InFrame

Rapper DDG Faces Backlash After Labeling Men Who Watch 'Love Island' Alone as ‘Gay’ and ‘Bisexual’

LOS ANGELES, CALIFORNIA - NOVEMBER 14: Musical artist DDG on set during filming of Sony collaboration campaign with DDG and Neen Williams at The Berrics on November 14, 2019 in Los Angeles, California. Photo Credit: Randy Shropshire

by Chris Tremblay Jul 8

5 MIN READ

The intersection of reality television and traditional gender norms has once again become a focal point of digital discourse following comments made by rapper and streamer Darryl Dwayne Granberry Jr., known professionally as DDG . During a livestream held on July 6, 2026, the artist asserted that men who consume certain forms of entertainment without female companionship are inherently questioning their sexuality . His specific targeting of the popular reality series Love Island USA has ignited a conversation regarding toxic masculinity and the ongoing stigma surrounding men’s leisure activities .

The Comments in Context

The controversy began when DDG addressed his audience regarding his current viewing habits and the changes in his lifestyle following his highly publicized separation from actress Halle Bailey . DDG explained to viewers that he has intentionally avoided the current season of Love Island USA because he is not presently in a relationship . "I haven't watched Love Island," the rapper stated during the broadcast. "You know why? 'Cause I don't have anybody to watch it with" .

However, the musician’s explanation quickly shifted from personal preference to a broader generalization about male sexuality. DDG proceeded to claim that solo viewership of the show by men is a sign of being gay or bisexual . "I think it’s gay to watch Love Island by yourself," he remarked to his streaming audience . He further doubled down on these assertions, suggesting that any man watching the program alone might be bisexual .

To justify his stance, DDG characterized Love Island—a show where contestants live in a villa and attempt to find romantic partners through various challenges—as being akin to "soft p-o-r-n" . He argued that for a man to watch the contestants, who are primarily arranged in heterosexual pairings, engage in physical affection like kissing was "a little bisexual" if done without a woman present . These comments extended beyond television; the rapper also claimed that he would feel unable to visit a movie theater alone for fear of being perceived as bisexual by others .

Criticism and Social Media Reaction

The rapper’s statements were met with immediate pushback from LGBTQ+ advocates and social media users who pointed out the exclusionary nature of his rhetoric. Critics argued that labeling benign activities such as watching a television show or visiting a cinema as indicators of one’s sexual orientation reinforces harmful stereotypes and limits the emotional and social freedom of men . Many viewers noted that his comments reflect a rigid, "hyper-masculine" worldview that views men’s interests through a strictly performative lens, where every action must be validated by a female partner to avoid being labeled as "gay" .

Discussion on platforms like Reddit highlighted the irony of DDG’s stance, given his previous history of participating in content that centers on dating and romance . Furthermore, commentators argued that using "gay" and "bisexual" as descriptors for behaviors he finds undesirable is a form of casual homophobia that continues to marginalize gay men and bisexual people .

A History of Public Controversy

This is not the first time DDG’s public statements or creative choices have sparked significant controversy regarding his views on relationships and gender. The rapper has often been criticized for his "embarrassing antics" on social media, which many fans believe have targeted his ex-partner, Halle Bailey .

In May 2023, following the release of Bailey’s starring role in the live-action The Little Mermaid, DDG released a song titled "Famous" . The lyrics included derogatory references to dating a famous woman and appeared to express insecurity regarding Bailey’s professional obligations, specifically mentioning her "kissing dudes" on film sets . At the time, social media users slammed the track as a "nasty" response to his girlfriend's success .

Legal Battles and Allegations of Abuse

The relationship between DDG and Halle Bailey, which began in 2022 and produced a son named Halo in late 2023, officially ended in October 2024. The split was followed by a contentious legal battle in 2025. Bailey was initially granted a temporary restraining order against DDG in May 2025, after filing court documents alleging multiple instances of physical and verbal abuse. DDG responded by denying the claims and filing his own domestic violence restraining order request in June 2025, alleging emotional instability.

According to the initial legal filings, Bailey alleged that DDG had pulled her hair and slammed her face into a steering wheel. She also submitted photographic evidence of bruising. DDG initially responded to the allegations during a livestream, claiming the reports were "fake news".

However, the hostile legal battle did not result in permanent court mandates. In late October 2025, Halle Bailey and DDG agreed to dismiss their mutual restraining orders. The musicians opted to work cooperatively in good faith, settling on a joint custody and visitation schedule to co-parent Halo while agreeing to stop publicly disparaging each other online.

Continued Focus on Dating and Media Perception

Despite the serious nature of the 2025 legal proceedings, DDG has continued to center much of his public persona around his dating life and his opinions on romantic dynamics. He was briefly linked to India Love in late 2025, though the two reportedly separated by early 2026 . His career as a content creator has remained focused on livestreaming, where he often shares unfiltered opinions that frequently result in viral backlash .

The rapper’s recent comments about Love Island highlight a broader trend in his content where he equates "maleness" with a refusal to engage in "soft" or "feminine" activities unless they are facilitated by a romantic partner . This ideology, often categorized under the umbrella of toxic masculinity, suggests that men’s identities are fragile and subject to question if they do not adhere to specific performative standards .

Broader Cultural Implications

The backlash against DDG’s stream underscores a shifting cultural landscape where the use of LGBTQ+ identities as a pejorative or as a tool for gatekeeping masculinity is increasingly rejected . By labeling bisexual people and gay men through the lens of specific viewing habits, the rapper has inadvertently contributed to the very "drama" that Halle Bailey previously accused him of creating for the sake of his audience .

As reality shows like Love Island USA continue to draw massive audiences across all demographics, the debate over who "can" or "should" watch such programming reveals persistent anxieties regarding gender and sexuality in the digital age . For DDG, the comments represent another chapter in a career defined by controversy and a complex, often adversarial relationship with both his former partner and the public's expectations of modern masculinity .

Madonna Sparks Speculation Over New Track ‘Bizarre’ and Relationship with Ex-Husband Sean Penn

MadonnaPhoto Credit: (Photo by Al Bello/Getty Images)

by Chris Tremblay Jul 7

4 MIN READ

On Friday, July 3, 2026, Madonna officially released her highly anticipated fifteenth studio record, Confessions II, a sixteen-track collection that has immediately ignited global conversation regarding its deeply personal lyrical content . While the album features high-profile collaborations with contemporary artists such as Sabrina Carpenter, it is the track "Bizarre"—produced in partnership with EDM superstar Martin Garrix—that has dominated headlines due to its apparent references to Madonna’s first husband, Oscar-winning actor Sean Penn .

The Lyrics of "Bizarre"

The track "Bizarre" serves as a centerpiece for the album's theme of memory and retrospection, with Madonna appearing to take several pointed jabs at a former lover . In the song, she sings about a “movie star” with “deep blue eyes” who was considered the “perfect prize” by the public, a description that many listeners have immediately linked to Penn's signature appearance and Hollywood status during their marriage in the 1980s . One of the most striking lines in the chorus declares, “I guess you’re threatened by me, you won’t admit it,” suggesting a power imbalance and insecurity that Madonna claims plagued the relationship .

