben Affleck.

Tilly's confident, cheeky persona shines through bold vocals and theatrical flair in the "unsingable" anthem, leveraging her AI nature—no need to breathe during demanding performances. The production used Suno for the music generation and Particle6's proprietary AI tools for the video, incorporating new 2026 techniques like performance capture where van der Velden acted out Tilly's role. A team of 18 humans filled roles including executive producer, director, production designer, costume designer, creative prompter, creative technologist, comedy writer, editor, production assistant, production coordinator, and actor.

This release previews the "Tillyverse," a cloud-based entertainment world where AI characters live, interact, and work, ahead of Tilly's official AI acting debut later in 2026. Particle6 positions the project as evidence of AI's rapid evolution, blending human craft with technology to push creative boundaries, as demonstrated since Tilly's initial launch.

Eline van der Velden stated: "Tilly is, and has always been, a vehicle to test the creative capabilities and boundaries of AI - not take anyone's job. As an actor myself, I have loved bringing Tilly alive for this video and feel that the ability to now use performance capture in this way, to fully inhabit an AI character, is a phenomenal way to bring an unknown actor like me closer to the craft." She added: "However, at the end of the day, even with brilliant new technology, it's still important to stress that great AI content isn't instant — it always takes good ideas, taste, direction, judgement and time. In other words: people remain at the heart of it."

The video arrives amid heightened industry scrutiny of AI, particularly as Hollywood prepares for the Oscars, where debates over technology's role in acting persist. 'Take the Lead' will also stream on Spotify, with Tilly active on Instagram and TikTok , and further details at Tillynorwood.com. While no direct LGBTQ+ community responses are documented in current coverage, the project's emphasis on inclusive creativity through AI tools could resonate in diverse entertainment spaces valuing innovation and representation. Additional images and performance capture footage are available via Google Drive link provided by Particle6.

In an interview with Women's Health UK, published in its April issue on sale from March 10, Ora reflected, ", a doctor told me it was a really good time to preserve the best quality . It was actually the best advice, because now I'm in my mid-thirties and I have a lot of friends really trying to figure it out. It will just be more of an expansion when the time comes." At the time, media reaction was strong, with Ora recalling, "Everyone went mad," but she noted egg freezing has since become more common.

A key motivator was her mother Vera's breast cancer diagnosis in 2005, when Ora was 13 years old. The treatment induced early menopause for Vera, prompting Ora to act proactively on her fertility. Ora previously discussed the impact on Davina McCall's Begin Again podcast in 2025, revealing it contributed to her post-traumatic stress disorder and health anxiety. "My mother's treatment stimulated menopause at an early age for her. So I'm trying to get ahead of it and learn about it," she said.

Ora's friend and former Masked Singer co-judge Davina McCall has been vocal about urging her toward parenthood. "Davina is always like, 'Hurry up – you can do it,'" Ora shared, adding she learned much from McCall during their four years on the ITV show.

Since marrying filmmaker Taika Waititi in 2022, Ora has embraced stepmotherhood to his two daughters. Waititi, a New Zealander of Russian Jewish and Māori descent, directed films like Jojo Rabbit and Thor: Love and Thunder. Ora highlighted shared values: "Our common ground of our mothers being our everything was very important. And the idea of working hard. We have lots of similarities in our beliefs and morals and how we were raised – I didn't realise that Albanian and Māori culture are very similar." She described their dynamic as "respecting each other and just being mates and having fun."

On step-parenting, Ora said, "I don't know if anything really prepares you, you just have to figure it out in the moment. I've loved every second – the girls are just a dream. I think I got very lucky. We have a lot of fun – doing nails, going shopping. I love hanging out with them."

Ora's career spans music with four UK number one singles and one number one album since 2004, plus acting in Fifty Shades of Grey, Southpaw, and Pokemon Detective Pikachu. Her story aligns with rising egg freezing trends; the Human Fertilisation & Embryology Authority reported a 45% increase in patients from 2022 to 2023, with average freezing age at 35 and thawing at 40. The British Fertility Society notes fertility decline often begins in the mid-thirties, though individual experiences vary, and success is not guaranteed. Egg freezing is available on the NHS for those facing fertility-impacting treatments like cancer therapy, subject to criteria.

