The disclosure was made during an episode of the podcast Conan O’Brien Needs a Friend released on August 17, 2026.

The incident itself occurred in 1986, when Anderson was 17 and living in Grand Rapids, Michigan.

The news therefore concerns a newly publicized detail about a decades-old event, not a current arrest involving the actor.

What Anderson described

Anderson said that she and several other people went to City High-Middle School during the night with the intention of gluing the school’s locks shut.

According to the accounts of the interview, the plan was to prevent the building from being opened the following day.

She characterized the period as part of what she called a “punk phase,” a description connected to her teenage appearance and behavior at the time.

A security guard noticed the group, and Anderson said she was chased through downtown Grand Rapids.

She also said that she stepped on a nail during the pursuit, which slowed her down and contributed to her arrest.

Anderson told host Conan O’Brien, “Let’s just say I was doing a little crystal meth at the time and I was in a really good mood.”

She said she persuaded authorities to reduce the allegation from breaking and entering to trespassing.

Anderson further said that her boyfriend at the time, whom she described as considerably older, returned to his apartment while she remained in custody.

She said he continued smoking and drinking while she was in jail.

A story previously told without the meth detail

The school incident was not entirely new to the public before the podcast appearance.

An archived transcript on Anderson’s official website records an earlier account in which she described the idea of gluing the school’s locks and said the accusation had been reduced from breaking and entering to trespassing.

That earlier account says she did not have to pay a fine but was required to complete community service.

A later summary of the earlier interview connected Anderson’s arrest to the period around her high-school graduation and noted that classmates had voted her “Most Likely To Be Arrested.”

The crystal-meth disclosure is the new element in Anderson’s latest retelling.

The podcast conversation

The episode’s official listing says Anderson discussed her work as Dana Scully in The X-Files, her portrayal of Margaret Thatcher in The Crown and her book More: Sexual Fantasies by Anonymous.

The episode was published on August 17, 2026, and is listed as a conversation with Anderson.

Coverage of the exchange reported that Anderson presented the arrest as part of a chaotic period in her youth and discussed it retrospectively as an adult.

The reports do not indicate that Anderson has been arrested recently or that she faces current criminal proceedings connected to the incident.

Why the wording matters

The phrase “arrested for breaking into school while on crystal meth” can misleadingly suggest a recent event, but the available reporting identifies the arrest as a teenage incident from 1986.

The available accounts also describe Anderson’s drug use as her own retrospective statement rather than as the result of a newly reported toxicology finding or police record.

Methamphetamine, commonly called crystal meth in its illicit crystalline form, is a stimulant drug, but the reporting about Anderson does not establish a broader diagnosis, treatment history or current substance use.

Those distinctions are important because a person’s account of past drug use does not, by itself, support claims about present health or behavior.

As of August 20, 2026, the confirmed development is Anderson’s public recollection of the 1986 arrest and her statement that she had taken crystal meth at the time.

Greenville City Police Department in South Carolina remains the lead investigative agency, with the DEA assisting the local inquiry.

The DEA has not publicly confirmed its participation. TMZ reported that a DEA spokesperson declined to confirm or comment on active investigations.

The agency’s reported involvement does not establish that drugs caused Panettiere’s death or that criminal conduct occurred. Authorities have not announced a final cause or manner of death.

What Authorities Have Reported

Panettiere, who was 36, died Sunday at a residence or apartment complex in Greenville, South Carolina.

Emergency responders were called to the location for an unresponsive person, and the Greenville County Coroner’s Office said responders found Panettiere in cardiac arrest.

Responders initiated advanced cardiac life-support measures, but resuscitation efforts were unsuccessful, and Panettiere was pronounced dead at the scene at 2:32 p.m., according to the coroner’s office.

An autopsy found no signs of trauma that would have contributed to the death, the coroner’s office said.

The Greenville Police Department said its preliminary investigation had found no indications of foul play or suspicious circumstances.

The coroner’s office said Panettiere’s official cause and manner of death remained pending further investigation and completion of additional studies.

911 Call and Medication Reports

CNN reported that dispatch audio obtained from Broadcastify referenced a possible overdose and CPR in progress.

Authorities have not confirmed that an overdose occurred or identified an overdose as Panettiere’s cause of death.