The song further explores the public-facing nature of their romance, with Madonna singing: “Roll out the carpet for us but you won't share it / I guess you’re threatened by me, you won’t admit it” . These lyrics suggest that her partner was never comfortable with her seismic level of fame and would often display insecurities during their shared red carpet appearances . Madonna was married to Penn from 1985 to 1989, a period during which she became one of the most famous women in the world, a rise to stardom that coincided with the intense tabloid scrutiny of their relationship .

Specific Historical Allusions

Music historians and fans have pointed to specific imagery in "Bizarre" as evidence of its subject matter . Madonna references a fast-driving Shelby Cobra in the lyrics, a detail that prompted fans to link the song to the sports car she reportedly gifted Penn shortly after their wedding in 1985 . The mention of the car, combined with descriptions of an intense, "fire"-like connection, has reinforced the theory that the 67-year-old singer is processing the "turbulent" nature of their four-year marriage nearly four decades later .

Analysts have also noted that the theme of a partner being "threatened" by her success is a narrative Madonna has explored before . The line “I guess you’re threatened by me” almost perfectly echoes interpretations she offered regarding the end of her marriage during the promotional cycle for her 1989 album, Like a Prayer . In "Bizarre," she adds a modern layer of resentment, singing, “I know I left you behind and you resent me / A thousand reasons why you could never have me” .

Context of Confessions II

Confessions II arrives twenty-one years after Madonna’s 2005 landmark dance album Confessions on a Dance Floor . While the 2005 record was primarily focused on club-ready anthems and personal liberation, the 2026 sequel appears to be a more somber and reflective work that "takes aim" at figures who have shaped her life . Beyond the alleged commentary on Penn, the album also reportedly includes sharp criticism aimed at her late stepmother, Joan Ciccone, who passed away in late 2025 .

The collaboration with Martin Garrix on "Bizarre" has been described as a standout musical moment on the album, blending Madonna’s confessional songwriting with Garrix’s signature high-energy EDM production . Other tracks on the album include a collaboration with Sabrina Carpenter, signaling Madonna's continued efforts to engage with younger generations of artists while maintaining her status as a pioneer in the music industry .

Public and Critical Response

The sudden targeting of Penn in "Bizarre" has surprised some fans, as Madonna had previously spoken about him with affection in recent years . She has famously stated in past interviews that she "still loves him from the moment she saw him," making the "bitter anger" expressed in the new lyrics a significant pivot in her public narrative . Some commentators suggest that Bizarre is less about Penn as a person and more about "memory itself," reflecting on how past relationships continue to influence one's identity .

Despite the overwhelming speculation, neither Madonna nor Sean Penn has officially confirmed that the song is about their marriage . Representatives for both parties have declined to comment on the fan theories, keeping the lyrical subject matter in the realm of rumor and artistic interpretation . However, the specificity of the "blue eyes," "movie star," and "Shelby Cobra" references has led many in the entertainment media to conclude that the link is undeniable .

As a long-time advocate for LGBTQ+ rights and a foundational figure in queer culture, Madonna’s decision to revisit her past in such a raw manner continues her legacy of transparency . Throughout her career, she has utilized her platform to highlight the experiences of marginalized communities, including transgender people and those living with HIV/AIDS, often using her own life struggles as a bridge to broader social issues . Confessions II appears to continue this tradition by offering a look at the complexities of love, aging, and the lasting impact of historic fame .

'Elle' Creators Detail Reese Witherspoon’s ‘Impactful’ Influence and '90s Expertise in Prequel Writers’ Room

Photo Credit: Amazon Prime Video

by Chris Tremblay Jul 7

4 MIN READ

The highly anticipated expansion of the Legally Blonde universe arrived on Prime Video this month with the premiere of Elle, a prequel series documenting the formative high school years of the iconic Elle Woods . Following the show’s July 1 launch, co-showrunners Laura Kittrell and Caroline Dries have opened up about the collaborative process with the original film’s star, Reese Witherspoon, who serves as an executive producer on the project through her media company, Hello Sunshine . The creators emphasized that while Witherspoon allowed the writers’ room significant creative freedom, her periodic contributions were "incredibly impactful" in shaping the character’s television origin .

Witherspoon’s Strategic Role in the Writers’ Room

In an exclusive interview published on July 5, 2026, Caroline Dries clarified that Witherspoon did not participate in the granular, day-to-day writing sessions typically associated with a television writers’ room . "She wasn't in the weeds with us that much with the story," Dries explained, noting that Witherspoon’s primary engagement occurred during the high-level planning stages of the first season . According to the showrunners, Witherspoon meticulously reviewed the season 1 outlines and used those moments to pose probing questions that helped the creative team refine the narrative arc of a younger Elle Woods .

Dries described Witherspoon’s input as "nuggets of gold" that frequently altered the direction of specific scenes or character beats . The actress-producer reportedly drew upon her own lived experiences to provide a sense of realism that the writers could then expand upon in the script . This collaborative dynamic ensured that the series stayed true to the "fun tone" of the original 2001 movie while allowing the television creative team to establish their own voice .

Curating the 1990s Experience

A significant portion of Witherspoon’s contributions centered on the show’s 1990s setting . Because the series follows Elle Woods as a teenager during that decade, the showrunners sought to capture the specific "feelings" of the era beyond mere aesthetic choices . Laura Kittrell noted that Witherspoon shared "specific '90s experiences" from her own adolescence that the writers integrated into the show’s fabric . These personal anecdotes provided the writers with a roadmap for navigating the social hierarchies and cultural touchstones of the period .

The series specifically highlights the contrast between Elle’s vibrant personality and her new environment in Seattle, Washington . While the original film was famously set in Southern California and Massachusetts, the prequel finds Elle’s family moving from Bel Air to the rainy Pacific Northwest . This setting allows the show to explore the 1990s grunge scene, which often stands in direct opposition to Elle’s signature pink-hued optimism . Kittrell pitched this "fish out of water" concept to Amazon MGM Studios in April 2024, receiving Witherspoon’s enthusiastic support for the creative shift .

Establishing a New Canon with Diverse Perspectives

Maintaining the integrity of the Legally Blonde canon was a primary concern for both the creators and Witherspoon . During a deep-dive interview with TVLine on July 2, 2026, the creators confirmed that Witherspoon’s endorsement has officially rendered the prequel series "canon" to the film franchise . "It was Reese’s idea to do a show about Elle Woods in high school," Caroline Dries stated, adding that Witherspoon entrusted the team to build upon the foundation she laid twenty-five years ago .

In addition to maintaining the original tone, the creators emphasized a commitment to modern diversity within the 1990s setting . The series includes inclusive storylines, such as a burgeoning romance between the characters Liz and Kimberly . Director Jason Moore, who worked alongside the all-female creative leadership team, credited Laura Kittrell for ensuring that the show’s world reflects a broad spectrum of identities and experiences .

