InFrame

West Wilson and Amanda Batula Poke Fun at Pregnancy Rumors with Pickles and Ice Cream Shopping Trip

Photo Credit: Bravo

by Chris Tremblay Jul 15

4 MIN READ

On Tuesday, July 14, 2026, Summer House cast members Amanda Batula and West Wilson took to social media to humorously address recent rumors suggesting they are expecting their first child together . In a video shared on West Wilson’s TikTok account , the couple leaned into classic tropes associated with pregnancy, specifically focusing on specific food cravings . The footage features Batula, 34, browsing the aisles of a grocery store while Wilson, 31, films her from behind a shopping basket . During the clip, Batula is seen dressed in an oversized pink-and-white button-down shirt as she approaches the refrigerated section to select three large jars of pickles .

The video continues as Batula makes her way to the freezer aisle, where she adds two large containers of vanilla ice cream to the basket held by Wilson . The combination of pickles and ice cream has long been a cultural shorthand for the dietary shifts experienced during pregnancy, and the pair’s deliberate selection of these items was widely interpreted by fans as a "troll" or a cheeky acknowledgment of the gossip currently circulating online . While Wilson remained largely silent during the recording, his decision to post the video amid the height of the speculation served as a clear reaction to the narrative .

Origins of the Pregnancy Speculation

The rumors regarding Batula’s alleged pregnancy have gained significant momentum over the past several weeks, fueled by a combination of social media posts and public appearances . One primary catalyst for the gossip was a photograph of Batula in a loose-fitting mint-green guest dress from the Montana nuptials that surfaced on social media, leading followers to theorize she was hiding a baby bump. Additionally, observers pointed back to her appearances during the recently aired Summer House Season 10 reunion, searching for early signs of a pregnancy.

Further evidence against the rumors emerged from the couple’s recent trip to Bigfork, Montana, for a wedding ceremony held on July 11, 2026 . Witnesses at a local bar on the night of July 10 reported seeing Batula and Wilson socialising with other guests while enjoying beverages . Reports from the venue indicated that Batula was wearing a pink wristband, which sources clarified was a standard marker used by the establishment to identify guests who are over the age of 21 and eligible to consume alcohol . Insiders present at the Montana festivities asserted that Batula did not appear to be pregnant, further shooting down the fan-led narrative .

Relationship History and Timeline

The romance between Amanda Batula and West Wilson became the explosive centerpiece of the Bravo community during Summer House Season 10. After intense fan speculation, the couple officially confirmed their relationship via a joint statement on their Instagram Stories on March 31, 2026, following Amanda's separation from Kyle Cooke. In their announcement, they noted that they intended to handle the transition from friendship to a romantic partnership carefully.

This clarification was particularly relevant due to Wilson's previous relationship with co-star Ciara Miller, who also happens to be Amanda's former best friend. Despite the massive fallout among the cast—most notably involving Amanda's ex-husband Kyle Cooke, who publicly expressed feeling deeply blindsided and hurt by the pairing—Wilson and Batula have remained committed to one another.

Discussions on Future and Family

While the recent grocery store video was a joke, Batula and Wilson have had serious conversations regarding their long-term compatibility and the possibility of having children . During the explosive three-part Summer House Season 10 reunion, Batula revealed that she has been entirely open with Wilson about her timeline for wanting to start a family. "If you genuinely care about me, this can't be casual," she stated during the special, emphasizing that any partner of hers needs to envision a shared future that includes children .

At the time of the filming in late May 2026, Batula clarified that while they had discussed their individual goals and expectations, they had not yet specifically planned for children together . She noted the importance of ensuring Wilson was aware of the seriousness of her life stage and personal aspirations . Wilson, for his part, has expressed a commitment to supporting Batula and building their relationship away from the intensity of social media narratives .

Current Status and Bravo Future

The couple's relationship continues to be a focal point for fans, despite significant changes to their professional status with Bravo . In mid-2026, Bravo confirmed the returning cast for Summer House Season 11, revealing that both West Wilson and Amanda Batula would not be returning to the series following the massive cast friction caused by their romance.

Despite the professional shift, the two appear to be "going strong" and have been frequently spotted in affectionate moments, including outings to movie theaters and Yankee Stadium . Their presence at the Montana wedding and the subsequent TikTok video suggest that they are navigating the public interest in their lives with a sense of humor . The "pickles and ice cream" video has successfully served its purpose as a lighthearted rebuttal to the pregnancy rumors, allowing the couple to reclaim the narrative on their own terms .

As of mid-July 2026, Batula and Wilson remain a couple, continuing to build their future while managing the expectations and speculations of their extensive fanbase . While the pregnancy rumors appear to have been definitively debunked by both their actions in Montana and their recent social media activity, the couple's long-term plans for a family remain a topic of interest for those following their journey .

Lexie Levin Departs Pre-Debut Girl Group Saint Satine

Photo Credit: Lexie Levin / Instagram

by Chris Tremblay Jul 15

4 MIN READ

Lexie Levin, the prominent Swedish musician and former contestant on the survival program The Debut: Dream Academy, has officially left the pre-debut girl group Saint Satine. The announcement, made by labels HYBE and Geffen Records on July 13, 2026, confirmed that Levin and the joint venture have parted ways following what were described as "extensive and thoughtful discussions" regarding the group’s future activities [HxG]. In a statement shared on social media, the labels characterized the split as a mutual decision made after evaluating the alignment of professional goals for both parties.

Levin shared her own perspective with fans, indicating that she and the Saint Satine project had "different ways of operating" that ultimately led to her decision to step back [HxG]. This marks the second time Levin has exited a major HYBE-affiliated project before a final debut, following her previous voluntary withdrawal from the 2023 competition that formed the global group KATSEYE [HxG]. As a skilled songwriter and producer, Levin had been celebrated for her technical musical talents, which many fans expected would serve as a creative cornerstone for Saint Satine's debut.

The Formation of Saint Satine

Saint Satine was originally conceptualized as a "second chance" group for high-performing contestants who did not make the final cut for KATSEYE. The group was first introduced to the public under the project name Prelude: The Final Piece, with the official name "Saint Satine" unveiled alongside their official social channels on April 17, 2026. The initial lineup featured four members representing diverse international backgrounds: Emily Kelavos from the United States, Samara Siqueira from Brazil, Lexie Levin from Sweden, and Tobi Sakura from Japan [HxG].