A Greenville police report said Panettiere was with her on-again, off-again boyfriend Brian Hickerson and his brother, Zack Hickerson, when she died.

According to the report, the officer did not determine whether Panettiere had been using drugs or alcohol at the time of her death.

The report said Brian Hickerson showed police a bag of medication that Panettiere had been taking, while details including the medication list were redacted.

The available reporting does not establish whether any medication was connected to Panettiere’s death.

Panettiere’s Career and Public Advocacy

Panettiere became known for roles in the films “Remember the Titans” and “Ice Princess,” and in the television series “Heroes” and “Nashville.”

She also appeared in the “Scream” film series and other productions during a career that began when she was a child actor.

News coverage of Panettiere’s adult life has included her public discussions of addiction, postpartum depression, trauma, domestic abuse and recovery.

ABC News reported that Panettiere released a memoir titled “This Is Me: A Reckoning” in May.

CNN reported that Panettiere had recently described feeling ready to start over and was pursuing a comeback, with her latest film released in January.

Panettiere is survived by her daughter, Kaya, whom she shared with her former fiancé, Wladimir Klitschko.

Klitschko posted on X that his family was experiencing “a time of profound shock and grief,” according to CNN.

Investigation Remains Open

The DEA’s reported participation adds a federal agency to an investigation that remains led by Greenville police.

Officials have not publicly identified what prompted the DEA’s involvement or described the scope of its assistance.

Toxicology and other additional studies are expected to inform the coroner’s eventual determination, but CNN reported that such testing can take weeks to complete.

Until authorities release those findings, reports of a possible overdose remain unconfirmed and should not be treated as the official cause of Panettiere’s death.

Jonas discussed the previously undisclosed audition on an episode of Hey Jonas!, the podcast hosted by Jonas and his brothers, Joe and Kevin Jonas. The episode’s guests included Kristen Bell, Idina Menzel and Josh Gad, who voiced Anna, Elsa and Olaf, respectively, in the original film.

“Funny story I didn't realize I would be sharing today until this moment,” Jonas said before explaining that he had auditioned for Frozen.

“For Kristoff,” Jonas added.

An Unprepared Audition

According to Jonas’s account, the audition panel asked what he planned to sing. Jonas said he did not know.

The panel then asked whether he had brought sheet music. Jonas replied that nobody had told him to bring it, according to the published accounts of the conversation.

Jonas said he ultimately selected a musical-theater song on the spot. He summarized the result in blunt terms: “I bombed the audition. It was terrible.”

The account suggests that Jonas did not understand before arriving that the audition would require a prepared vocal performance. E! News reported that the film included a small solo singing part for Kristoff, making vocal preparation relevant to the casting process.

The Role of Kristoff

Kristoff is Anna’s love interest in Frozen, a 2013 animated film that became one of Disney’s best-known modern theatrical releases. The role was ultimately given to Jonathan Groff.

Groff’s performance included Kristoff’s solo “Reindeer Are Better Than People,” a short musical number associated with the character in the first film. The available reports about Jonas’s podcast disclosure do not establish how seriously he was considered after the audition or whether he reached a later stage of the casting process.

During the podcast conversation, Gad told Jonas that he had better chemistry with Bell than Groff. Jonas responded that he loved Groff but jokingly maintained that casting him would have been better.

The remarks were presented as part of a lighthearted discussion among Jonas, the podcast’s hosts and the Frozen guests. The available coverage does not indicate that Jonas’s comments represent a formal criticism of Groff’s casting or of the completed film.

Jonas and the Frozen Franchise

Jonas said that his household remains a fan of the Frozen franchise. He also said he did not watch the film out of resentment after failing to secure the role.

The disclosure arrives as Jonas continues to work across music, acting and podcasting. The Jonas Brothers’ Hey Jonas! podcast was included in an August 2026 video-podcast licensing agreement involving Disney+, Hulu and iHeartMedia.

Bell, Menzel and Gad are also associated with the forthcoming third Frozen film, according to coverage of their podcast appearance. The reports reviewed for this article do not say that Jonas is involved in Frozen 3 or that he has been offered a role in the sequel.

Why the Story Resonated

Jonas’s account offers a behind-the-scenes explanation for a casting decision that was made more than a decade ago. Rather than describing a dispute with Disney or the production team, Jonas attributed the unsuccessful audition to his own lack of preparation.