The Casting of Lexi Minetree

Finding an actress capable of stepping into the role that defined Witherspoon’s early career was a massive undertaking that began with an open casting call in September 2024 . The production reportedly received "thousands and thousands of tapes" from hopeful performers . Witherspoon remained deeply involved in this process, personally reviewing audition materials and ultimately "hand-picking" newcomer Lexi Minetree to lead the series .

Minetree’s casting was officially announced in February 2025, and she has since earned praise from both Witherspoon and the showrunners for her ability to inhabit the "distinct personality and ingenuity" of a teenage Elle Woods . Witherspoon noted that the casting choice was crucial for exploring who Elle was before she reached the milestones of Harvard Law School seen in the original film .

Production Milestones and Future Outlook

The journey of Elle from concept to screen began in May 2024, when Witherspoon appeared in character at Amazon’s inaugural upfronts to announce the development of the prequel . The actress has since shared regular updates via social media , including the commencement of filming in early 2025 and a first-look teaser that debuted in June 2026 .

Public reception and internal confidence in the project led Amazon MGM Studios to grant the series an early renewal for a second season months before its premiere . This expansion of the Legally Blonde intellectual property also includes a separate spinoff series currently in development by writers Josh Schwartz and Stephanie Savage, further solidifying the franchise’s presence in the current streaming landscape .

As Elle continues its first season on Prime Video, the showrunners maintain that Witherspoon’s unique perspective as the character’s architect remains their most valuable resource . By blending Witherspoon’s personal history with the writers’ fresh take on the 90s, *Elle* seeks to honor the legacy of the original films while introducing a new generation of fans to the origins of the world's most famous Gemini vegetarian .

Millie Bobby Brown Reveals Real-Life Romantic Moment Inspired Pivotal ‘Enola Holmes 3’ Intimacy

Photo Credit: Netflix

by Chris Tremblay Jul 7

5 MIN READ

The release of Enola Holmes 3 on Netflix has sparked significant conversation among fans and critics alike, not only for its investigative puzzles but for a specific moment of quiet intimacy that deviates from standard Hollywood romance. Following the film's premiere, lead actress and producer Millie Bobby Brown revealed that the sequence in which Lord Tewkesbury braids Enola’s hair was a personal pitch she made to the production team . Brown shared that the scene was modeled after a nightly ritual performed by her husband, Jake Bongiovi, describing the gesture as more profoundly romantic than a traditional scripted kiss .

The Inspiration Behind the Scene

In the third installment of the popular franchise, which began streaming globally in early July 2026, the central characters Enola Holmes and Viscount Tewkesbury, played by Louis Partridge, find a moment of respite during a walk along the coast . Amidst the high-stakes mystery and action, the pair retreats to a small bathing cabin where Tewkesbury tenderly braids Enola’s hair .

According to Brown, the inclusion of this specific gesture was a deliberate choice aimed at capturing a deeper sense of connection. "It was a pitch I made to Jack Thorne, and I’m very thankful he liked it," Brown stated during a recent promotional interview . She explained that the idea stemmed directly from her domestic life with Bongiovi. "One of the many reasons I love my husband... is that he braids my hair before I go to bed," Brown told reporters . She further elaborated to The Independent that when the creative team was searching for a "swoon-worthy" moment, she felt a simple kiss was insufficient to convey the characters' bond . "My husband, at night, he braids my hair, and I think it is the most adorable, loving thing. I'm obsessed with the fact that he does that for me. And so I thought, that's what I want to do ," she added .

Technical Execution and Character Dynamics

The execution of the scene required specific preparation from Louis Partridge, who had to learn the mechanics of braiding to ensure the moment felt authentic on screen. Partridge revealed that he received a tutorial from the film’s hair and makeup department, led by Sian Wilson . "I must be a fast learner because I picked it up pretty quickly," Partridge said, describing the process of crossing the strands as "satisfying" .

Beyond the technicality, Partridge emphasized the emotional weight the scene carries for the two characters. He noted that the act of braiding allowed Enola and Tewkesbury to "come together in the privacy of these four small walls" and reconnect as best friends . Hair and makeup lead Sian Wilson praised Partridge’s dedication to the task, noting that his gentle and tentative approach perfectly mirrored the character of Tewkesbury . Brown also commented on the comfort of filming such vulnerable moments with Partridge, stating that while staring at a stranger for minutes at a time could be difficult, her long-standing friendship with her co-star made the process "easy" .

Professional Collaboration with Jake Bongiovi

The production of Enola Holmes 3 marked a new milestone for the couple’s relationship, as Jake Bongiovi served as an executive producer on the film . Brown described the professional partnership as a "dream come true," noting the joy of being able to work alongside her husband throughout the production cycle . At the New York City premiere held at The Plaza Hotel on June 25, 2026, the couple appeared together, with Brown praising Bongiovi's creative support and contributions to the project .

Brown’s attire for the premiere also carried sentimental value; she wore a custom blue gown by Galia Lahav, the same designer responsible for her wedding dress . The couple’s frequent public appearances during the press tour have been characterized by mutual support, a theme Brown has championed both on and off the screen .

Context of Personal Life and Recent Challenges

The revelation regarding their private nighttime ritual comes at a time when Brown and Bongiovi have been more open about their domestic life. The couple, who first confirmed their relationship in 2021 and married in 2024, recently expanded their family . In the summer of 2025, they announced the adoption of a baby daughter, expressing their excitement to begin the chapter of parenthood in "peace and privacy" .

However, the couple’s visibility has also brought scrutiny. In June 2026, just weeks prior to the film's release, Brown publicly defended Bongiovi against online criticism stemming from paparazzi photographs . The images, which showed Brown managing a stroller and several bags while Bongiovi walked alongside her, led some social media users to criticize his role as a partner and father . Brown addressed these claims on the "Notonna Lie" podcast, describing the criticism as a "double standard" and clarifying that the photos did not reflect the reality of their shared responsibilities . She emphasized that Bongiovi is a deeply supportive partner, a sentiment further reinforced by her choice to incorporate their private "braiding" tradition into her creative work .

Franchise Impact and Cultural Reception

The Enola Holmes series, which follows the adventures of the younger sister of Sherlock Holmes, has consistently been praised for its modern take on the Victorian era and its focus on female agency. The third film continues this trajectory, with Brown serving as both the lead actress and a key creative voice behind the scenes as a producer. By choosing to highlight a gentle act like hair-braiding as a pinnacle of intimacy, Brown and the creative team offer a counter-narrative to more aggressive or stereotypical depictions of romance in period dramas.

