“When something like that happens in a family, it kind of levels everyone,” Kaia said, according to reports on the interview.

She said the family circumstances contributed to her identifying herself as “the easy one” and avoiding requests for help because, in her words, “it felt like too much to have two children who were needing.”

The comments appeared in Vogue’s September 2026 cover story featuring Kaia and actor Homer Gere, her co-star in the television adaptation of Bret Easton Ellis’s novel The Shards.

Praise for Presley’s openness

Kaia also discussed the contrast between her parents’ longstanding privacy and Presley’s decision to share aspects of his experience publicly.

“My parents for most of our lives were very, very private and didn’t share anything—and now we have this absolute teacher, my brother, who says, ‘I’m gonna be very human for everyone,’” she said.

Kaia added that “there’s only so much you can hide from the world” and said that trying to conceal a person’s difficulties can make that person feel ashamed.

The remarks represent a rare discussion by Kaia of Presley’s health and recovery experiences, which he has addressed more directly through social-media posts and videos.

What Presley has disclosed

Presley, the son of model Cindy Crawford and businessman Rande Gerber, has previously spoken about addiction, depression, anxiety and other mental-health concerns.

Reports on Presley’s past disclosures say he described a severe, multiyear opiate addiction and a near-fatal fentanyl overdose that left him in a coma for several days.

Those details were reported in connection with statements Presley made in 2024, when he also said he intended to enter rehabilitation for ibogaine treatment.

The available reports do not independently establish the clinical effectiveness or safety of the treatment Presley described, and no medical professional is quoted in the recent coverage evaluating his care.

In a video discussed by People and other outlets, Presley said he was taking buprenorphine, Xanax and Valium in connection with panic attacks and other mental-health symptoms.

He said the amount of benzodiazepine medication he was taking had fluctuated and expressed uncertainty about the direction of his treatment after consulting more than 15 psychiatrists.

Presley also said he had experienced significant loss and was seeking a doctor who could provide a more structured plan for tapering medication.

Family privacy and public disclosure

Kaia’s comments place Presley’s disclosures within a family that has generally avoided discussing private matters publicly.

She did not describe specific conversations with her parents about Presley’s treatment, nor did she offer a medical assessment of his current condition.

Instead, she focused on the emotional consequences for the family and on the way Presley’s public honesty had changed how she understood secrecy and shame.

The Vogue interview also included Kaia’s discussion of her own health and disordered-eating struggles, although the Presley-related remarks were presented as part of a broader conversation about family, childhood and personal vulnerability.

Neither Kaia nor Presley’s comments, as reported, provide a definitive account of every stage of his treatment or recovery.

A broader conversation about support

The siblings’ public comments illustrate how substance use and mental-health challenges can affect relatives as well as the person experiencing them.

Kaia’s account specifically describes a family dynamic in which she suppressed her own needs because she believed another child already required substantial attention.

Her remarks do not assign blame to any family member, and the reporting does not include a response from Cindy Crawford or Rande Gerber about the interview.

For people in the United States experiencing a mental-health or substance-use crisis, People’s report directs readers to call or text 988 or use 988lifeline.org for free, confidential support available around the clock.

The eighth episode, titled “Wedding Day,” became available on Netflix on Wednesday, Aug. 12, following the release of the series’ first seven episodes.

The finale showed Jowsey ending his engagement with Davidson before proceeding to the ceremony with Mozo.

Davidson was wearing a wedding dress when Jowsey told her that he had developed strong feelings for her but had begun second-guessing his decision.

“I’ve really fallen in love with you, but this past week, I started second-guessing everything,” Jowsey told Davidson, according to Netflix’s account of the finale.

Jowsey then met Mozo at the altar, where the couple exchanged vows and Mozo said, “I do.”

Entertainment Weekly reported that Jowsey became emotional as Mozo walked toward him and that he wore his late father’s glasses while reading his vows.

“Somehow you made me slow down, soften, and believe in something real,” Jowsey told Mozo in his vows. “And here you are, and you make me feel like home.”

Mozo said the experience had involved “surrendering” and letting down her guard, adding that Jowsey was “special” and “unique.”

A dating experiment built around marriage

The finale followed Jowsey’s attempt to select a spouse from a group of 20 women.

The series presented itself as a dating competition in which Jowsey’s friends helped him evaluate potential partners through dates, compatibility challenges and eliminations.