The group's final member, Tobi Sakura, was selected through the Japanese audition series World Scout: The Final Piece, which concluded in May 2026 [HxG]. The 16-year-old from Toyama, Japan, bested over 14,000 applicants to secure the final spot in the quartet, joining the three established alumni from the Dream Academy program [HxG].

A History of Resilience: The Dream Academy Connection

The roots of Saint Satine lie in the 2023 competition The Debut: Dream Academy, a collaborative effort between HYBE and Geffen Records to create a global girl group based on the K-pop training system. While that program successfully launched KATSEYE, it also highlighted the intense pressure faced by young international performers.

Lexie Levin had notably withdrawn from Dream Academy midway through the competition, citing personal reasons and a dislike for the hyper-competitive environment. Her return to a new HYBE-Geffen project was viewed by fans as a triumphant comeback when she was confirmed alongside Emily Kelavos and Samara Siqueira. Kelavos, a dancer from Texas, had reached the final round of Dream Academy before her elimination, while Siqueira, a vocalist from Brazil, finished in seventh place, narrowly missing the final KATSEYE lineup [HxG].

Impact on Saint Satine's Future

Levin's departure leaves Saint Satine as a trio—consisting of Kelavos, Siqueira, and Tobi Sakura—unless a replacement is named prior to their debut [HxG]. The undeniable chemistry between the members has been a major selling point for fans who have followed their journey from the Netflix docuseries Pop Star Academy to their eventual re-grouping in Saint Satine.

The labels have yet to confirm if the group's debut schedule will be delayed following this roster change. However, the commitment to global diversity remains a core tenet of the project, as the group continues to bridge cultural gaps between the United States, Brazil, and Japan [HxG].

Supporting the Artistic Journey

The music industry, particularly the high-intensity training environments of K-pop-style global groups, continues to face scrutiny regarding the mental health and autonomy of its performers . Lexie Levin’s decision to step away in favor of her personal creative vision is being viewed by some as an act of self-advocacy . As the industry moves toward more inclusive and affirming environments, the ability of transgender people and other marginalized groups to navigate these systems with agency remains a critical point of discussion for advocates of fair treatment in entertainment .

For Emily, Samara, and Sakura, the road to their 2026 debut continues under the Saint Satine banner . Fans are eagerly awaiting new music from the trio, hoping that the unique blend of international talent will bring a fresh perspective to the global pop scene .

Profiles of the Remaining Members

Emily Kelavos (20): Began her professional performance journey at age 14 and is recognized for her technical dance prowess and stage presence [HxG]. Her persistence following the Dream Academy finale has made her a firm fan favorite.

Samara Siqueira (20): Celebrated for her soulful vocal ability [HxG]. Her journey from Brazil to the training centers of HYBE has inspired a massive South American following, reinforcing the group's global appeal.

Tobi Sakura (16): Represents the newest addition to the lineup and the successful outcome of HYBE’s Japanese expansion efforts [HxG]. Her selection highlights the ongoing collaboration between international labels to find and cultivate talent across borders.

Industry Context: The Global Girl Group Wave

The formation of Saint Satine follows the successful blueprint laid out by KATSEYE, which released their debut single in June 2024 and their first EP, SIS , in August 2024 . The success of KATSEYE proved that the hybrid training model—combining K-pop methodology with Western pop sensibilities—was a viable strategy for HYBE and Geffen Records .

As the labels navigate this latest member departure, they face the challenge of maintaining the momentum built during the World Scout audition process . The departure of a member as musically skilled as Lexie Levin may necessitate a pivot in the group’s sound or a new search for a creative lead . Regardless, the resilient spirit of the remaining members suggests that Saint Satine is still poised to make a significant impact on the industry when they finally take the stage .

Big Brother Producers Defend Choice of Angela Murray for Season 28 Return, Citing Disruptive Gameplay and Narrative Unpredictability

Photo Credit: CBS

by Chris Tremblay Jul 14

5 MIN READ

The premiere of Big Brother Season 28 on Thursday, July 9, 2026, delivered a significant twist to the long-running CBS reality series by reintroducing one of its most polarizing figures from recent years: Angela Murray . Murray, a 53-year-old real estate agent from Utah, originally competed in Season 26, where she finished in sixth place . Her return was not initially included in the official cast reveal on YouTube, which featured 14 new houseguests, fueling intense online speculation before she was officially confirmed during the 90-minute premiere event .

In an exclusive interview following the premiere, executive producers Allison Grodner and Rich Meehan addressed the decision to bring Murray back into the house, a move that has sparked significant debate among the show’s dedicated fanbase . The producers revealed that they considered a vast array of former contestants and fan favorites before ultimately deciding that Murray’s unique brand of gameplay was the best fit for the "unfinished business" theme teased for the current season .

Producers Explain the "Disruptor" Strategy

Executive producer Allison Grodner characterized Murray as a "disruptor" who brings a level of unpredictability essential to the show’s success . Grodner noted that while many former contestants are considered for return appearances based on their strategic prowess or likeability, Murray was selected specifically for her ability to cause chaos within the house dynamics . "Angela is a huge personality," Grodner said, explaining that her impact on Season 26 made her an "easy choice" for producers looking to maintain high engagement levels among viewers .

Rich Meehan, also an executive producer, echoed these sentiments, highlighting that Murray’s presence often forces other players to react in ways they hadn’t planned . Meehan acknowledged the polarizing nature of Murray's personality, noting that she is a contestant who divides the audience into those who love her and those who do not . According to Meehan, this duality creates a "strong point of view on both sides," which is a valuable asset for a reality competition that relies on viewer discussion and social media interaction .

Reflections on Season 26 and the "Crazy Eyes" Legacy

Murray’s original run in Season 26 was marked by several high-profile confrontations that became viral moments . Most notably, she was involved in a heated conflict with houseguest Matt Hardeman, whom she famously dubbed "Crazy Eyes" early in the season . She also faced criticism for her treatment of Lisa Weintraub, whom she frequently belittled during their time together in the house .

Despite the controversy, Murray managed to survive multiple eviction nominations, eventually placing sixth and joining the jury that decided the season’s winner . Her ability to navigate the social and competitive aspects of the game while remaining at the center of conflict is what producers believe sets her apart from more conventional "all-star" candidates . Producers noted that while they have access to many "fantastic people," Murray's specific legacy as someone who "left her mark on the game" made her the standout candidate for this summer's return .