Critics have noted that the "braiding" scene effectively bridges the gap between the characters' professional partnership as detectives and their growing personal affection . The inclusion of real-life inspiration from Brown's own marriage adds a layer of authenticity that resonated with the cast and crew. Sian Wilson’s observations of Partridge’s "gentle and quite tentative" performance suggest that the production prioritized the emotional safety and comfort of the actors, reflecting a broader trend in the industry toward more thoughtful depictions of intimacy .

As Enola Holmes 3 continues its streaming run, the discussion around this specific scene serves as a testament to the influence of the personal lives of creators on their artistic output. For Brown, the integration of her personal joy into the Enola character underscores her growth not only as an actress but as a producer with a clear vision for how to portray love and partnership on screen.

Alice Oseman Bids Farewell to Heartstopper: The Final Volume Arrives as Creator Defends the Power of Queer Joy

by Chris Tremblay Jul 7

4 MIN READ

On July 2, 2026, the global literary community marked a significant milestone with the release of Heartstopper Volume 6, the definitive final installment of the record-breaking graphic novel series by Alice Oseman . The publication serves as the culmination of a story that began as a webcomic on September 1, 2016, growing from a niche Tumblr project into a global multi-media phenomenon . For Oseman, who has lived with these characters for nearly ten years, the release represents a "bittersweet" transition into a new creative era .

In a letter addressed to readers upon the completion of the story's digital run earlier this year, Oseman expressed profound pride in reaching the finish line on their own terms . "I always knew that the moment Nick went to university would be the story's endpoint," Oseman wrote, noting that while saying goodbye to characters they love is difficult, the completion of the narrative exactly as intended is a rare and joyful achievement in the publishing world . The final volume is currently available across the United Kingdom, Ireland, Australia, and New Zealand, with the North American release scheduled for July 7, 2026 .

Defending the 'Happy Ending' in Queer Literature

Central to the discussion surrounding the final chapter is Oseman's vocal defense of the "happy ending" for LGBTQ+ people. In an interview published on the day of the book's release, Oseman opened up about the philosophical underpinnings of the series' conclusion, stating that the queer community continues to crave stories where hope and happiness are not just possible, but guaranteed . This stance acts as a direct counter-narrative to the "bury your gays" trope—a historical tendency in media to kill off or traumatize LGBTQ+ characters for dramatic effect .

"I think the queer community crave such stories, where hope and happiness are possible and characters get a happy ending despite the difficulties and troubles they face," Oseman explained during the promotional cycle for Volume 6 . The author highlighted that while *Heartstopper* does not shy away from serious topics—including mental illness, eating disorders, and the pressures of coming out—the ultimate goal was always to provide a safe harbor for readers . By ensuring Nick and Charlie’s story ends on a note of triumph, Oseman aims to reinforce the idea that transgender people, non-binary people, and queer youth of all identities deserve domestic bliss and long-term stability .

Plot Stakes: Navigating the Transition to Adulthood

Volume 6 picks up where the fifth volume left off, dealing with the tangible anxieties of late adolescence. The narrative focuses on the couple's final months of school as they prepare for a future that may see them physically separated for the first time . Nick Nelson is preparing to leave for the University of Leeds, a move that prompts him to reflect on his identity outside of his relationship with Charlie .

Simultaneously, Charlie Spring is shown asserting his own agency by campaigning for the role of head boy , illustrating the significant growth the character has undergone since the series' inception . The book explores how these individual ambitions and the looming reality of a long-distance relationship test their bond . Oseman noted that splitting the final story into two volumes was a necessary creative decision to ensure every supporting character received a proper "moment to shine" and to avoid rushing the emotional beats of the conclusion .

Cinematic Finale: Heartstopper Forever

The conclusion of the graphic novels serves as a precursor to the upcoming screen finale on Netflix . Eschewing a traditional fourth season, the streaming giant announced that the series will conclude with a feature-length film titled Heartstopper Forever, scheduled for release on July 17, 2026 . This release strategy was intentional; Oseman insisted that the final volume of the book be in readers' hands before the film premiered, allowing fans to experience the "original" ending in print first .

The film, directed by Wash Westmoreland, sees lead actors Kit Connor and Joe Locke reprising their roles as Nick and Charlie, while also stepping into roles as executive producers . Oseman has teased that the film will offer a "grittier" look at the realities of long-term relationships compared to the earlier, more "fairy tale" tone of the first season . Netflix confirmed that post-production on the movie wrapped in early 2026, with recent promotional images showing the cast filming emotional scenes at a train station in Leeds, mirroring the book's university-bound plotline .

Global Cultural Impact and the Osemanverse

As the franchise reaches its end, Oseman’s influence on modern Young Adult literature remains undeniable. With nearly two million followers on Instagram, Oseman has used their platform to advocate for authentic representation and mental health awareness . The "Osemanverse"—a term used by fans to describe the shared universe of Alice's novels, including Radio Silence and Solitaire—has become a cornerstone of contemporary LGBTQ+ culture .

During an ongoing international tour that included stops in Australia and Mexico City in late June and early July 2026, Oseman reflected on the community built around the series . "I’m blown away to see how this love story has positively impacted, and been embraced by, so many people," Oseman said, expressing hope that the joy the story provided would continue long after the final chapter is closed .

Future Projects and Legacy

While Heartstopper is concluding, Oseman has hinted at future endeavors, though they have admitted that the end of their daily routine involving Nick and Charlie leaves them feeling somewhat adrift . "I don't quite know what I can do with myself now," they shared at the London Book Fair, though they expressed excitement for the prospect of exploring new stories outside the Heartstopper bubble .

For fans, the arrival of Volume 6 and the impending release of Heartstopper Forever marks the end of an era that transformed how queer romance is depicted in mainstream media. By centering the experiences of queer youth in a way that is both grounded in reality and aspirational in its joy, Oseman has left an indelible mark on the landscape of 21st-century storytelling . As the final pages are turned, the message remains clear: it is not just okay to want a happy ending—it is a vital, radical act of love .

Kevin Spacey Faces Sharp Backlash Over $250 ‘Adversity’ Ring as Critics Label Merchandise ‘Junk’

Photo Credit: X

by Chris Tremblay Jul 7

4 MIN READ

On July 1, 2026, actor Kevin Spacey announced the release of a limited-edition collectible ring intended to celebrate the 250th anniversary of the United States . The jewelry, priced at $250 USD, was introduced via a post on X under Spacey's official handle , where he described the piece as being inspired by "themes of power, ambition, and legacy" .

The announcement featured an image of the 66-year-old actor raising a clenched fist toward the camera to display the gold-tone signet ring . According to the product description on Spacey’s official web store, the ring is constructed from stainless steel with a gold-tone PVD coating and includes a protective layer to prevent wear . The sales window for the item is restricted to a three-week period ending July 22, 2026, with the actor stating that each collector's box will be personally hand-signed .

The Symbolism of "FU"

The ring’s design has drawn intense scrutiny for its heavy reliance on Spacey’s past portrayal of Frank Underwood, the ruthless and Machiavellian protagonist of the Netflix series House of Cards. The face of the ring prominently features the initials "FU," a clear nod to the character, though also widely interpreted as a vulgar shorthand . Surrounding the initials are the numbers 46 and 49, referencing Underwood’s fictional tenure as the 46th President and 49th Vice President of the United States .