The story also underscores the distinction between a performer’s public profile and the specific requirements of a role. Although Jonas was already an experienced singer and performer, his telling of the event centered on not having prepared the requested audition material.

No evidence in the sources reviewed indicates that Jonas was close to being cast, that the production changed course because of his audition, or that the outcome was connected to any controversy. The documented news is that Jonas auditioned for Kristoff, arrived without the expected musical preparation, and later described the performance as unsuccessful.

The revelation was reported on August 18 and 19, 2026, placing it within the requested three-week news period.

Griffin discussed the situation in a YouTube video titled “If Rosie Would’ve Called, I Would’ve Jumped,” published as O’Donnell began filling in for Jimmy Kimmel.

“It’s embarrassing to say, but I have to tell you guys because we’re friends,” Griffin said in the video.

“My feelings were really hurt that I was not invited to go on Rosie’s week of the Jimmy Kimmel show,” Griffin added.

Griffin said she had told O’Donnell that she would “love to be a guest” while the two comedians were traveling on a recent flight.

She said she became increasingly excited as the week approached, particularly after friends and acquaintances began asking whether she and O’Donnell would appear together in a sketch, interview or surprise segment.

Griffin characterized the moment as complicated rather than presenting it solely as a dispute.

She continued to praise O’Donnell’s performance and urged viewers to watch and support the guest-hosting week.

O’Donnell’s Response

O’Donnell answered Griffin publicly in a comment on Griffin’s Instagram post about the video.

“Kathy — shoulda called me honey — I didn’t choose the guests …,” O’Donnell wrote.

The response indicated that O’Donnell’s role as guest host did not give her final control over the guest lineup, although the available reporting does not identify which producers or executives made those decisions.

Entertainment Weekly reported that O’Donnell’s comment was intended to clarify that Griffin’s omission was not a personal decision by O’Donnell.

Neither the available reports from Entertainment Weekly, The New York Times or The Washington Post identified a public statement from Jimmy Kimmel or ABC explaining the booking decision.

O’Donnell’s Late-Night Return

O’Donnell began a four-night guest-hosting assignment on Jimmy Kimmel Live on Monday, August 17, while Kimmel was away.

The New York Times reported that O’Donnell opened her first episode with a greeting directed at President Donald Trump.

The Washington Post reported that O’Donnell did not say Trump’s name during the opening monologue, despite expectations that she might focus heavily on him.

The contrasting descriptions reflect the emphasis of each report: The New York Times highlighted O’Donnell’s greeting to Trump, while The Washington Post focused on the limited role Trump played in the monologue itself.

O’Donnell’s guest-hosting week was reported as a return to a prominent late-night television platform after her departure from The View and her more recent public commentary about American politics.

The Guest Lineup

Entertainment Weekly reported that guests appearing during O’Donnell’s week included Hannah Waddingham, Ana Gasteyer, Jean Smart and Richard Gadd.

The publication also listed Charlie Day, Janelle James, Shawn Hatosy, Megan Mullally and Nick Offerman among the guests scheduled for the remainder of the run.

Griffin’s comments centered on her expectation that her longstanding friendship with O’Donnell and relationship with Kimmel might lead to an invitation, but she acknowledged that she did not know how much authority O’Donnell had over the booking process.

Griffin also said that appearing alongside O’Donnell would have been meaningful because both comedians have been involved in public controversies connected to Trump.

That political connection formed part of Griffin’s explanation for why she had imagined the appearance as a notable television moment, but neither comedian described the booking decision as a political exclusion.

What the Exchange Establishes

The public record establishes that Griffin wanted to appear, that she expressed disappointment when she did not, and that O’Donnell said she had not selected the guests.

It does not establish that O’Donnell intentionally excluded Griffin, that Kimmel opposed an appearance, or that ABC or the program barred Griffin from the show.

The exchange also does not amount to a confirmed “feud”; the available accounts describe hurt feelings and a clarification between two people Griffin identified as longtime friends.

For now, the most substantiated account is a public misunderstanding surrounding a late-night guest list, rather than evidence of a confirmed rupture between Griffin and O’Donnell.

The actor captioned the image simply “63,” using no additional written message to explain the photograph.

In the photograph, Stamos’s face is obscured by the phone he is holding, while the image shows his arms, abdomen and long hair.