Angela Murray’s Mission: Bringing "Old School" Back

Upon her return, Murray has stated that she intends to play the game with an "old school style" . In promotional materials released by CBS, she expressed a desire to bring back a version of Big Brother where players "wear your heart on your sleeve, feel your emotions, and give fans truth" . Murray has framed her return as having "unfinished business," suggesting that her previous sixth-place finish did not reflect her full potential as a competitor .

The network teased her comeback with the message that "Angela from Utah is back feeling like she has some unfinished business to handle" . While the specific nature of this "business" has not been fully articulated by CBS, fans speculate it refers to her desire to reach the finale after a season of being an underdog . Murray herself has remained confident in her abilities, previously stating in exit interviews after Season 26 that she believed she could have won the show .

The Mechanics of the Season 28 Twist

The return of Murray was part of a larger, unconventional cast structure for Season 28 that has seen unscripted television veterans integrated with new players . Reports leading up to the premiere suggested a theme involving a "time trip" or a crossover with other reality series such as Survivor and The Amazing Race . Murray entered the house following a staged "demise" of former winner Rachel Reilly during the premiere, appearing just in time for the first Head of Household competition .

Rumors of her return began to circulate when other former houseguests, including Janelle Pierzina, noticed that Murray had gone silent on social media and ceased standard communications, indicating she was in the pre-filming sequester phase . Despite attempts to downplay these rumors—including a decoy post of a restaurant meal on her Instagram account —the technical silence from her mobile device served as a clear indicator to fans that she was part of the Season 28 cast .

Media and Fan Response

The decision to cast Murray has been met with a mix of excitement and skepticism from the Big Brother community. On social media, fans have expressed varying opinions on whether a "disruptor" like Murray is beneficial for the game's competitive integrity or if her presence leans too heavily into reality television tropes . Producers Meehan and Grodner remains steadfast in their choice, asserting that the show thrives on the very discourse Murray generates .

As the season progresses, viewers will be watching to see if Murray maintains the same volatile gameplay that characterized her first appearance or if she has evolved her strategy to better suit a house full of both new and seasoned reality TV competitors . With the "Big Brother Live Feeds" officially active on Paramount+ and Pluto TV as of July 10, the 24/7 observation of Murray and her fellow houseguests has already begun to provide a clearer picture of her Season 28 trajectory .

Conclusion and Future Outlook

By prioritizing a "memorable" houseguest like Angela Murray, Big Brother producers have signaled a commitment to high-drama, character-driven storytelling for its 28th season . While other fan favorites were considered, Murray's unique ability to serve as a catalyst for conflict and emotional "truth" made her the definitive choice for the production team . As the season continues its broadcast schedule on Sundays, Wednesdays, and Thursdays, the impact of her return on the Season 28 house remains a central narrative hook for the series .

Comedian Matteo Lane Offers Playful Broadway Wisdom During Milestone Run as Billy Flynn in 'Chicago'

Photo Credit: Jeremy Daniel

by Chris Tremblay Jul 14

5 MIN READ

Stand-up comedian, singer, and illustrator Matteo Lane made his official Broadway debut on June 22, 2026, stepping into the iconic role of the silver-tongued lawyer Billy Flynn in the Tony Award-winning revival of Chicago . Currently performing at the Ambassador Theatre located at 219 West 49th Street, Lane is scheduled for a limited engagement that is set to conclude on July 19, 2026 . His arrival in the production follows a series of high-profile appearances at legendary venues such as Radio City Music Hall, Carnegie Hall, and the Kennedy Center . Lane joins a celebrated cast that includes Broadway veteran Krysta Rodriguez as Roxie Hart and Sophie Carmen-Jones as Velma Kelly . The current ensemble also features Jacqueline B. Arnold in the role of Matron “Mama” Morton, Greg Hildreth as Amos Hart, and R. Lowe as Mary Sunshine .

The comedian's debut has been met with significant enthusiasm from the theater community, evidenced by a series of celebratory events and media appearances . On June 25, 2026, the production hosted a special Pride-themed post-show talkback featuring Lane and fellow comedian and actor Caleb Hearon . This event, presented in partnership with the Audience Rewards loyalty program, allowed audience members to engage directly with the stars following the 7:00 p.m. performance .

The "Broadway My Way" Advice Series

To celebrate his month-long residency on the Great White Way, Lane participated in a new video series titled "Broadway My Way," where he shared his personal "hacks" and opinions on the theater-going experience . During the interview, which was published on July 3, 2026, Lane offered a practical, if slightly cheeky, suggestion for navigating crowded theater facilities . He advised theatergoers to "know the show" well enough to anticipate the finale of the first act, suggesting that patrons should "get up and run to the bathroom right before the last note before the intermission" to beat the inevitable queues .

Lane also utilized the platform to address what he considers theatrical faux pas, specifically targeting the habits of tourists in the Times Square area . He strongly encouraged visitors to seek dining options outside of the immediate vicinity of Times Square before attending a show . "There's nothing worse than eating Times Square food before you go see real culture," Lane remarked, further describing the juxtaposition of chain restaurants and high art as an "antithesis" . He specifically quipped that one cannot dine at Margaritaville and then expect to fully appreciate "art" immediately afterward .

In addition to culinary advice, Lane shared his thoughts on appropriate footwear for the theater, expressing a distaste for open-toed shoes in a Broadway setting . The comedian, known for his sharp wit and fashion sensibility, also engaged in lighthearted "hot takes" regarding singing along during performances, a habit often discouraged by theater purists .

Personal Broadway Inspirations

Beyond practical tips, Lane’s recent interviews have highlighted his deep-seated love for musical theater, a passion that predates his comedy career . He revealed that the first Elphaba he ever saw in Wicked was Stephanie J. Block, who performed the role in the first touring U.S. production in 2005 before reprising it on Broadway in 2007 . Lane noted that Block's performance was a formative experience that "changed my life" .

When asked which Broadway legend he would most like to share a drink with, Lane immediately named Liza Minnelli . His choice was motivated by his own well-known ability to mimic the star; he joked that he would perform his Minnelli impression directly to her and "wait to see how long Liza Minnelli would see that I'm doing Liza Minnelli" . Lane also cited the original Broadway cast recording of Funny Girl as his favorite Broadway album, showcasing his appreciation for the classics of the genre . Currently, the show he most desires to see on Broadway is Cats: The Jellicle Ball .