In addition to the television references, the ring is engraved with the Latin phrase Per Ardua, Ad Astra, which translates to "Through adversity, to the stars" . While Spacey framed this as a tribute to American resilience and his own personal survival through legal challenges, many observers pointed out the irony of using the motto of the British Royal Air Force for a piece of American patriotic merchandise . For the LGBTQ+ community, the usage of the Frank Underwood persona is particularly complex; Underwood was a canonically bisexual character, yet the legacy of the role is inextricably linked to the real-world allegations of sexual misconduct involving men that ultimately led to Spacey’s removal from the show in 2017 .

Social Media Backlash and the "Junk" Label

The reaction to the ring’s launch was overwhelmingly negative across social media platforms, with many users questioning the timing and the quality of the product. One widely circulated comment on X asked the actor directly, "Who the f*** tricked you into thinking this was a good idea? Try to get your money back" . Other users characterized the merchandise as "junk" and "carnival prizes," mocking the stainless steel composition for a product retailing at such a high price point .

The critique extended to the perceived desperation of the campaign. One user remarked, "Frank Underwood would never support this opportunistic grab for cash in the president's name," while others joked about the absurdity of wearing the item in public . Adding to the skepticism were the fine-print care instructions for the "gold-tone" ring, which advised owners to avoid water, moisture, perfumes, lotions, and exercise to preserve the finish—recommendations often associated with lower-quality costume jewelry .

Legal Context and the Long Road to Recovery

The backlash against the ring does not exist in a vacuum but is the latest chapter in Spacey’s prolonged and public attempt to rehabilitate his image. His career effectively halted in 2017 following multiple allegations of sexual misconduct . While Spacey has consistently denied all wrongdoing, the legal fallout has been extensive.

In July 2023, a jury in London acquitted Spacey of nine sexual assault charges brought by four men . Despite this legal victory, his path back to mainstream Hollywood has remained fraught. Most recently, in March 2026, Spacey reached a settlement with three men who had filed civil lawsuits against him in the UK, alleging sexual assault between 2000 and 2013 . The settlement allowed Spacey to avoid a civil trial that had been scheduled for later in the year .

Furthermore, the actor was previously embroiled in a costly arbitration with MRC, the production company behind House of Cards. The company initially sought $31 million in damages after Spacey was fired for violating their harassment policy; this amount was eventually settled for $1 million in 2024 .

The Industry's Hesitant Re-entry

Despite the legal settlements and acquittals, the "patriotic ring" controversy highlights the ongoing tension between Spacey and the public. During a June 2026 appearance on Bill Maher’s Club Random podcast, Spacey expressed a feeling of being "welcomed" back into certain circles of the entertainment industry . He claimed that he is beginning to recover space within the industry after years of being a pariah .

However, critics argue that the sale of personalized, high-priced merchandise suggests a pivot toward a niche fanbase rather than a return to the elite echelons of cinema. Industry analysts have noted that while Spacey may find work in independent or low-budget international productions, a return to the "lauded Hollywood career he once had" remains unlikely . The "adversity ring," with its explicit references to a role he was famously removed from, serves as a polarizing reminder of the scandals that redefined his career. For the LGBTQ+ community and transgender people, who are frequently the focus of discussions regarding accountability and safe environments in media, Spacey’s persistence in the public eye remains a subject of intense debate .

As of early July 2026, the ring remains available for pre-order on Spacey’s website, with delivery estimated to take between 12 and 15 weeks . Whether the venture will succeed as a collector's item or persist solely as a target for social media mockery continues to be seen as the nation approaches its 250th anniversary.

Olympian Mark Foster Details Decades of Hiding ‘Double Life’ in New Memoir

BEIJING - AUGUST 14: Mark Foster of Great Britain finishes the Men's 50m Freestyle Heat 13 in sixth place at the National Aquatics Centre during Day 6 of the Beijing 2008 Olympic Games on August 14, 2008 in Beijing, China. Mark Foster of Great Britain finished the race in a time of 22.35. Photo Credit: Mike Hewitt

by Chris Tremblay Jul 7

4 MIN READ

Five-time Olympian and former world record holder Mark Foster has opened up about the profound psychological toll of maintaining a "double life" for more than three decades . In his newly released autobiography, My Double Life, published by Bloomsbury on July 2, 2026, Foster describes the "exhausting" reality of compartmentalizing his personal identity to protect his professional standing as one of Britain’s most successful athletes . Foster, who specialized in the 50-meter freestyle and butterfly, explains that he effectively split his existence into two distinct personas: "Mark the swimmer" and the private man who kept his true self hidden from the public eye for the majority of his life .

The memoir reveals that this separation was not merely a preference for privacy but a survival mechanism rooted in the societal pressures of the 1980s and 1990s . Foster writes that from a young age, messages from the media, school playgrounds, and sports changing rooms reinforced a belief that his sexuality was something to be suppressed . He states that he eventually convinced himself he could not be the person he felt he was because of these external cues, leading his "little secret" to grow into a monumental weight that governed his daily interactions for years .

Constructing the Public Persona

One of the most striking revelations in the book is the extent to which Foster went to maintain his heteronormative public image . During his peak competitive years, Foster publicly dated a woman named Catherine, who is identified in the memoir as a close friend who acted as a "beard" to deflect speculation about his sexuality . This strategic "half-truth" allowed him to navigate high-profile social events and media scrutiny without facing the potential repercussions of coming out as a gay man in a sporting environment that he perceived as unready for such authenticity .

Foster admits that he became exceptionally skilled at lying and omitting facts to keep his professional and domestic lives from ever meeting . While he was open about his sexuality with his family and a tight-knit circle of friends from his 20s and 30s, he remained determined to prevent this information from leaking to the wider world . He recalls that even his retirement from active competition in 2008 and his subsequent transition into high-profile television punditry did not initially offer him the sense of security needed to go public .

A Decorated Career Under Pressure

The "double life" Foster describes played out against the backdrop of one of the most distinguished careers in British aquatics history . Throughout his tenure as a professional swimmer, Foster set eight world records and secured six world championship titles . He represented Team GB at five Olympic Games—1988, 1992, 1996, 2004, and 2008—and was chosen as the flag bearer for the British delegation during the opening ceremony of the Beijing 2008 Games .

Despite his immense success, Foster reflects on the "loneliness" that accompanied his achievements, noting that he could never fully celebrate his victories as his whole self . The pressure to maintain a specific image was further complicated by tabloid interest; at one point, media speculation falsely suggested a romantic link between Foster and fellow Olympic swimmer Rebecca Adlington during the London 2012 Games, a narrative Foster let persist because it aligned with his public heterosexual persona .