Amanda Kloots, Georgia Hassarati and Sonny Henty served as Jowsey’s advisers during the process.

Kloots also officiated the ceremony shown in the finale.

Mozo and Davidson were the last two contestants remaining after the earlier dates and eliminations.

People identified Davidson as a cocktail waitress and nurse from Las Vegas and Mozo as a 30-year-old travel photographer from Hawaii.

In an interview with People, Jowsey described choosing between the two finalists as “one of the most daunting decisions” he had faced.

He also said that both women were exceptional candidates and that he had struggled with the possibility that one of them would be heartbroken.

“It really wasn’t an easy decision at all,” Jowsey told People.

Why Jowsey chose Mozo

Jowsey said Mozo’s free-spirited personality distinguished her from the other contestants.

Netflix reported that Jowsey explained his choice by saying, “I really love Amber’s confidence and how she thinks about the world.”

The series showed Jowsey and Mozo developing a connection gradually, despite his early uncertainty about whether she liked him.

Their first one-on-one date included a conversation about the loss of a parent, a shared experience that People identified as an important point in their relationship.

During the season, Jowsey also took Mozo and Davidson to New Zealand to meet his sisters, Sara and Rose.

The sisters chose different finalists: Sara favored Mozo, while Rose favored Davidson.

Jowsey told People that he ultimately relied on his feelings for Mozo and what he described as signs connected to his late father.

What comes next

The finale confirms the ceremony shown on the program and Jowsey and Mozo’s exchange of vows, but Netflix’s post-finale coverage does not specify whether the televised marriage was legally binding.

The couple’s post-show relationship is also being held for the reunion episode, which Netflix says will air on Aug. 26.

People likewise reported that the reunion is scheduled for Aug. 26 and that *Let’s Marry Harry* is currently available to stream on Netflix.

For now, the confirmed outcome is that Jowsey selected Mozo and publicly said “I do” to her at the end of the first season.

HBO announced the casting through an official social-media post that referenced Lockhart’s fictional autobiography, Magical Me, and his self-promotional personality.

“Magical me indeed. Now, how many autographs would you like?” the announcement said before confirming that Hoult had joined season two.

The casting was first reported by Deadline and subsequently reported by Variety, TheWrap and the BBC.

Who Is Gilderoy Lockhart?

Lockhart is a celebrity wizard and author who becomes Hogwarts’ Defence Against the Dark Arts teacher in Harry Potter and the Chamber of Secrets, the second novel in J.K. Rowling’s series.

The character is presented as vain, boastful and obsessed with fame, while claiming credit for heroic acts that he did not perform.

Lockhart was played by Kenneth Branagh in the 2002 film adaptation of Harry Potter and the Chamber of Secrets.

Hoult is known for roles in About a Boy, Skins, Mad Max: Fury Road, the X-Men films, The Great and Superman.

The role follows Hoult’s appearance as Lex Luthor in Superman, adding another major franchise part to the English actor’s recent work.

Fans Respond

The immediate response from fans was mixed rather than uniformly negative.

Comments reproduced by Yahoo Entertainment included enthusiastic reactions such as “PERFECT CASTING” and a statement that “millennial Potterheads” approved of the decision.

Other commenters expressed reservations, including “This just feels odd” and “Well. This is disappointing. Money>Morals.”

The reported comments do not establish how representative those reactions are of the wider Harry Potter audience, and no reliable poll or survey measuring fan sentiment was identified in the reporting reviewed for this article.

Some online discussion also reflected disappointment among people who had expected Hoult to play a different character, particularly Lord Voldemort, before the Lockhart casting was confirmed.

Other fans argued that Hoult’s previous performances demonstrated his ability to play an egocentric or pompous character.

The available reaction therefore points to competing responses: excitement about Hoult’s suitability for the role, disappointment among some viewers about his involvement or the choice itself, and broader opposition to the new series.

Rowling Controversy and the Reboot

The reaction to Hoult’s casting is also unfolding against continuing debate over Rowling’s public views on gender and transgender rights.

Rowling has been criticised by LGBTQ+ organisations, transgender people and others who describe her statements about gender as transphobic, while she has rejected that characterisation and said she supports transgender people’s right to live free from discrimination and abuse.

The controversy has affected discussion of the HBO adaptation, which is based on Rowling’s books and has her involvement as an executive producer.

HBO chief content officer Casey Bloys previously said that Rowling’s views had not affected the project’s casting, writing or production staffing.