Career Context and Background

Matteo Lane’s transition to the Broadway stage is the culmination of a multifaceted career in the arts . Born in Des Plaines, Illinois, Lane is an accomplished singer who underwent classical opera training in Italy before pursuing a career in stand-up comedy . This background in vocal performance has served him well in the demanding role of Billy Flynn, a character known for the show-stopping number "All I Care About" and the intricate "We Both Reached for the Gun" .

In a personal vlog shared on July 5, 2026, Lane documented the rigorous preparation required for his debut, describing the intensity of the "put-in" rehearsal process . In the video, Lane noted that performers often have a full dress rehearsal immediately followed by their first live performance . He emphasized the importance of remaining calm during this transition, advising himself and others to "just go scene by scene" and "don't worry yourself up" .

Outside of his work in Chicago, Lane is currently in the midst of his third international stand-up tour, titled "We Gotta Catch Up" . He has previously released several successful stand-up specials, including Al Dente, Hair Plugs & Heartache, and The Advice Special . Lane’s television credits include appearances on the Emmy-winning series Abbott Elementary .

Representation and Community Impact

As an openly gay performer, Lane’s presence on the Broadway stage has been celebrated as a significant moment for LGBTQ+ representation in traditional musical theater roles . His involvement in the Pride talkback on June 25 underscored his commitment to the LGBTQ+ community, particularly during Pride Month . The talkback provided a platform for Lane and Hearon to discuss the importance of queer voices in the arts and the specific joy of performing in a show as enduring as Chicago .

Lane’s arrival has coincided with a period of renewal for the Broadway production of Chicago, which continues to be the longest-running American musical in Broadway history . The production’s ability to attract diverse talent from the worlds of comedy and pop culture has been a hallmark of its longevity at the Ambassador Theatre .

Looking Ahead

While Matteo Lane’s tenure as Billy Flynn is nearing its end, the production has already announced its next casting transition . Following Lane’s final performance on July 19, dancer and choreographer Mark Ballas—well known as a champion on Dancing with the Stars—will return to the role of Billy Flynn starting July 20, 2026 . Ballas is currently scheduled to remain with the production through August 16, 2026, performing alongside Krysta Rodriguez .

For Lane, the Broadway debut marks another successful chapter in a year filled with international touring and media projects . Fans can continue to follow his comedy tour, "We Gotta Catch Up," which is slated to visit various cities across North America and Europe throughout the remainder of 2026, including a newly announced performance at Divadlo Broadway in Prague this September . Despite the rigorous schedule of his stand-up career, Lane’s successful transition to the musical theater stage suggests a possible future for the performer in more theatrical ventures .

From 'Naked Highway' to Netflix: How Wash Westmoreland’s Adult Film Roots Shaped the 'Heartstopper Forever' Finale

Photo Credit: Wash Westmoreland / Instagram

by Chris Tremblay Jul 14

4 MIN READ

The countdown to the series finale of Netflix’s revolutionary queer coming-of-age drama has officially entered its final days. 'Heartstopper Forever', a feature-length film set to conclude the story of Nick Nelson and Charlie Spring, is scheduled for global release on July 17, 2026 . While the original series, adapted from Alice Oseman’s graphic novels , was celebrated for its "pastel-hued idealism" and gentle depiction of teenage love, the upcoming film promises a more mature exploration of queer adulthood . At the center of this shift is director Wash Westmoreland, a filmmaker whose professional trajectory began in the unapologetic and often "wild" world of independent gay adult cinema .

The Early Career of Wash West

Before achieving mainstream success with Academy Award-winning projects like Still Alice, Wash Westmoreland operated under the pseudonyms "Wash West" and "Bud Light" . In the late 1990s and early 2000s, Westmoreland was a prolific and critically acclaimed director in the gay adult industry, known for bringing a distinct cinematic sensibility to a genre often dismissed by the mainstream .

His 1997 film Naked Highway, produced for BIG Video, was lauded for its stylistic choices, including the use of alternating color and black-and-white sequences and a narrative structure influenced by Ridley Scott’s Thelma & Louise . The film was not merely a collection of explicit scenes but a road-trip narrative that earned Westmoreland an Adult Erotic Gay Video Award and an AVN Award in 1998 . Westmoreland’s work during this period was frequently recognized for its focus on intimacy and "touching," standing in contrast to the more mechanical productions of the era .

Other notable "wild" entries in his adult filmography include The Hole , a parody of the horror film The Ring, and The Devil is a Bottom, which won a GayVN Award for "Best Sex Comedy" . He also directed Seven Deadly Sins: Gluttony , a reimagining of Oscar Wilde’s The Picture of Dorian Gray within the adult industry . These projects demonstrated a penchant for subverting pop culture tropes and literary classics, a skill that would later translate to his work in traditional independent cinema.

The Transition to Mainstream Prestige

The bridge between Westmoreland’s adult film roots and his mainstream career was the 2001 independent film The Fluffer, which he co-directed with his late husband and professional partner, Richard Glatzer . The Fluffer served as a dramatic exploration of obsession and power dynamics within the gay porn industry, effectively utilizing Westmoreland’s first-hand experience to create a narrative that was both authentic and accessible to wider audiences .

Following the success of The Fluffer, Westmoreland transitioned into directing documentaries and feature films, including Gay Republicans and the Sundance Grand Jury Prize winner Quinceañera . His international breakthrough came with the 2014 film Still Alice, which earned Julianne Moore an Academy Award for Best Actress . Despite his ascension to Hollywood’s upper echelons, Westmoreland has remained committed to queer storytelling, directing projects such as Colette , starring Keira Knightley as the legendary bisexual French author .

A Mature Conclusion for 'Heartstopper Forever'

The appointment of Westmoreland to direct Heartstopper Forever signaled a shift in tone for the franchise as it moves into the territory of Volume 6 of the graphic novels and the Nick and Charlie novella . Recent interviews with lead actors Kit Connor and Joe Locke indicate that the film will not shy away from the sexual development of its protagonists, who are now aged 17 and 18 .

In a conversation published on July 10, 2026, Connor stated that showing the physical side of the characters' relationship was essential to the story's evolution, noting, "It would be weird not to show the sex" . The film reportedly includes an early sequence where the pair engages in sexual activity on a pier, alongside scenes depicting mutual masturbation . This "quite steamy" approach marks a departure from the series’ earlier seasons, which focused primarily on the emotional and social aspects of teenage queer identity .