The Path to Public Authenticity

Foster finally decided to share his sexuality with the public in November 2017 at the age of 47 . He attributes his "moment of clarity" to the Attitude Awards in October of that year, where he presented an award to out Olympic legend Greg Louganis . Seeing other athletes live authentically inspired him to break his silence and integrate his two separate lives into one cohesive identity .

Since coming out, the former Strictly Come Dancing contestant has noted that the reaction from the public and the sporting community has been overwhelmingly positive . He has used his platform to advocate for LGBTQ+ representation, supporting organizations such as Stonewall and the Terrence Higgins Trust . Through the Mark Foster Swimming Academy, he also works to inspire the next generation of swimmers, emphasizing the importance of compassion, equality, and inclusion in the pool .

Current Life and Ongoing Contributions

Today, Foster is in a committed relationship with his partner, Craig McKay, and the couple has been pictured together at various public events . His transition from a closeted competitor to an out and proud pundit has allowed him to participate in major sporting milestones with a new sense of freedom . Most recently, Foster served as a commentator for the BBC during the Paris 2024 Olympic Games, providing expert analysis alongside Clare Balding and Rebecca Adlington .

In addition to his advocacy for LGBTQ+ rights, Foster remains active in other charitable causes. He recently lent his support to the Mirror’s "Save Lives for Sam" water safety campaign . During this campaign, he shared a personal story about a childhood near-drowning incident in Southend-on-Sea, which he also touches upon in My Double Life to highlight the importance of water safety education .

Legacy and Impact

The release of My Double Life serves as a poignant reminder of the barriers that many LGBTQ+ athletes have faced and continue to encounter in professional sports . Foster reflects on the lack of visible role models during his youth and expresses hope that his story will help others avoid the decades of secrecy he endured . By detailing the mechanics of his former "double life," Foster provides a high-fidelity look at the necessity of creating sporting environments where transgender people and individuals of all LGBTQ+ identities can compete and live authentically from the start of their careers .

Foster’s autobiography is more than a recap of swimming medals; it is an exploration of the freedom found in being oneself after a lifetime of concealment . As he continues his work as a commentator, academy founder, and community advocate, Foster remains a prominent figure in the ongoing journey toward full equality in global sport .

Utah Judge Denies Restraining Order Request from Tate Paul Against 'Mormon Wives' Star Taylor Frankie Paul

SALT LAKE CITY, UT - APRIL 30: Taylor Frankie Paul appears during a hearing regarding protective orders between Paul and Dakota Mortensen at Third District Courthouse on April 30, 2026 in Salt Lake City. Taylor Frankie Paul and Dakota Mortensen of the American reality TV series “Secret Lives of Mormon Wives" were granted protective orders against each other after a judge determined the two have a "dysfunctional" relationship, following domestic violence investigations involving the two earlier this year. Photo Credit: (Photo by Bethany Baker - Pool/Getty Images)

by Chris Tremblay Jul 6

4 MIN READ

A Utah court has officially denied a request for a temporary restraining order filed by Tate Paul, the ex-husband of The Secret Lives of Mormon Wives star Taylor Frankie Paul . The decision, handed down by Commissioner Kim Luhn on July 1, 2026, marks a significant development in the ongoing legal and personal struggles surrounding the high-profile social media influencer . Tate Paul, 34, had sought the emergency order in an effort to alter custody arrangements for the couple’s two children, eight-year-old Indy and five-year-old Ocean, alleging that Taylor's behavior had become increasingly erratic and potentially dangerous .

In the formal ruling, Commissioner Luhn stated that Tate Paul’s allegations were "based upon inadmissible hearsay, without any corroborating evidence" . The court noted that while Tate expressed concerns regarding the children’s performance in school and their emotional well-being, these issues did not meet the legal threshold for an emergency order changing custody . The judge emphasized that concerns regarding children "expressing sadness" are matters for ongoing attention rather than immediate judicial intervention .

The Iceland Rebuttal and Evidence of Trust

A pivotal factor in the judge’s denial of the restraining order was the timeline of recent interactions between the former spouses. Taylor Frankie Paul, 32, argued in her defense that Tate’s claim of the children being in "immediate danger" was inconsistent with his recent actions . Specifically, Taylor presented evidence to the court that Tate had left Indy and Ocean in her sole care during a week-long trip he took to Iceland from June 11 to June 17, 2026 .

The court found this detail particularly compelling, as it suggested that Tate had sufficient trust in Taylor's parenting and stability just weeks prior to filing for the emergency order . This contradiction undermined the argument that the children were facing an imminent threat that required a sudden legal severance of her parental rights .

Motion for Reconsideration and New Evidence

Despite the initial denial, the legal battle is far from over. On July 2, 2026, Tate Paul filed a motion for reconsideration, requesting the court to revisit its decision regarding the temporary restraining order . This new filing reportedly includes a series of text messages that Tate claims provide direct evidence of Taylor’s erratic behavior and the necessity for a protective order .

Online court records indicate that Tate is attempting to address the "hearsay" criticism by providing more concrete documentation of recent communications . His legal team argues that the court should consider these additional materials as proof that the situation has escalated since the Iceland trip in mid-June .

Broader Legal Context and Dakota Mortensen

The conflict with Tate Paul is unfolding against the backdrop of another significant legal dispute between Taylor and her former boyfriend, Dakota Mortensen. Taylor and Dakota, who both rose to prominence on social media and as stars of the Hulu series *The Secret Lives of Mormon Wives*, have been embroiled in a custody battle over their two-year-old son, Ever .

In early June 2026, a court commissioner recommended lifting supervision for Taylor's visits with Ever, granting her one weekday of visitation and alternating weekends, though without overnight stays . This recommendation followed a period where Taylor was limited to only 12 hours of supervised visitation per week after domestic violence allegations were exchanged between her and Mortensen . Both parties are currently under mutual protective orders requiring them to stay at least 100 feet away from one another .

Taylor Frankie Paul’s legal history also includes a 2023 incident involving Dakota Mortensen that resulted in her pleading guilty in abeyance to one count of aggravated assault . Her probation for that case is currently scheduled to conclude in August 2026, provided no further legal violations occur .

Mental Health Struggles and Voluntary Treatment

Compounding the legal pressure, Taylor Frankie Paul reportedly checked into a voluntary inpatient rehab facility for mental health treatment on June 30, 2026 . Sources close to the production of her reality series indicate that the decision to seek help was a proactive step to address the cumulative stress of her public legal battles and the recent fallout of her relationship with Mortensen .

The timing of her admission into the facility coincided with Tate Paul’s filing for the restraining order, leading some to speculate on the connection between her mental health status and the emergency filing . However, Taylor's representatives have maintained that her focus remains on her health and her children, and that the denial of the TRO validates her position that she does not pose a threat to her family .