The issue resurfaced this week after Bel Powley, who plays Petunia Dursley in the new series, said she “strongly disagree with J.K. Rowling’s views on gender” and that transgender people deserve “safety and dignity and respect and total acceptance.”

That statement was separate from Hoult’s casting announcement, and neither HBO nor Hoult was reported by the sources reviewed as linking his appointment to the debate over Rowling’s views.

Production Timetable

The first season of HBO’s series, titled Harry Potter and the Philosopher’s Stone, is scheduled to premiere on HBO and HBO Max on December 25, 2026.

Season two has been approved and is expected to begin filming in autumn 2026.

The second season will adapt Harry Potter and the Chamber of Secrets, meaning Hoult’s Lockhart is not expected to appear in the first season’s adaptation of the opening novel.

HBO has not announced a premiere date for season two in the sources reviewed.

For now, the casting has produced both approval and disappointment online, while the larger question for some viewers remains whether they want to engage with a franchise still connected to Rowling.

Egerton discussed the moment during an appearance on Armchair Expert with Dax Shepard released August 10, 2026. The episode’s official description identifies Egerton as the guest and lists a discussion of his work with Hardy among the conversation’s topics.

“There was a scene that never made the movie, but I was so pleased with myself,” Egerton said, according to reports on the interview. He then described a sequence in which Hardy’s character returns to a car after killing someone while Egerton’s character is waiting in the back seat.

“I grabbed his face, and I snogged him,” Egerton recalled. “And it wasn’t in the script.”

Egerton said he immediately pulled back because he did not know how Hardy would respond. Egerton added that he believed Hardy appreciated the confidence behind the improvisation, although Hardy has not been independently quoted in the available reports about the incident.

The Scene’s Context

In Legend, Hardy played both Ronald “Ronnie” Kray and Reginald “Reggie” Kray, the real-life London gangsters whose criminal activities form the basis of the film. Egerton played Teddy Smith, who is described in coverage of the film as Ronnie Kray’s lover.

The kiss did not appear in the theatrical version of Legend. Reports describe it as an unused or cut moment rather than a kiss shown in the completed film.

Egerton said the improvisation suited the purpose of his role because Teddy was positioned as a romantic counterpoint to the film’s violent, male-dominated gangster environment. He described the characters’ world as hypermasculine and said his role was intended to subvert that atmosphere.

Egerton also credited director Brian Helgeland with allowing the cast to experiment while making the film. Coverage of the interview reports that Egerton characterized Helgeland as open to actors improvising and trying alternatives to the written material.

A Revisited Performance

The disclosure comes more than a decade after Legend was made and released. The film was directed by Helgeland and centered on Hardy’s dual performance as the Kray twins.

The reported kiss is notable because Egerton’s character was explicitly connected romantically to one of Hardy’s characters, yet the moment did not survive into the final cut. The available reporting does not establish why the scene was removed, whether the footage still exists or whether the production formally recorded the kiss as a take intended for possible inclusion.

Egerton’s account frames the moment as an acting choice made within the film’s established relationship and character dynamics, rather than as a claim about either actor’s sexuality or personal life. No available report indicates that either Egerton or Hardy has identified the scene as evidence of an off-screen romantic relationship.

What Egerton Said About Hardy

Egerton said he had not seen Hardy in approximately 10 years, according to coverage of the podcast conversation. He nevertheless recalled the filming experience positively and said he was not intimidated by Hardy as a fellow actor.

The actor said he has personal insecurities and fears but does not lack confidence in his ability as a performer. That confidence, as described in the interview coverage, informed his willingness to make an unexpected choice during the scene.

The account has since been reported by entertainment and international news outlets, all of which identify the Armchair Expert episode as the source of Egerton’s comments.

As of August 12, 2026, there is no reported indication that the deleted scene will be released or restored.

The filing came three days after Hilton was hospitalized following a livestream from his Miami-area home in which he appeared to harm himself. The reports describe the arrangement as temporary rather than a permanent termination or transfer of Hilton’s parental rights.

The children are Mario III, 13; Mia, 11; and Mayte, 8. Hilton, whose legal name is Mario Armando Lavandeira Jr., is their parent.

According to People, Lavandeira’s Florida attorney, Natalie F. Guerra-Valdes, said the family’s objective was to protect the children and give them “some sense of normalcy” while they begin recovering from the events of the previous week.