People reported that the image was cropped just below Stamos’s stomach.



Fox News described the photograph as a mirror selfie and reported that the black-and-white image also showed a tattoo on Stamos’s left shoulder.

Just Jared likewise reported that Stamos shared a mirror photograph on Instagram to commemorate his birthday and captioned it “63.”

The three accounts agreed on the central details: the post appeared on Stamos’s birthday, the image was a monochrome mirror selfie, and the caption referred to his age.

Online Reaction

The post attracted comments from followers who referenced Stamos’s best-known television character, Jesse Katsopolis, commonly known as Uncle Jesse, from the sitcom *Full House*.

Fox News reported that commenters used the character’s catchphrase “have mercy” while reacting to the birthday image.

Just Jared also reported that comments included references to Uncle Jesse and remarks from followers reacting to Stamos’s appearance.

Entertainment Now reported that the post had received nearly 30,000 likes and more than 1,500 comments within a few hours of publication, although those figures were time-sensitive and may have changed afterward.

The available reports characterize the response as enthusiastic, but they do not establish a complete count of reactions across Instagram or other platforms.

Birthday Posts From Family and Friends

The selfie was one of several birthday-related posts associated with Stamos’s celebration.

According to People, Stamos shared Instagram Stories featuring birthday wishes from friends, fans and other people in his professional circle.

One repost came from Dave Coulier, Stamos’s *Full House* co-star and friend, and featured the two men alongside audio of Stevie Wonder’s “Happy Birthday.”

People also reported that Stamos shared a tribute from Jimmy Fallon.

Other birthday material included a fan-created cake featuring a throwback photograph of Stamos and a birthday message.

Musician Neil Morrow also posted a recreation of Stamos’s birthday selfie and presented the two images together.

Morrow’s post invited others to participate in what he called “Do the Stamos,” according to People.

Stamos’s wife, Caitlin McHugh Stamos, also published a birthday tribute on Instagram.

In the caption reported by People, McHugh Stamos described her husband as “one of earth’s best humans” and wrote that he had not wanted a birthday celebration that year.

She said the family was instead celebrating across multiple days, beginning with a visit to Cosm Los Angeles for a “Shared Reality” experience based on *Willy Wonka & the Chocolate Factory*.

A Continuing Birthday Pattern

The 2026 post follows earlier birthday photographs in which Stamos similarly emphasized his physique.

People reported that Stamos shared a shirtless photograph for his 62nd birthday in August 2025.

That earlier image showed Stamos wearing black Calvin Klein briefs while standing beneath a rooftop shower at New York City’s Bowery Hotel.

In 2023, when he turned 60, Stamos posted an outdoor-shower photograph captioned “The other side of 60.”

The recent posts have therefore made physique-focused birthday images a recurring feature of Stamos’s social-media presence, according to coverage of the 2026 photograph.

Broader Context

The birthday post arrived shortly after Stamos appeared at D23, where Entertainment Now reported that he performed Disney songs and participated in an announcement concerning Disneyland’s 70th-anniversary plans.

People also noted that Stamos and McHugh Stamos had recently shared the cover reveal for his debut picture book, *Love from Above: A Story of Tiny Birds and Their Big Meaning*.

The publication is described as a collaboration between Stamos and his 8-year-old son, Billy.

For the birthday itself, however, the brief “63” caption and the image—not a long reflection or professional announcement—became the focus of coverage.

The post’s immediate visibility illustrates how a short celebrity social-media update can generate coverage across entertainment outlets when it combines a recognizable public figure, a milestone birthday and a deliberately revealing image.

As of August 20, the verified elements of the story remain straightforward: Stamos turned 63, posted the black-and-white mirror selfie on August 19, captioned it “63,” and received substantial attention from followers and entertainment media.

Chadwick announced the decision in a statement posted to Instagram on Tuesday, August 18.

“As of last week, I’ve stepped away from Goose,” Chadwick wrote.

He said the decision had not been made lightly and described building the service “for our community” as one of the most meaningful projects he had undertaken.

Chadwick attributed his departure to a disagreement between his original vision and the company’s direction.

“Where I landed is that my vision for where this should go and the direction the company is going aren’t the same thing anymore,” he wrote.