Westmoreland’s background in adult cinema provides a unique lens for these scenes. His early work was characterized by a desire to depict gay desire with technical artistry and emotional honesty, rather than as something purely clinical or scandalous . In Heartstopper Forever, this translates into a "cinematic and emotional" finale that navigates the challenges of long-distance relationships as Nick departs for university .

Production Details and Cast Changes

The feature film, which was completed in July 2025, sees the return of most of the original ensemble cast, including William Gao , Yasmin Finney , and Tobie Donovan . Notably, Kit Connor and Joe Locke have taken on expanded roles as executive producers for the finale .

One significant change for the film is the recasting of Sarah Nelson, Nick’s mother. Due to a scheduling conflict, Olivia Colman was unable to return, and the role was filled by Anna Maxwell Martin . Additionally, legendary actor Derek Jacobi joins the cast as an older gay man who offers guidance to the young couple as they contemplate their future together .

Writer Alice Oseman, who penned the screenplay for the finale, confirmed that the movie would "slightly" deviate from the storyline presented in the sixth volume of her graphic novels, offering fans a unique "grand" cinematic conclusion . As the "warm bath of inclusivity" that defined the series comes to an end, Westmoreland’s direction ensures that the final chapter of Heartstopper remains both a celebration of queer joy and an honest portrayal of the transition into adulthood .

Patti LuPone Joins LGBTQ+ Travelers in Rerouted Mediterranean Cruise After Turkey and Egypt Deny Entry

WEST HOLLYWOOD, CALIFORNIA - OCTOBER 21: Patti LuPone attends Apple TV Hosts "Palm Royale" Season 2 Celebration - Arrivals at The Sun Rose on October 21, 2025 in West Hollywood, California. Photo Credit: Olivia Wong

by Chris Tremblay Jul 14

4 MIN READ

The Scarlet Lady, a cruise vessel chartered by Atlantis Events for a specialized LGBTQ+ voyage, has been forced to navigate a drastically altered itinerary across the Mediterranean after being denied entry by both Turkey and Egypt . The 10-night journey, which originally intended to highlight historic ports in the eastern Mediterranean, became the center of an international controversy when authorities in Ankara and Cairo issued last-minute bans against the ship . Broadway legend Patti LuPone, who was scheduled as a headlining performer for the 1,900 passengers on board, expressed "fury" over the situation, which organizers have characterized as a targeted exclusion of LGBTQ+ travelers .

Initial Blockade in Turkey

The complications for the cruise began in early July 2026, just days before the vessel was set to depart from Athens . Turkish officials announced that the ship would not be permitted to dock at its planned stops in Kuşadası and Istanbul . According to statements released by the Aydin government on social media platform X, the decision was based on the organization's alleged incompatibility with local societal norms . The official communication stated that the event, planned by groups "known for behaviors that do not align with the structure of our society and our moral values," had caused "great discomfort" among various segments of the public .

Atlantis Events , the California-based company that has operated LGBTQ+ vacations for 25 years, informed passengers on July 3 that both Turkish port calls had been removed due to "circumstances beyond our control" . The company initially attempted to salvage the itinerary by substituting the Turkish ports with a visit to Alexandria, Egypt, and the Greek island of Crete . However, this secondary plan faced similar resistance from Egyptian maritime authorities .

The Egyptian Rebuff

On July 9, 2026, as the Scarlet Lady approached Egyptian waters, the ship was informed that it would not be allowed to enter the harbor at Alexandria . Rich Campbell, the president and CEO of Atlantis Events, reported that the denial came just four hours before the ship was scheduled to meet the local harbor pilot and customs officials . Campbell told media outlets that the company had received full prior approval for the docking and that the sudden reversal was "unprecedented" in his two decades of organizing such voyages .

"We had full approval and they denied us clearance at the 11th hour," Campbell stated, adding that Egyptian officials provided no formal reason for the change, though he noted the timing and context suggested the decision was motivated by the cruise's identity . A statement distributed to passengers via the Virgin Voyages app expressed deep disappointment, notifying them that they would no longer be able to visit Cairo or Alexandria .

Patti LuPone Speaks Out

The presence of three-time Tony Award winner Patti LuPone on the ship brought heightened international attention to the blockade . LuPone, an outspoken advocate for LGBTQ+ rights, shared her reaction on Instagram shortly after the Turkish ban was announced . In a post dated July 3, she wrote: "A ship of gay and me denied entry to Turkey simply because of who is on board. I am furious, but I am sailing" .

LuPone's scheduled performances remained a highlight for the passengers, many of whom expressed solidarity with the star as the vessel sought new destinations . The actress emphasized that while the exclusion was frustrating, the community on board remained committed to celebrating their identities . Representatives for the actress confirmed that she continued her duties as a guest performer throughout the revised voyage .

Rapid Rerouting and Itinerary Changes

Following the successive rejections from Turkey and Egypt, Virgin Voyages and Atlantis Events worked to secure alternative ports in countries with more favorable human rights records for LGBTQ+ individuals . The ship was rerouted to various destinations across the Adriatic and Ionian Seas . The revised schedule included stops in Santorini and Chania in Greece, as well as Kotor in Montenegro .

Additionally, the cruise added visits to the Croatian cities of Dubrovnik and Zadar, providing passengers with a coastal European experience to replace the lost historical tours of Istanbul and Alexandria . The Scarlet Lady is currently on its final leg of the journey, with a scheduled arrival in Trieste, Italy, on Wednesday, July 15, 2026 .

Human Rights Implications and Industry Reaction

The dual refusal of entry has sparked a conversation regarding the rights of LGBTQ+ travelers and the obligations of maritime nations under international law . While nations generally have the sovereignty to regulate their ports, human rights organizations have pointed out that denying entry based solely on the sexual orientation or gender identity of passengers may violate principles of non-discrimination .

The incident reflects a broader trend of tightening restrictions on LGBTQ+ expression in Turkey and Egypt . In recent years, Turkish authorities have frequently banned Pride events and other gatherings associated with LGBTQ+ people, citing public morality . Similarly, Egypt has been criticized by international monitors for its treatment of LGBTQ+ people, who often face legal and social persecution .

Rich Campbell of Atlantis Events noted that the experience was "pretty stunning" and described the reasoning as being clearly directed at the nature of the group . Despite these setbacks, the cruise industry has largely stood behind the organizers . Virgin Voyages reportedly worked extensively to navigate the diplomatic hurdles, and the cruise line has emphasized its commitment to providing a safe and inclusive environment for all passengers .