Impact on 'The Secret Lives of Mormon Wives'

The ongoing legal turmoil has profoundly impacted Taylor’s professional career. While The Secret Lives of Mormon Wives explores the complex social dynamics of Utah influencers, production on Season 5 officially resumed without Taylor Frankie Paul or Dakota Mortensen. Following intense public scrutiny and the pulling of her completed season of The Bachelorette by ABC, Taylor explicitly chose not to resume filming the Hulu series. Instead, she deactivated her high-profile social media accounts to completely step away from the spotlight and prioritize her mental health rehabilitation.

Despite these setbacks, production on Season 5 of the series has reportedly resumed, with the show’s creators opting to include the unfolding legal drama as part of the narrative . The show has been criticized by some within the community for its portrayal of Mormon culture, but it remains a high-traffic title on streaming platforms. Taylor herself has recently expressed a desire to "detach" herself from traditional Mormonism as she navigates the fallout of her public image .

Future Legal Proceedings

A new hearing has been set for July 8, 2026, at 2:00 p.m. to further discuss the custody arrangements involving Taylor and Dakota Mortensen . This hearing may also provide updates on a private Guardian ad Litem, who would be appointed to represent the interests of the children in court proceedings .

The court has recommended that all further proceedings regarding parental rights and support be handled through a formal custody case rather than through the continuous filing of emergency protective orders . For now, Taylor Frankie Paul remains in treatment, while her legal team prepares to oppose the motion for reconsideration filed by her ex-husband .

Kathy Griffin Criticizes 'Tonight Show' Absence Amid Controversy Over Conor McGregor Appearance

Photo Credit: Talk Your Head Off Pod

by Chris Tremblay Jul 6

5 MIN READ

Two-time Emmy Award winner Kathy Griffin has publicly addressed her continued absence from late-night television, alleging that she remains "banned" from The Tonight Show Starring Jimmy Fallon due to her reputation for being "too controversial" . In a recent episode of her podcast, Kathy Griffin: Talk Your Head Off , the comedian expressed frustration over what she describes as an industry double standard, specifically citing Jimmy Fallon’s decision to host UFC fighter Conor McGregor in June 2026 . Griffin’s comments come at a time of heightened scrutiny for the NBC flagship program, which has faced intense backlash for platforming individuals with histories of alleged and adjudicated misconduct while maintaining unofficial blacklists for others .

Griffin’s Claims of a Permanent Ban

Speaking to her audience in a video posted directly to her personal Instagram account, Griffin noted that she has not appeared on a Jimmy Fallon-hosted program since his tenure on Late Night with Jimmy Fallon, which aired in the 12:30 AM time slot. "I guess I'm banned from the Fallon show or inappropriate or too controversial, I don't even know," Griffin stated. She elaborated on the nature of being "blacklisted" in Hollywood, explaining that networks rarely provide formal notices of a ban, but instead simply stop extending invitations.

Griffin, who has long been a vocal advocate for LGBTQ+ people and other marginalized communities, emphasized that she has faced various bans throughout her decades-long career, including previous blacklistings from The View and The Talk . Despite these hurdles, she has maintained a loyal following, often using her platforms to speak truth to power regarding industry ethics and the treatment of women and LGBTQ+ individuals .

The Conor McGregor Controversy

The primary catalyst for Griffin’s recent remarks was the appearance of Conor McGregor on The Tonight Show on June 17, 2026 . McGregor, a former UFC champion, participated in a jovial segment involving jokes and stories about his upcoming return to the octagon, while Fallon refrained from addressing McGregor’s legal history . In November 2024, an Irish civil court jury found McGregor liable for the sexual assault of Nikita Hand, ordering him to pay over $285,000 in damages . McGregor’s appeal of this verdict was unanimously dismissed in July 2025 .

The interview sparked significant public outrage, with viewers criticizing Fallon for providing a massive platform to an individual found liable for assault while ignoring the survivor's experience . Griffin joined this criticism, stating, "I think the Fallon folks made a mistake by having Conor McGregor on. I think it sends yet another message to women and marginalized folks everywhere—we're not equal and you can do anything to us, and the perpetrators are still going to be out there being glorified" .

A Perceived Double Standard in Late-Night

Griffin’s exclusion from the program is widely viewed in the context of her 2017 controversy, in which she posed for a photograph holding a mask resembling the severed head of then-President Donald Trump . The image led to her being fired from her long-standing role as co-host of CNN’s New Year’s Eve special and resulted in the cancellation of numerous comedy tour dates . Griffin has previously noted that the backlash from that incident effectively stalled her career for seven years .

In her recent comments, Griffin contrasted the industry's harsh treatment of her artistic choices with its willingness to embrace figures like McGregor . "Fallon, what kind of message are we sending here?! AND can we PLEASE save canceling people for the ones who actually deserve it?" Griffin wrote in an Instagram caption . This sentiment was echoed by actor Christina Ricci, who also condemned Fallon for hosting McGregor, stating the move "pretends rape is OK" .

Historical Context of Griffin’s Industry Status

Throughout her career, Griffin has frequently been at odds with mainstream media executives. Following her 2017 political photo controversy, she publicly detailed how she was barred from daytime programs like The Talk after aggressively criticizing former CBS chairman Les Moonves, who resigned in 2018 following multiple accusations of sexual misconduct. Griffin alleged that the entertainment industry’s fear of powerful executives often resulted in the quiet blacklisting of outspoken talent.

In recent years, Griffin has seen a gradual return to the public eye, embarking on new comedy tours and appearing on shows like Jimmy Kimmel Live! . In February 2026, she remarked, "I think I'm uncanceled," following the success of her recent comedic endeavors . However, she continues to highlight that certain prestigious platforms, like The Tonight Show, remain inaccessible to her despite her "uncanceled" status .

Public and Peer Reaction

The backlash against Fallon has been substantial, with viewers and critics alike questioning the editorial judgment of the Tonight Show production team. Social media campaigns have urged a boycott of the program and its sponsors in response to the McGregor interview . Critics have noted that while Griffin’s actions in 2017 were non-violent political satire, McGregor’s actions involved physical harm to another person, yet the professional consequences have been disproportionately applied .

Supporters of Griffin have utilized hashtags like #speaktruthtopower to champion her stance against the perceived hypocrisy of late-night bookings . Many emphasize that Griffin, as a woman in comedy who has often championed LGBTQ+ rights, has been held to a different standard of accountability than high-profile male athletes .

Legal Background of the Current Discourse

The legal complexities of Conor McGregor’s cases have remained a point of public contention. While he was never criminally charged for the Dublin hotel incident, the civil finding of liability remains a permanent legal record . This finding was the basis for much of the "outrage" expressed by viewers who felt the interview on June 17, 2026, was "uncomfortable" and a "mistake" by NBC .

Griffin, who has often been the subject of federal investigations herself—including a 2017 investigation by the Secret Service following the Trump photo—has frequently pointed to the disparity between how the legal system and the media industry treat different types of "controversy" .