“When my name and my face are on something, I want to be able to stand behind all of it, fully,” Chadwick added.

He said that, once he could no longer fully stand behind the project, remaining involved “didn’t feel right.”

What Chadwick said about Goose

Chadwick said he was proud to have helped move the project forward and thanked people who joined the platform during its first weeks.

“Tens of thousands of you showed up in a matter of weeks,” he wrote, while crediting users rather than himself for that response.

The figure was presented by Chadwick in his Instagram statement; the available reports do not provide an independently audited user total.

Chadwick said he was no longer involved with Goose “in any capacity.”

He nevertheless wished the company’s team well, describing its members as people working hard to make the app successful.

The statement did not identify a specific dispute, change in ownership, management decision or product alteration as the reason for the difference in direction.

There was no detailed public explanation in the reports reviewed of what Goose’s direction had become or how it differed from Chadwick’s plans.

Goose’s launch and positioning

Goose launched in late June, according to reporting on Chadwick’s departure.

The service was presented as an app for gay men that was intended to extend beyond dating.

Its description said users could meet people through “places, friends, interests, stories, and what’s happening nearby.”

Coverage before the launch described Goose as an “anti-algorithm gay dating and lifestyle platform” and as an alternative to more hookup-focused services.

The app was described as “intentionally social-first,” with an emphasis on dating, friendship and community.

Unlike conventional matching systems, Goose used a “wave” interaction, in which two users connected after waving at each other.

Reporting at the time of the launch said Goose used human screening for its membership and was initially available through Apple’s App Store.

The product therefore entered a competitive market while publicly distinguishing itself from services associated in its marketing and coverage with casual encounters.

Questions raised during Goose’s first weeks

Goose also faced scrutiny shortly after launch over allegations that AI-generated or otherwise suspicious social-media profiles had been used to attract prospective users.

Wired reported that the app appeared to be connected to promotional activity involving accounts presented as potential users, while noting that Goose’s founders did not respond to multiple requests for comment.

Gay Times reported that Goose had been accused of using AI-generated social-media profiles to generate interest in the service.

Those earlier reports do not establish that the scrutiny was connected to Chadwick’s departure.

Chadwick’s statement did not mention the allegations, AI-generated profiles, promotional practices or any other controversy as a reason for leaving.

What comes next

Chadwick said he intends to continue creating projects for the gay community.

In his statement, he wrote, “I’m not done building for us. More soon.”

He also referred to users who had waved, messaged him or told him they had made a friend through the app, saying that this had been the project’s purpose for him.

The statement did not announce Chadwick’s next project or provide a timetable for further details.

The reports reviewed also did not include a detailed statement from Goose explaining how the company will operate after Chadwick’s exit.

For now, Chadwick’s public explanation is limited to the gap between his vision and the company’s direction.

His departure leaves Goose to continue without the public figure most closely associated with its launch and early identity.

The kiss followed months of public interest in the connection between Biermann and Green, who had previously been described as friends. Page Six reported that the pair had also been photographed together during a flirtatious hike in May, although they did not kiss during that earlier outing.

The precise date on which Biermann and Green’s romantic relationship began has not been established in the available reporting.

Biermann is Zolciak’s estranged husband, while Green is Mowitz’s estranged wife, placing the four people at the center of an overlapping set of divorce proceedings.

Zolciak and Mowitz respond

Zolciak and Mowitz were seen together the following day, Monday, Aug. 17, when a photographer asked them about Biermann and Green.

“I don’t care. We don’t care,” Zolciak said in video published by TMZ.

She then added, “I’m just very worried about his little girls,” referring to Biermann’s daughters.

Zolciak also made a pointed comment about her financial role during her marriage to Biermann, saying, “I mean, I’ve provided for Kroy for 10 years, so I’m sure he just wants another .” The remark was presented as Zolciak’s own characterization and was not independently established as a fact by the reports.

Mowitz was asked whether he thought Biermann and Green were dating in order to provoke their former spouses.

“I don’t think they’re doing it out of spite,” Mowitz replied.

Zolciak separately praised Mowitz, calling him “the funniest person I know” and her “best friend.”

“He loves my kids so much, and my kids love him, and I think that’s super important,” Zolciak said.

She also said that she and Mowitz had “been through a lot together” and that “it’s only up from here.”