As the Scarlet Lady approaches its final destination in Italy, the incident remains a significant flashpoint in the intersection of tourism, celebrity activism, and LGBTQ+ rights . Patti LuPone’s vocal opposition to the bans has amplified the story beyond the travel industry, reaching a global audience . While the travelers were denied their original destinations, the successful rerouting to Greece and the Adriatic highlights the resilience of the community and the logistical flexibility of modern cruise operations in the face of political exclusion .

Review: Gracie Abrams Confronts Crises on 'Daughter From Hell'

This album cover image released by Interscope Records shows “Daughter from Hell” by Gracie Abrams. Photo Credit: Interscope via AP

by Elise Ryan Jul 14

2 MIN READ

Crises loom across singer-songwriter Gracie Abrams' third album, “Daughter from Hell,” out Friday.

A knife — stabbed in the heart or stuck in her side — appears as a repeated motif. “Hell” takes on different forms; it's an insult thrown in “Sober” and a place she breaks away from in the title track. The project finds Abrams in a darker place than her previous two records. But by employing a broader array of instruments and production styles, the resulting 16 tracks live up to the bigger arenas she now fills, even if many of the songs feel like a return to her introspective form.

Electric guitar opens the title track, where Abrams' layered voice longs for the traits of her mother: “And I want your patience / I want your grace / I want your sugar,” she sings. Aaron Dessner, a collaborator on Abrams' previous projects, cowrites and produces across the album. Here, his touch is felt in the guitar riffs that build toward the song's midpoint, and the shaker and tambourine that fill them out.

The pair flex across the tracks; Abrams' poetic language only sometimes tripping on itself. On the acoustic guitar and piano-set ballad “Death Wish,” she reflects on a fractured relationship. “How long will you give me?” she pleads before the pace picks up. "'Til you twist the knife with a smile while you kill me?”

“The Knife,” a highlight, immediately follows as Abrams examines her own affinity for recklessness. Her voice, occasionally lowered to a bedroom-pop whisper (fans of her early work will be drawn to the lilting “Good Reason” and the sweet and synthy “Afflictions”), has strengthened since her restrained debut, 2023's “Good Riddance.” As the track builds — starting as a stripped back piano ballad, before turning itself over to drums, electric guitar and a 21-piece orchestra — so does her confidence. The influence of Phoebe Bridgers is felt in that second-half surge.

The anxious “Look at My Life” (co-produced by Dan Nigro) carries some of the same fast-paced energy of her song “Risk.” This time the focus is on her mental health, and the disassociation required of her only-growing fame, rather than the more universal thrill of a new crush.

“Mini Bar,” written with friend and “Sue Me” hitmaker Audrey Hobert, offers some levity, both with its buoyant sound and cheeky lyrics. Backing vocals from Bon Iver's Justin Vernon add dimension to a few tracks, including “Broke My Heart,” while a feature from Marcus Mumford fills out “What if it's right?” Actor Paul Mescal, Abrams' boyfriend, cowrites “Imaginary Friend.”

Lyrically, the beautiful “Humming” is the album's most ambitious. Abrams is confronted with the heavy realities of the world that's raising her. “Do we stay numb? / But you can’t when you’ve seen / How they all get off on our grieving,” she sings, her words chosen carefully. As they always have been.

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“Daughter from Hell” by Gracie Abrams

Four stars out of five.

On Repeat: “The Knife,” “Men Like You,” “Humming”

Skip it: “Sober”

For fans of: Ballads, rainy afternoons

'Off Campus' Creator Louisa Levy Refutes Viral Claims of Significant Pay Disparity Between Lead Actors Ella Bright and Belmont Cameli

Photo Credit: Prime

by Chris Tremblay Jul 13

4 MIN READ

The Prime Video series 'Off Campus' , an adaptation of Elle Kennedy’s bestselling romance novels, has found itself at the center of an industry-wide conversation regarding equitable compensation . The controversy began in early July 2026 when the entertainment-focused podcast 'In the Vault', hosted by Ali Gray and Shane Sutherland, released an episode detailing what they claimed were the specific salaries for the show’s first-season cast members . During the broadcast, the hosts alleged that a significant gender-based pay gap existed between the two primary leads, Ella Bright and Belmont Cameli .

According to the figures provided by the podcast, Belmont Cameli, who portrays star hockey player Garrett Graham, was allegedly paid $30,000 per episode for the eight-episode first season, totaling approximately $240,000 to $260,000 depending on additional bonuses . In contrast, the podcast claimed that Ella Bright, who stars as music major Hannah Wells and serves as the primary narrator for the first season’s story arc, received $20,000 per episode, totaling $160,000 for the season . These figures suggested an $80,000 to $100,000 discrepancy in base pay between the two actors, a revelation that quickly went viral on platforms such as TikTok and Instagram .

Louisa Levy Breaks Her Silence

As the rumors gained traction among the show’s dedicated fanbase, Off Campus creator and co-showrunner Louisa Levy took to social media to directly address the allegations . In a comment posted under a video snippet of the podcast on Instagram, Levy dismissed the reported numbers as inaccurate and misleading . "Check your sources. These numbers are far from correct," Levy wrote, specifically targeting the claims made by In the Vault .

Levy went further to explain her personal and professional philosophy regarding cast compensation. As a female showrunner in an industry historically plagued by gender-based wage discrimination, she emphasized that ensuring pay parity is a priority for her production team . "While this is absolutely an issue in the industry, as a female show runner I fight for gender pay parity in my cast," she added, signaling that the actual contractual agreements for the series do not reflect the disparities suggested by the podcast .

Broader Cast Salary Allegations

The In the Vault podcast did not limit its allegations to the primary leads. The hosts also provided purported salary details for the supporting ensemble, many of whom are rising stars in the Young Adult television space . Josh Heuston, who plays Justin Kohl—the initial love interest of Bright’s character—was alleged to have earned $25,000 per episode, totaling $200,000 for the season . Additionally, Stephen Kalyn and Antonio Cipriano, who play supporting roles within the university's hockey team, were reportedly paid $120,000 each for their work on the first season .