No specific LGBTQ+ community responses or perspectives were documented in coverage of Ora's interview, though her affirming family narrative underscores inclusive approaches to modern parenthood.

Domingo, who identifies as part of the LGBTQ+ community and is married to Raúl Domingo, acquired the home after a six-month search following their move from New York to Los Angeles. The couple was immediately drawn to the pine tree-lined driveway and the home's untouched original features, including handcrafted woodwork and multiple fireplaces, which they preserved to honor its historical integrity. They modernized select elements, such as removing dated carpeting to expose polished concrete floors, while blending vintage accents, velvet furnishings, and meaningful artwork throughout.

A standout feature is the main bathroom, adorned with colorful tiles salvaged from the original Los Angeles International Airport terminals—a detail found in only three homes in Southern California. Domingo has described the outdoor space as "Big Bear meets Palm Springs," featuring a pine tree-lined driveway leading to an entertaining area ideal for dinner parties. The home's interiors reflect the couple's identities, with books by Gordon Parks and Kerry James Marshall on shelves, a framed image of James Baldwin in the office, and decor that celebrates freedom and individuality.

In prior features, Domingo shared insights into the home's personal significance. "There’s something everywhere that reminds you of where you are in history and who did it for you…everything you need to know about me is in my home—you just gotta look, you just gotta ask." He also noted upon first seeing the property, "I walked in and said, ‘Oh, this is our home.’" These elements underscore how the space serves as a sanctuary for the couple, intertwining their professional lives—Domingo's acclaimed career includes an Oscar nomination buzz—and personal journeys.

The listing, handled through undisclosed representatives, emphasizes the home's retro sunken bath, curated collection of art, and harmonious blend of midcentury architecture with contemporary touches. For LGBTQ+ individuals in entertainment, such properties often symbolize stability and self-expression amid high-profile careers, as seen in Domingo's role as a visible gay Black actor advocating for representation. The home's design philosophy—preserving history while infusing personal narrative—resonates within queer communities valuing spaces that honor heritage and individuality.

Photography from earlier tours, credited to Jenna Peffley for Architectural Digest, showcases the vibrant interiors and outdoor retreat, drawing attention in design and LGBTQ+ media circles. As of March 9, 2026, the property remains active on the market, attracting interest for its unique blend of architectural significance and celebrity provenance. This event highlights how public figures like Domingo curate living spaces that reflect their multifaceted lives, offering inspiration for queer homeowners seeking to merge personal history with modern living.

One standout pairing features Rob, a 32-year-old heterosexual man who creates explicit gay content on OnlyFans as a full-time career, handcuffed to Charlie, a 44-year-old self-described prudish housewife from Sussex. Rob, tattooed and open about his "gay-for-pay" work, explained to Charlie over dinner, "I’ve had many jobs in the past. And then it was just like, ‘This isn’t making me money. What can I do? So there is this website called OnlyFans… And I make gay porn for the gay industry." Charlie reacted with shock, describing the revelation as "a bit of a shock," while her husband Simon labeled the industry "sleazy" during a tense family discussion.

The pairing has sparked visible discomfort, with Charlie expressing she felt "really uncomfortable" and worried about personal boundaries, such as during Rob's shower where she wore a blindfold and confided, "I don’t even like my husband seeing me with nothing on." Simon broke down in tears, stating, "I’m just not comfortable with this… That sort of world that you're in, it’s sleazy and so to bring that into our family home is a challenge." Rob responded defiantly, saying, "I couldn’t give a f*** to be honest about what people think about what I do as a job."

In an exclusive clip from episode three, aired ahead of its March 9 premiere, tensions escalated when Rob hosted fellow adult content creators at his studio, explaining gay terminology like "bear," "twink," and "otter" to Charlie, who called the scenario something she "never thought she would encounter." During dinner, Rob joked, "on the menu tonight is steak and bl*wjobs," prompting Charlie to label the behavior "perverted" and "inappropriate," emphasizing boundaries: "I get boys banter, I get having a joke, but there’s also a line." She added that discovering Rob's career was "quite tough" with her family present.

Despite friction, Rob expressed optimism in a pre-premiere statement, noting surprise that "two people, living two completely different lives worlds apart can become great friends," adding, "We put our judgements aside and listened to our hearts." The first two episodes ended on a cliffhanger, leaving viewers questioning if the pair would continue. Episode three aired March 9 at 9pm on Channel 4, with all episodes available to stream.