The Evolution of Griffin's Media Presence

Despite the alleged ban from The Tonight Show, Griffin has successfully leaned into independent digital media and live performances to reach her audience. Her personal social media channels have become a significant outlet for her unfiltered commentary on pop culture and politics. Additionally, her stand-up comedy tour, My Life on the PTSD Tour, which ran through May 2026, saw strong ticket sales, signaling that her audience remains engaged.

As of early July 2026, neither Jimmy Fallon nor representatives for The Tonight Show or NBC have issued an official response regarding Griffin’s claims or the broader criticism surrounding McGregor’s appearance . The situation continues to fuel a larger conversation about the role of late-night television in shaping public discourse and the selective enforcement of "cancellation" within the entertainment industry.

The Best Movies of 2026 So Far, From 'Project Hail Mary' to 'Rose of Nevada'

This image released by Amazon MGM Studios shows Ryan Gosling in a scene from "Project Hail Mary." Photo Credit: Jonathan Olley/Amazon MGM Studios via AP

by Jake Coyle and Lindsey Bahr Jul 3

5 MIN READ

A quick summary of the movie year so far: The box office is booming, Gen Z is flocking to theaters and aliens are … real?

It’s been a curiously seesawing first six months. The movies have been dominated as much by 26-year-old YouTuber-turned-filmmaker Curry Barker as they have 79-year-old Steven Spielberg. Some much-prized Hollywood IP has struggled ( “Star Wars: The Mandalorian and Grogu” ) while other franchises ( “Toy Story 5 ” ) have been more than fine.

The favorites so far of AP Film Writers Jake Coyle and Lindsey Bahr are fittingly varied, running from shattering debuts to goofy sci-fi. Here are their picks.

“Disclosure Day”

Listen, I realize the alien stuff is a little blunt. And you can question the nostalgia baked into a modern-day movie where everyone huddles around TV sets. But when “Disclosure Day” is moving, Spielberg is back in an idiom all his own — and what reconnecting to that spirit means isn't simply wistful. This is a stealthily political movie about whether Spielberg's warm belief in humankind can exist today — if he can rebuild that suburban family home. “Disclosure Day” is as much Spielberg phoning home as was his autobiographic “The Fabelmans.” (In theaters) — J.C.

“Project Hail Mary”

Phil Lord and Christopher Miller’s adaptation of Andy Weir’s space saga about a middle school science teacher who is called on to help save the dying sun is one of the easiest recommendations of the year. It is a most-ages crowd-pleaser, funny, warm and dazzling, with a hopeful spirit, a quotable alien sidekick and a quirkily charming lead in Ryan Gosling. (Streaming on Prime Video on July 3) — L.B.

“Rose of Nevada”

Everything feels like an echo in Mark Jenkin’s dreamlike tale of time and sea. George Mackay and Callum Turner play crewmen who enlist on a rusty Cornish fishing boat that, upon its return, drops them off in the same English village, 30 years earlier. They’re mistaken for two men thought to be lost. Jenkin, who shoots on 16mm and syncs sound in postproduction, makes films that feel out of time, and “Rose of Nevada” rocks to a haunting tide. (In theaters) — J.C.

“Tuner”

Remember how “Good Will Hunting” originally had a crime element to it and Rob Reiner (rightly) advised taking it out? Daniel Roher’s crackling, original thriller “Tuner,” a spiritual descendant of that great film, goes down that path successfully, creating a scenario where a workaday piano tuner, and musical prodigy who can no longer play, gets entangled in a criminal underworld, using his sensitive hearing to crack safes. Leo Woodall stars alongside Dustin Hoffman and Havana Rose Liu. (Available for digital rental) — L.B.

“Miroirs No. 3”

Christian Petzold, a great admirer of Hitchcock and “Vertigo,” makes movies where identity, rather than people, can go missing. In this lightly enigmatic 86-minute chamber piece, a woman (Paula Beer) injured in a car crash decides to stay and recuperate at a nearby home where an older, solitary woman (Barbara Auer) resides. The unfolding drama is as beguiling as it is healing. (Available for digital rental) — J.C.

“The Invite”

A San Francisco couple host their upstairs neighbors for a last-minute dinner party in Olivia Wilde’s deliriously sharp chamber dramedy about sex and marriage. Wilde both directs and stars as the neurotic Angela, whose relationship with Seth Rogen’s Joe is already on the rocks, when their more, let’s say, liberated neighbors Pína (Penélope Cruz) and Hawk (Edward Norton) arrive to stir things up for better and worse. The mix — contentious, revelatory, awkward and funny — proves a wonderful showcase for some great acting, staging and filmmaking. (In theaters) — L.B.

“Blue Heron”

Sophy Romvari’s exquisite and soulful directorial debut melds documentary and fiction, past and present. It’s based on her own childhood, when her Hungarian parents moved their family of six to Vancouver Island in British Columbia. Their teenage son is mentally troubled and distant, and you can feel “Blue Heron” yearning to reach him, through his disorder and through time. It’s an aching, probing memory piece. (Streams July 21 on Criterion Channel) — J.C.

“Nirvanna the Band the Show the Movie”

Slacker buddies develop crackpot schemes to land a gig at the Rivoli, a Toronto music venue, in this infectiously silly, lo-fi indie about time travel, friendship and dreams. Canadian comics Matt Johnson and Jay McCarrol may have a cult fanbase from their various series about these lovable losers, but I’m proof that no prior knowledge is needed to get on their goofy wavelength and enjoy the ride — and all the “Back to the Future” references. (Available for digital rental) — L.B.

“Minions & Monsters”

This year’s most affectionate ode to the golden age of Hollywood comes from … the Minions? Yes, it’s an unlikely role for one of the most ubiquitous marketing forces in animation. But “Minions & Monsters,” a cartoony good time, finds that the best role yet for the yellow henchmen is as filmmakers. They had me at bello. (In theaters) — J.C.

“Is God Is”

Rage and revenge are the heart of Aleshea Harris’s adaptation of her Obie-winning play, in which twin sisters embark on a journey to find, and kill, their abusive father. The tale has both ancient Greek tragedy and Tarantino in its DNA, but it comes alive as its own shocking, vital creation driven by unforgettable performances from Kara Young, Mallori Johnson and a truly terrifying Sterling K. Brown. (Available for digital rental) — L.B.

“A Poet”

There hasn’t been a better protagonist this year than Oscar Restrepo (Ubeimar Rios). He’s a failed Columbian writer, a bit of a drunk and, as one character calls him, “a walking problem.” But he’s also, despite his seemingly total lack of grace, a true believer in poetry. Simón Mesa Soto’s film, reportedly getting an English-language remake, is the tragicomedy of the year. (Available for digital rental) — J.C.

“Hoppers”

There is a gleefully chaotic spirit to Pixar’s “Hoppers,” about a determined young environmental activist who Avatars her way into the world of beavers in an attempt to block the construction of a highway overpass that would destroy her beloved glade. It is unhinged in the best way. Funny, weird and heartfelt with a terrifically distinct voice cast, including Dave Franco as a tyrannical insect prince. (Streaming on Disney+) — L.B.