What the documents reportedly say

TMZ reported that Hilton signed a consent form supporting his mother’s request for temporary custodial authority. Page Six similarly reported that the court documents state Hilton “voluntarily consented” to the application.

The reported authority would allow Lavandeira to make necessary medical and dental decisions for the children, obtain their medical and educational records, enroll them in school and take other actions concerning their welfare. The documents reportedly preserve Hilton’s ability to petition for the return of custody, potentially subject to a transition plan.

Lavandeira has also asked that the court records be sealed. TMZ and Page Six reported that the filing cites the children’s need to avoid further trauma connected with the incidents underlying the petition.

The reported request to seal the case comes as media outlets have continued covering the livestream, Hilton’s hospitalization and the children’s circumstances. No public ruling on the sealing request was identified in the reporting reviewed for this article.

Hospitalization and official updates

The custody filing follows a police response on August 4 after viewers reported that a man was livestreaming acts of self-harm from a Miami residence associated with Hilton.

The Miami-Dade Sheriff’s Office did not initially identify the man by name, but said authorities had received numerous calls about the livestream. The department later said the individual had been “safely recovered” and transported by Miami-Dade Fire Rescue to a local hospital.

The sheriff’s office also said mental-health professionals were present at the scene to provide support and resources to the person’s family. Hilton’s representatives subsequently confirmed that he was receiving medical care and asked for privacy for him and his family.

A statement published on Hilton’s website on August 8 said that he remained hospitalized under Florida’s Baker Act and that his condition was “serious but stable.” The statement said he had experienced significant blood loss and sustained additional injuries requiring surgery, and that his treatment and recovery would be lengthy.

The same statement said Hilton’s communication had been limited to immediate family, medical providers and others directly involved in his care. It also said that his children were safe and being cared for by immediate family.

The children’s welfare

In an earlier family statement, relatives said the children, Hilton’s sister and his niece had been inside the home shortly before the incident. The statement said that, when family members recognized Hilton was experiencing a severe mental-health crisis and harming himself, they left with the children to prevent them from witnessing further trauma.

The family identified helping the children heal and reestablish a sense of security and normalcy as its highest priority. Lavandeira’s attorney told People that the family wanted the children to be safe while they began that process.

People reported that the children had recently moved with Hilton to Miami to be closer to Lavandeira and other family members. The publication also reported that the children were conceived through gestational surrogacy.

The available reports do not establish that Hilton has permanently lost custody of his children. Instead, they describe a temporary arrangement supported by Hilton while he remains hospitalized and receives treatment.

The family has asked members of the media and public not to gather outside its home. Further details about the children’s living arrangements, the court’s decision and Hilton’s medical condition have not been publicly disclosed by the court or treating clinicians.

The season 8 cast is Alik, Anita Piss, Coral-Hole Mandi, The Delta Quadrant, Flesh, KY Kelly, Lucky Roy Singh, ma_danni_x, Mocha, Naya Thorn, Paris Baby and Tequila Thirst.

The queens will compete across 10 weeks of challenges, runway presentations and lip-sync performances, with a £25,000 cash prize and the series title at stake.

The regular judging panel will feature host and lead judge RuPaul, alongside Michelle Visage, Alan Carr and Graham Norton. The BBC said the celebrity guest judges will be announced later.

Meet the Queens

Alik, 29, is from Brighton and has performed in drag for eight years. She describes her style as a combination of vintage and contemporary influences, with goth glamour and punk elements, and has highlighted her background in gymnastics and trampolining as part of her performance identity.

Anita Piss, 37, is originally from Birmingham and is associated with East London’s drag scene. She told 'Digital Spy' that she had applied for the programme five times before joining the season 8 cast.

Coral-Hole Mandi, 27, is originally from Ballymena and is based in Belfast. Her drag draws on her background in marine biology and her interest in oceans, sea creatures and mermaids; she describes herself as a “Bikini Bottom Bimbo from Belfast.”

The Delta Quadrant, 32, comes from Darlington and presents a business-focused drag persona built around power dressing, tailored suits, shoulder pads and a signature bob. 'Digital Spy' described the character as “The Deborah Meaden of drag,” referring to the queen’s stated businesswoman persona.

Flesh, 25, is a Soho-based queen influenced by 1990s supermodels and British fashion. She also has a connection to the programme through her friendship with Bones, the winner of the previous UK series, according to 'Digital Spy' and Gaydio.