The report also mentioned Mika Abdalla, who is set to take a more prominent lead role in the upcoming second season as the character Allie Hayes . According to the podcast, Abdalla was paid at the same rate as Ella Bright, receiving $20,000 per episode for the show's debut season . These figures, though now disputed by the show’s creator, sparked intense debate on social media about whether experience or character prominence should dictate salary in modern streaming productions .

The Success of 'Off Campus' on Prime Video

The salary dispute comes at a time of significant commercial success for the series. Off Campus premiered on Prime Video on May 13, 2026, and quickly rose to the top of the streaming charts worldwide . The show’s first season adaptation of The Deal follows the narrative of Hannah Wells , a music major who strikes a deal with the captain of the hockey team, Garrett Graham , to help him pass an ethics class in exchange for help making her crush jealous .

Critics have praised the chemistry between Bright and Cameli, as well as the show’s faithful adherence to the source material . The production has been lauded for its inclusive approach to storytelling, featuring a diverse cast and addressing complex themes of consent, trauma, and academic pressure within a college setting . The show’s popularity has also led to a significant increase in the social media following of its stars, with transgender people and other marginalized groups within the LGBTQ+ community expressing support for the series' empathetic portrayal of modern romance and identity .

Contextualizing Gender Pay Parity in Television

The debate surrounding Off Campus mirrors larger movements in Hollywood to address the gender pay gap. Historically, male actors have often commanded higher salaries than their female counterparts, even when the female actors hold more screen time or are the central protagonists of the series . High-profile cases in recent years have seen actresses like Michelle Williams and Claire Foy advocate for equal pay after discovering their male co-stars were paid significantly more for similar or lesser workloads .

In the case of Off Campus, some social media users speculated that Cameli’s alleged higher pay might have been due to his previous credits in projects like Saved by the Bell and Until Dawn, compared to Bright’s relative newcomer status . However, Levy’s denial suggests that such industry standard excuses were not applied to this production, and that the financial parity between her leads is more equitable than rumored .

Looking Toward Season 2

Despite the online controversy, production for the second season of Off Campus—expected to adapt the second book in the series, The Mistake—continues to move forward . Mika Abdalla will take center stage as Allie Hayes, with the narrative shifting focus to her character’s relationship with John Logan . Fans are eager to see if the showrunner will provide further transparency regarding salary structures as the series expands its ensemble and moves into new storylines.

For now, the official stance from the Off Campus production remains that the figures circulated by In the Vault are "far from correct" . The rapid response from Louisa Levy has been viewed by industry analysts as a necessary step to protect the show’s reputation as a progressive and equitable workplace . As the first season continues to dominate Prime Video's internal metrics, the focus returns to the onscreen romance between Hannah and Garrett, while the off-screen financial details remain a matter of private contract between the actors and the studio.

The Price of Love: Unpacking the Reality of the 'Love Island USA' $100,000 Grand Prize

Photo Credit: Peacock

by Chris Tremblay Jul 13

4 MIN READ

The eighth season of the hit Peacock reality dating series, Love Island USA, reached its conclusion on Sunday, July 12, 2026, with a finale that saw fan-favorite couple Trinity Tatum and Bryce Alakai Dettloff crowned as the winners . The pair, who had been a staple of the villa since Day 1, beat out runners-up Aniya Harvey and Carl Lee Schmidt to claim the season’s grand prize of $100,000 .

However, the Season 8 finale introduced a significant departure from the show's long-standing traditions. Historically, the winning couple is presented with two envelopes—one containing the full $100,000 and one containing $0—forcing the partner with the money to choose between "Love" or "Money" . In a surprising shift during the 2026 finale, host Ariana Madix announced that the winners would be sharing the prize, effectively removing the controversial "split or steal" choice that has been a hallmark of the franchise . This change has sparked widespread discussion among viewers regarding the actual value of the prize and the financial logistics involved for the winning transgender-inclusive and diverse cast .

The Fiscal Reality: Taxes and Net Earnings

While the $100,000 figure is prominently advertised, the amount that hits a winner's bank account is substantially lower due to federal and state tax obligations. In the United States, game show and reality TV winnings are treated as ordinary income by the Internal Revenue Service . For winners who choose to split the prize, such as Tatum and Dettloff, the initial $50,000 per person is subject to immediate tax brackets.

Financial analysts note that at a 22% federal marginal rate—which frequently applies to single filers in the income range of most reality contestants—an individual winner could owe approximately $11,000 in federal income tax on a $50,000 share . This calculation does not include state-level taxes, which vary significantly depending on the winner's primary residence. For instance, winners residing in high-tax states like New York or California may see an additional 6% to 10% deducted from their winnings . Reports from previous seasons indicate that after these mandatory deductions, a winning contestant realistically nets between $30,000 and $35,000 of their original $50,000 share .

Furthermore, the production company often withholds a portion of the prize money upfront—typically around 24%—to cover federal requirements, though contestants are ultimately responsible for the full balance when they file their annual returns . This means the immediate "check" handed to winners is often much smaller than the headline-grabbing $100,000 .

Filming Stipends and Hidden Costs

Beyond the grand prize, contestants on Love Island USA receive a weekly filming stipend to compensate them for their time away from work and to cover recurring expenses such as rent or bills while they are in the villa . For Season 8, reports suggest that contestants received roughly $2,000 to $3,000 per week, totaling approximately $9,000 to $12,000 for those who remained in the villa for the full duration of the season .

While this stipend provides a financial cushion, the costs of participating in the show are not negligible. Contestants are required to provide their own wardrobe for much of the filming, excluding specific sponsored segments or finale attire . For many, the investment in high-end clothing, beauty treatments, and accessories before entering the villa can cost thousands of dollars, potentially offsetting a portion of the stipend or prize money .

The Value of the Platform: Brand Deals and Influence

For many modern reality stars, the $100,000 prize is secondary to the "influencer economy" that follows the show’s conclusion. Winners like Trinity Tatum and Bryce Dettloff exit the villa with hundreds of thousands of new social media followers, which translates directly into lucrative brand partnerships .

Past winners, including Season 6 champions Serena Page and Kordell Beckham , have leveraged their appearances into long-term careers in modeling and digital marketing . Industry experts estimate that a successful Love Island USA finalist can earn between $5,000 and $20,000 per sponsored post on platforms like Instagram and TikTok in the months immediately following the finale . For Tatum and Dettloff, whose relationship was highly praised for its authenticity and emotional depth, the potential for joint brand deals—such as travel partnerships or apparel lines—could easily exceed the value of the cash prize within their first year of post-show life .