The earlier “just friends” account

The latest photographs appear to conflict with earlier testimony attributed to Green in divorce proceedings, in which she reportedly described herself and Biermann as “just friends.”

Page Six reported that Green had testified that she did not expect Biermann to be around her children or to remain part of her life on an ongoing basis.

In a July court filing, Mowitz reportedly alleged that he saw Biermann’s vehicle outside his home while his children were present. Mowitz also asked the court to restrict Biermann’s access to the residence, according to the reports.

The available coverage does not establish whether the court granted that request.

Zolciak and Biermann’s continuing divorce

Zolciak and Biermann first split in May 2023 after 12 years of marriage, briefly called off their divorce, and then resumed divorce proceedings after Biermann filed again in August of that year.

Their legal dispute remains active. People reported that Zolciak filed a motion for an emergency hearing in June alleging that Biermann was not properly caring for their children while they were in his custody.

According to court documents cited by People, Zolciak alleged that the children faced a risk of “ongoing mental and physical abuse” without immediate court intervention. Those allegations have not been established as findings of fact in the available reporting.

People also reported that a judge granted Biermann primary physical custody of the couple’s four younger children after he alleged that Zolciak was “unstable and unfit.”

The former couple continues to share joint legal custody, according to the same report.

Zolciak and Biermann have four children together: Kroy Jr., Kash, and twins Kaia and Kane. Biermann also adopted Zolciak’s two older daughters, Brielle and Ariana, after the couple married in 2011, according to Page Six.

What is confirmed—and what is not

The confirmed recent development is that Biermann and Green were photographed kissing during their Aug. 16 hike, followed by public comments from Zolciak and Mowitz the next day.

Neither the available People, TMZ, or Page Six reports includes a direct statement from Biermann or Green confirming the status, start date, or terms of their relationship.

People said it had contacted representatives for Biermann for comment, while Page Six reported that Zolciak’s representative had not immediately responded to its request.

For now, the photographs and the reactions from Zolciak and Mowitz provide the most recent publicly reported account of the situation.

Firstman wrote and directed the film and plays its central character, a queer nightlife figure whose life has become increasingly disconnected from the future he may want.

The child, portrayed by Reggie Absolom, is described in the film’s official synopsis as a son whom the promoter never knew he had.

The trailer presents the story as a collision between the protagonist’s established social world and the responsibilities of caring for a child, while positioning the relationship between father and son as the film’s emotional center.

A24 plans to release Club Kid in theaters on November 6. Deadline reported that the film will begin with a limited theatrical release, while IndieWire reported that a broader rollout is planned to follow.

Firstman’s Feature Debut

Club Kid marks Firstman’s first feature as a writer-director and leading actor.

The film follows Firstman’s increasing visibility across acting and comedy, including appearances in Miracle Workers, Ms. Marvel, Dave, English Teacher, Hacks and I Love LA.

He also starred in Rotting in the Sun, a 2023 comedy that premiered at the Sundance Film Festival.

The ensemble cast includes Cara Delevingne, Diego Calva, Kirby Howell-Baptiste, Colleen Camp, Vicki Pepperdine, Nigil Whyte, Eldar Isgandarov, Saturn Risin9, Miss Benny and Alaska Riley.

Variety also identified Delevingne, Calva, Howell-Baptiste and Absolom among the film’s principal cast.

Absolom’s previous screen work includes appearances in Apple TV+’s Silo, as well as Testament and The Other Bennet Sister.

Cannes Premiere and A24 Deal

Before the trailer’s release, Club Kid premiered at the 2026 Cannes Film Festival in May.

Deadline reported that the film received a seven-minute standing ovation following its Cannes premiere.

The Cannes response reportedly led to a bidding contest among distributors, with A24 acquiring the film for $17 million, according to Variety.

Variety reported that A24, Netflix, Searchlight Pictures, Focus Features and Mubi were among the companies competing for the film.

The reported acquisition places Club Kid among A24’s upcoming theatrical releases and gives the film a commercial path beyond the festival circuit.

A Queer Story About Responsibility

Variety described the protagonist as a queer party promoter who has outgrown his place in the nightlife scene.

The film’s premise does not treat queer identity as a problem to be solved; instead, it places a queer adult’s nightlife, relationships and evolving sense of responsibility at the center of a family story.