KY Kelly, 42, is from Rugeley in Staffordshire and has spent almost 16 years performing on the UK cabaret circuit. She describes herself as a live-singing comedy diva whose aesthetic combines traditional drag influences with a contemporary presentation.

Lucky Roy Singh, 36, is from Manchester and describes her drag as a Punjabi fantasy and Bollywood Punjabi diva. Both the BBC’s cast information and 'Digital Spy' identify her as the first South Asian queen to compete on 'RuPaul’s Drag Race UK'.

ma_danni_x, 48, is from the Wirral and brings 28 years of drag experience to the competition. Gaydio reported that her past work has included associations with George Michael, Ruby Wax, Samantha Fox and Lily Savage, as well as an appearance on 'Britain’s Got Talent;'.

Mocha, 26, is from Essex and has been performing in drag for 10 years. She describes her style as cartoonish and combines vintage and showgirl references with fashion and musical theatre.

Naya Thorn, 24, began her drag career in Liverpool and now lives in Manchester. She has spent five years travelling around the country performing, according to the BBC and 'Digital Spy'.

Paris Baby, 27, describes herself as the UK’s “British Bajan Barbie” and has performed in drag for seven years. She is presented as a strong lip-sync performer and told 'Digital Spy' that she was ready to embrace the role of a series villain.

Tequila Thirst, 39, was born in London and lives in Chester. She describes herself as a Vietnamese North Londoner whose identity informs her drag, which favours bright colours including juicy greens, hot pinks and citrus shades.

When and Where to Watch

The BBC has confirmed that RuPaul’s Drag Race UK series 8 will officially premiere on Thursday, September 3, 2026 on BBC Three and BBC iPlayer.Viewers can already watch the Meet the Queens preview programme on BBC iPlayer, which also broadcasted on BBC Three on August 11. The 10-week race will culminate in November when the next reigning drag superstar is crowned.

The cast announcement follows a promotional campaign that began with a teaser released in late July, when the programme’s social-media channels directed viewers to the August 11 reveal.

The BBC has said that the new contestants will face challenges designed to test their drag skills before the least successful performers are placed in a “Lip Sync For Their Life,” the competition’s elimination format.

With the full line-up now public, the season’s first major question is no longer who will enter the workroom, but which of the 12 queens will turn the ru-veal into a run toward the crown.

The casting was first reported by Deadline, which said sources had identified Connor as Marvel’s choice after a period of meetings, auditions and discussions involving director Jake Schreier and Marvel Studios president Kevin Feige.

The Hollywood Reporter separately reported that Connor was “circling” the role of Scott Summers, while noting that studio representatives had not commented on the casting.

Entertainment Weekly described Connor as the pick for Cyclops and reported that the role would bring him into the Marvel Cinematic Universe alongside Joe Locke, his co-star from Netflix’s Heartstopper

Marvel Studios has not officially announced Connor as Cyclops, and the reports attribute the information to unnamed sources rather than to a formal studio statement.

Who Connor Would Play

Cyclops is the superhero identity of Scott Summers, a central character in Marvel’s X-Men stories whose signature ability is the projection of powerful optic blasts.

The character is traditionally associated with a ruby-quartz visor or similar eyewear that helps him control his optic power.

The role has previously been played in live-action films by James Marsden and Tye Sheridan.

In Marvel’s comic-book mythology, Cyclops is one of the best-known members and leaders of the X-Men, a team of mutants whose stories have frequently addressed discrimination, social exclusion and the conflict between minority communities and those who fear them.

Details about the plot, the film’s complete cast and the precise place of the new X-Men movie within the MCU have not been publicly disclosed in the reports reviewed for this article.

Connection to Joe Locke

If Connor’s casting is confirmed, he will join Joe Locke in Marvel’s expanding screen universe.

Locke plays Billy Maximoff in Marvel Television’s 'Agatha All Along', a Disney+ series connected to the MCU.

The character was initially presented in the series as a mysterious teenager known as Teen before his identity as Billy Maximoff was revealed.

Marvel identifies Billy Maximoff as the son of Wanda Maximoff, also known as the Scarlet Witch, and notes that the character is also known as Wiccan.

Locke’s role in 'Agatha All Along' marked his introduction to the MCU, while the reported Cyclops role would represent Connor’s own move into the franchise.

Connor and Locke previously appeared together in 'Heartstopper', the television series based on Alice Oseman’s graphic novels.