The "Love or Money" Debate and the Future of the Show

The decision by Peacock and the show’s producers to eliminate the "Love or Money" choice in Season 8 has been met with mixed reactions. Some fans argue that the choice was an essential element of the show's tension, testing whether the connections formed were genuine or purely strategic . Others, however, believe the removal of the choice better aligns with the show's affirming lens, prioritizing the celebration of healthy, committed relationships over manufactured drama .

In previous seasons, no winner has ever chosen to "steal" the money, with all couples opting to split the prize . The consistent choice to share suggest that the "steal" option had become a vestigial mechanic that no contestant was willing to trigger due to the potential for social media backlash and the loss of future brand opportunities . By standardizing the split, Season 8 focused its narrative on the journey of the final four couples: Tatum and Dettloff, Harvey and Schmidt, Melanie Moreno and Sincere Rhea, and Kayda Bosse and Zach Georgiou .

Conclusion: The Real Winnings

As Trinity Tatum and Bryce Dettloff prepare to navigate their new reality outside the Fiji villa, the $100,000 prize serves as a significant, if heavily taxed, springboard. While the net cash amount may be closer to $35,000 each after the IRS takes its share, the visibility and opportunities afforded by the win represent a far greater financial asset . In an era where reality television functions as a multi-channel career launchpad, the true "prize" of Love Island USA is the enduring platform provided to its winners.

D’Arcy Carden Reflects on the ‘Cathartic’ Journey of Self-Discovery in Peacock’s 'The Five Star Weekend'

Photo Credit: Peacock

by Chris Tremblay Jul 14

4 MIN READ

The release of Peacock’s highly anticipated limited series The Five Star Weekend on July 9, 2026, has sparked widespread conversation regarding its nuanced portrayal of midlife, grief, and the fluidity of identity . At the center of the series’ emotional core is D’Arcy Carden , who portrays Brooke Kirtley, a suburban "mom friend" navigating a quiet but profound internal unraveling . In recent interviews following the show’s debut, Carden has detailed the "cathartic" nature of her character's coming out scene, a moment that serves as a pivotal turning point for both the character and the series’ exploration of queer visibility in adulthood .

Background and Context

Based on the 2023 bestselling novel by Elin Hilderbrand, The Five Star Weekend follows Hollis Shaw , a famous food influencer whose life is shattered by the sudden death of her husband, Matthew . In an effort to heal, Hollis organizes a "Five Star Weekend" on Nantucket, inviting four women from different eras of her life: her childhood best friend Tatum , her college roommate Dru-Ann , her online confidante Gigi , and her "motherhood" friend Brooke .

While the weekend is ostensibly meant to support Hollis, each woman arrives carrying her own hidden burdens . For Brooke Kirtley, the trip becomes a vessel for a long-suppressed truth about her sexuality . Throughout the first half of the eight-episode season, Brooke is depicted as a high-strung, nervously chatty mother from Wellesley, Massachusetts, whose marriage to a corporate lawyer is under immense strain .

The Cathartic Coming Out Scene

The series meticulously builds Brooke’s arc from subtle hints of dissatisfaction to a definitive declaration of her identity . In a standout sequence that Carden described as "surprisingly intense" to film, Brooke finally voices her truth . The scene, which occurs during a moment of heightened emotional friction on the island, involves Brooke first practicing her admission to a stranger—a first mate on a boat—before eventually coming out to Hollis and the rest of the group .

Speaking to Collider, Carden reflected on the weight of these moments. "I love these moments of catharsis that happen," she noted, specifically referencing the release her character feels when she stops performing the role of the "ideal Wellesley mom" . Carden characterized the show as a "therapeutic cry," where the characters are forced to "pick up the pieces" of their lives after decades of repression .

For many viewers and critics, Brooke’s journey is a highlight of the adaptation, providing a person-first perspective on the "quiet unraveling" that can occur in midlife . Carden’s performance has been praised for its ability to balance her signature comedic timing with the "big gigantic feelings" associated with coming out later in life .

Navigating Dramatic Territory

Carden, widely known for her Emmy-nominated role as Janet in The Good Place, admitted that stepping into such a heavy dramatic role brought a unique set of challenges . In an appearance on the Armchair Expert podcast, she revealed that she felt significant pressure to "bring her A-game" to the emotional scenes, as she is primarily identified as a comedic actress .

"Some scenes made me feel a bit anxious... you know you have to show up, and there’s no option to do otherwise," Carden said of the filming process . Despite this anxiety, she found the process of exploring Brooke’s sexuality to be "amazing and inspiring," particularly when reacting to the powerhouse performances of her co-stars Jennifer Garner and Regina Hall .

The actress also highlighted the importance of telling stories about older women, a demographic she believes has "fascinating stories to tell" that are often overlooked in mainstream media . By the end of the "Five Star Weekend," Brooke chooses to prioritize herself, leaving her unfulfilling marriage and reclaiming her life—a resolution that resonates with the show’s theme of midlife as a time for self-discovery rather than just decline .

A "Cry Show" With a Heart

The chemistry among the lead quintet was a recurring theme in the press tour following the July 9 premiere . Carden and her co-stars, including Chloë Sevigny and Gemma Chan, often found themselves moved to tears on set, even when the cameras weren't rolling . Carden joked that they would frequently ask each other, "Are you crying again?" due to the intense nature of the material .

This off-screen bond translated into what Carden calls a "beautiful" experience of sisterhood . She spoke fondly of working with Jennifer Garner, stating that Garner was "as good as you think she is" and acted as a grounding force for the cast during the show's most vulnerable moments . This supportive environment likely contributed to the authenticity of Brooke’s coming out, as the character finds the "liberating friction" necessary to finally be honest with herself and her friends .

Conclusion and Critical Reception

The Five Star Weekend has been hailed as "five-star summer escapism" and a "love letter to female friendship" . Critics have specifically noted that the series succeeds by allowing its characters to live their lives authentically without the need for sensationalized "thriller throughlines" .

As transgender and queer representation continues to evolve in media, Brooke Kirtley’s arc stands as a significant example of how LGBTQ+ narratives can be integrated into mainstream stories about domesticity and midlife . For D’Arcy Carden, the role represents a significant milestone in her career, proving her range as a dramatic lead while offering a "cathartic" and inclusive look at the journey toward living one's truth .

All eight episodes of The Five Star Weekend are currently available to stream on Peacock .