In a statement reported by Variety, Firstman said that ensuring the queer cast would be fully supported during the promotional tour was important to him.

“In every one of my buyer meetings was vital to me that this cast gets brought out in full to promote the film – flown out, put up, glam paid for, all of it,” Firstman said.

The film’s emotional premise is therefore grounded in an unexpected form of adulthood: a person known for excess and spontaneity must respond to the arrival of a child and consider what kind of life he wants to lead.

Firstman on the Film’s Inspiration

Speaking with Deadline at Cannes, Firstman said the project began partly after he spent more time around his friends’ children.

He said the initial idea treated the relationship between an adult and a child as a comic premise, but that the story changed as he wrote it.

Firstman told Deadline that a breakup, his connection to Berlin’s party scene and his own experiences with drug use influenced the film’s exploration of a life at a crossroads.

He said the writing process continued to reveal new elements of the film and of his own relationship to its subject.

Critics have responded positively to the film’s shift from nightlife comedy toward a more emotionally serious story.

Deadline critic Damon Wise called the film “an unlikely but still beautifully human story” and praised Firstman’s move into a more serious tone.

Variety critic Guy Lodge described Club Kid as a “sweet, surprisingly old-fashioned heartwarmer.”

With its trailer now public, Club Kid is set to move from its Cannes launch into the fall theatrical calendar, beginning with its November 6 release.

The pop superstar has been nominated in every decade of her musical career. She has 19 competitive MTV VMA wins and in 1986 became the first solo female artist to receive the Video Vanguard Award.

She is up for 11 awards at this year's ceremony, including video, artist and song of the year as well as best collaboration, dance, direction, art direction, cinematography, editing, choreography and visual effects.

If she were to sweep, she'd tie Beyoncé and Taylor Swift for the title of most-awarded musician in VMA history. They have 30 each. (Eminem is the male artist with the most VMAs, with 15.)

Speaking of Swift: She follows Madonna with the second-most nominations, with nine. If she takes home even one award, she will become the most-awarded artist in VMA history.

Swift is up for video and artist of the year as well as best pop, direction, art direction, cinematography, editing, choreography and visual effects.

Madonna and Swift are followed by Ariana Grande and Sabrina Carpenter with seven nods to their name as well as Bruno Mars, PinkPantheress and Zara Larsson with five. Blackpink's LISA has four and Shakira, Tate McRae, GENER8ION and Yung Lean are tied for three.

Rounding out the artist of the year category nominees are Grande, Mars, Carpenter and Morgan Wallen, in addition to Madonna and Swift.

The top prize of the night, video of the year, sees Swift's “The Fate of Ophelia” compete against Madonna’s “Confessions II — The Film,” Grande’s “Hate That I Made You Love Me,” Mars' “I Just Might,” Carpenter’s “Tear” and GENER8ION’s “Storm” starring Yung Lean.

The two-hour show will broadcast live on CBS on Sunday, Sept. 27, at 7:30 p.m. Eastern and 4:30 p.m. Pacific, from the Peacock Theater in Los Angeles. It will also simulcast on MTV and be available to stream on Paramount+ in the U.S.

The show will become available to stream globally the next day on Paramount+ and MTV.

CBS is home to a number of award shows, including the Tony Awards and the American Music Awards. It has aired the Grammys since 1973, though that show will head to ABC in 2027.

This year’s Video Music Awards features 26 first-time nominees, which include GENER8ION and Yung Lean (with their aforementioned three nods, for their “Storm” collaboration) and the K-pop boy band CORTIS and viral “Boston” singer Stella Lefty with two each. Other notable first-time nominees include Don Toliver, Kali Uchis, Noah Kahan, Olivia Dean, Tucker Wetmore and Sienna Spiro.

The best dance category has returned for the first time in seven years. Nominees include McRae's “Nobody’s Girl,” Bebe Rexha and Faithless' “New Religion,” Harry Styles' “Aperture,” Lady Gaga and Doechii's “Runway,” Madonna's “Confessions II — The Film,” PinkPantheress' “Stateside” with Larsson and Slayyyter's “Dance …”

Fan voting began online Tuesday across 13 categories and ends Sept. 25 at 6 p.m. Eastern and 3 p.m. Pacific.

Voting in the best new artist category will remain active during the show.