Connor played Nick Nelson in 'Heartstopper', while Locke played Charlie Spring.

Their reported reunion would be notable because the two performers would be moving from a coming-of-age television drama into separate roles within Marvel’s large-scale superhero franchise.

What Has Been Confirmed

The current information establishes a reported casting decision rather than an official announcement.

According to Deadline, Marvel considered multiple candidates and ultimately settled on Connor following auditions conducted after the Fourth of July holiday.

The report placed Connor among a small group of actors who tested for the part before Marvel made its reported choice.

The Hollywood Reporter corroborated the central development by reporting that its own sources also had Connor in contention for, or circling, the role.

Neither Marvel Studios nor Connor’s representatives had publicly confirmed the agreement in the sources available as of August 11, 2026.

The film’s release date was also not confirmed in the reporting reviewed for this article.

As a result, Connor should be described as reportedly chosen, eyed or in talks for Cyclops rather than as officially cast until Marvel issues a formal announcement.

For now, the reported development links two actors associated with Heartstopper to different corners of Marvel’s screen universe: Locke as Billy Maximoff in Agatha All Along and Connor as the reported new face of Cyclops in the upcoming *X-Men* reboot.

Rodriguez shared the news on Instagram alongside photographs of the couple and captioned the post, “Engaged!” followed by diamond-ring, heart and champagne-glass emojis.

The three-photo post shows Rodriguez riding piggyback on Serafini in an urban park while both actors display their engagement rings.

Serafini responded to the announcement with several smiling-face-with-hearts emojis.

The couple did not announce a wedding date or provide additional details about their plans in the reports reviewed for this article.

From East High to Real Life

Serafini and Rodriguez met while working on Disney+’s High School Musical: The Musical: The Series" which premiered in 2019.

On the series, Rodriguez played Carlos Rodriguez, while Serafini played Seb Matthew-Smith.

Their characters were portrayed as a young gay couple at East High, making their relationship one of the show’s central LGBTQ+ storylines.

The actors confirmed that they were dating in real life during a 2021 interview with Hollywire that also featured their co-star Joshua Bassett.

The engagement announcement therefore follows several years of publicly acknowledged relationship history connected to the series.

The Disney+ series ended in 2023 after four seasons.

Cast Members Celebrate

Former members of the High School Musical: The Musical: The Series cast joined fans in congratulating the couple in the comments on the engagement post.

Joshua Bassett commented, “AHHHHHHHHHHHHHHHH,” while Matt Cornett, who played E.J. Caswell, wrote, “YES YES YES YES YES. GREATEST COUPLE OF ALL TIME.”

Julia Lester wrote, “Those are literally my favorite ppl on the planet really truly,” according to coverage of the post.

Sofia Wylie also celebrated the announcement, writing that she was “SCREAMINGGGG.”

Tim Federle, the show’s creator and an openly gay showrunner, commented, “nature is healing,” accompanied by a red-heart emoji.

Dara Reneé, who played Kourtney Greene, also posted a congratulatory message, writing, “I’VE BEEN PRAYING FOR THIS MOMENT!! LOVE YALL SO MUCH!!!!”

Glen Powell, who is set to appear with Rodriguez in the upcoming third season of Hulu’s Chad Powers, commented, “I love your love!!!! So damn happy for you!!”

The Significance of Seb and Carlos

The relationship between Seb and Carlos was presented as an ordinary part of the characters’ lives rather than as a storyline defined solely by conflict about their identities.

Serafini previously discussed the significance of that approach in an interview with Pride.

“It’s hard to wrap your heads around, even four years into these characters, just the power of their existence on the screen to people watching at home,” Serafini said.

He added, “It’s just been so incredible to have them exist in this natural, not pushed or forced way. I mean, Seb and Carlos are just in a relationship. That’s all it really is.”

The series’ LGBTQ+ representation was also reflected in “In a Heartbeat,” a song performed by Rodriguez’s Carlos for Serafini’s Seb.

Out described the song as Disney’s first same-sex love song, citing its focus on choosing a partner for who they are.

The actors’ on-screen partnership and real-life relationship have consequently become closely associated for viewers of the series, while the engagement announcement concerns their private lives outside the show.

What Comes Next

Serafini recently appeared in a production of Into the Woods at the Cape Playhouse in Dennis, Massachusetts.