The series has drawn attention for spotlighting a heterosexual creator in gay adult content, raising discussions on "gay-for-pay" performers and their role in LGBTQ+ media consumption, though no formal statements from LGBTQ+ organizations appear in coverage yet. Other pairings, like a 79-year-old baronet using bolt cutters to escape, underscore the experiment's intensity. Viewers have engaged online, with PinkNews inviting respectful commentary on the dynamics. As the show progresses, it tests whether forced proximity can humanize professions often stigmatized, including those intersecting with LGBTQ+ audiences.

In the video, which has garnered over a million views on social media, Roan narrated her experience while slowly turning her phone camera to capture the crowd shouting and pressing in around her. Dressed with smoky eyeliner and a scarf wrapped around her head in an old Hollywood style, she stated, “When you’re disregarded as a human, this is what it’s like. I’m just trying to go to dinner, and I’ve asked these people several times to get away from me.” She continued, pointing out specific individuals, “These are all the people who are completely disregarding all of my boundaries,” and urged them to “please leave me alone.”

One photographer approached asking for an autograph, saying “Hii” and “Can you sign,” which Roan declined, emphasizing that red carpet interactions differ from private moments like going to dinner. Another voice in the crowd called her a “fashion icon,” but she persisted in her request for space. Roan has not issued a formal statement beyond the video, but sources note her consistent use of social media to remind fans and media to respect her personal space as her fame surged in 2024.

This Paris encounter is not Roan's first clash with paparazzi. At the 2024 MTV Video Music Awards, she rebuked a photographer who yelled “shut the f**k up” on the red carpet, responding, “Don't. Not me, b***h!” In October 2025, during the Grammy Awards afterparty at the Universal event, she called out a photographer for past rudeness, saying, “You yelled at me at the Grammy party… You were so rude to me, and I deserve an apology for that.” These incidents underscore a pattern where Roan, a prominent voice in queer pop music, asserts her humanity against aggressive media pursuit.

For LGBTQ+ communities, Roan's actions resonate as a stand against dehumanization, a frequent challenge for queer celebrities navigating fame. Her open identification as a queer icon amplifies discussions on privacy rights for transgender people, gay individuals, and others in the spotlight who face intensified scrutiny. The video's virality on platforms like YouTube and social media has sparked conversations about media ethics, with outlets framing it as Roan "turning the tables" or taking "firm action." As Paris Fashion Week continues, Roan's bold response serves as a reminder of the boundaries all public figures, especially those from marginalized communities, seek to maintain.

Full House aired from 1987 to 1995, with Sweetin joining the cast at age 5 as the middle Tanner daughter. Coulier played Joey Gladstone, the fun-loving TV uncle to Sweetin's character. Sweetin recalled seeing Morissette, then around 18 or 19 years old, visiting the set during the early 1990s while Coulier, in his early 30s, was dating her.

The song "You Oughta Know," released in 1995 as the lead single from Morissette's album Jagged Little Pill, features raw lyrics about betrayal and a new lover who resembles the singer. Sweetin said she "knew who that was about" upon hearing it, pointing to lines describing a partner who looked like "an older version" of Morissette—matching Coulier's next girlfriend. "Some of the lyrics in there, I was like, 'I know who that's about,'" Sweetin stated on the podcast.

As a child star, Sweetin noted she stayed silent on the revelation initially. She later spoke with Coulier about it as an adult. Coulier has previously confirmed the rumors, recounting in a 2022 interview how he listened to the album in his car and realized, "Ooh, I think I may have really hurt this woman."

The podcast episode, hosted by Bob the Drag Queen—a prominent figure in drag and queer entertainment—aired recently, sparking coverage across entertainment outlets. Sweetin reflected on aging out of her "kid" role on set: "Suddenly you age out of being 'the kid,' and then they were like, 'We're gonna tell you all the s--- you missed.'"

This anecdote sheds light on the behind-the-scenes dynamics of Full House, a family-oriented show that resonated with millions during its run. It also revisits the cultural impact of "You Oughta Know," which propelled Morissette to global stardom and became a defining track of 1990s alternative rock. Coulier, Morissette, and Sweetin have each addressed the connection over the years, confirming the link without dispute from the parties involved.