Rodriguez is preparing for the third season of Chad Powers, which Attitude reported is scheduled to arrive on Hulu on September 3, 2026.

For now, the engagement announcement has been met with public congratulations from the actors’ former colleagues, collaborators and supporters.

The story follows Owen, a pizza-shop owner played by Callum Turner, and Allie, an aspiring singer played by Monica Barbaro, as they navigate the 12-hour period when sex is permitted.

The film’s world includes government mechanisms intended to enforce the rules, including tattoos that change color during the permitted period and biosensors that measure physical responses and proximity between people.

The premise has prompted comparisons to 'The Purge', although the film substitutes a legally sanctioned period of sexual activity for that franchise’s night of lawless violence.

In the film, Owen’s long-term girlfriend decides that she wants to sleep with other people on the designated night, while Owen encounters Allie during his own search for connection.

Gluck directed the film from a screenplay by Travis Braun. 'One Night Only' is rated R for sexual material, language and brief nudity, and runs for 1 hour and 42 minutes.

The film opened widely in theaters on Aug. 7.

Why the Nudity Was Reduced

Although sex is central to the story, Gluck said the finished film contains far less nudity than earlier versions.

Speaking with 'Variety', Gluck said he had become increasingly aware of audiences’ reactions to sexual material shown in theaters.

“The only thing is I don't think it's just Gen Z and Gen Alpha,” Gluck said, referring to the idea that younger audiences may be less comfortable with sex on screen.

“I believe it's been a societal shift from taking nudity in adult situations and putting them on your phones at home for everybody,” he continued.

Gluck said he believed sexual imagery had become more private and intimate for some viewers, making it uncomfortable to watch in a shared theater environment.

“Whenever people now see nudity or very adult situations in a big theater, they get uncomfortable,” he said.

Gluck said the production initially filmed extensive nudity on New York City streets because he believed those images were necessary to establish the film’s society.

“There was so much nudity in this movie that we shot on the streets,” Gluck said. “I felt we needed to show the world that way.”

He said that passersby sometimes stopped to watch actors filming intimate scenes in or around cars.

Gluck said the filmmakers ultimately incorporated some of that behavior into the film because they reasoned that people in the story’s fictional world would also be likely to stare at public sexual activity.

Test Screenings Changed the Edit

The decisive change came during screenings of an early cut, according to Gluck.

He said viewers appeared engaged when the film focused on Owen and Allie, but that their reactions changed when the camera moved away from the protagonists to show unrelated people having sex.

“As we started to show it to audiences, we felt it takes you out of the movie,” Gluck said.

He described the reaction as visibly physical, saying viewers would turn toward the people sitting beside them when explicit material appeared.

“You're engaged in the characters and what's going on, and then you pan over and there's two naked people having sex,” Gluck said.

He concluded that the sexual imagery was not producing enough benefit to justify the distraction it caused during screenings.

“So we just kept editing it out until we got a balance, and those comments went away,” Gluck said.

The director said this experience followed lessons he had drawn from the editing process on his previous film.

“Once I've learned that, which was all through the editing process for my last movie, I applied it to this movie,” Gluck said.

“But even so, I didn't apply it enough. I cut out so much.”

Gluck also said he had “long pages of empirical data” related to audience responses to sex on screen, although the published interview did not identify the studies or provide the data.

Balancing World-Building and the Love Story

The reduction in nudity did not remove sexual material from the film entirely. The New York Times lists the picture as an R-rated comedy, drama and romance directed by Gluck.

The Los Angeles Times described the fictional night as one when streets are filled with couples kissing and attempting to take advantage of the temporary change in the law.

The review also identified story complications involving condoms, police raids, catfishing, injuries and interruptions by family members.

Gluck said the film’s broader rules and government systems were intended to remain secondary to the characters’ experiences.

“It’s more about how our characters navigate life,” he said.

That emphasis helps explain why the edit moved away from some of the production’s more conspicuous images of public sex: Gluck said the filmmakers wanted viewers to remain connected to the central characters rather than become focused on the spectacle surrounding them.

The production nevertheless used an intimacy coordinator, whom Gluck described as “incredible.”

Gluck also said the production cast real-life couples at different stages of their relationships for some intimate scenes.

He said those couples included married people, people who separated during production and people who became couples in order to perform scenes together.

The final film therefore retains the sexual premise, an R rating and brief nudity, while presenting substantially less explicit material than Gluck said the production originally shot.