Andrew Scott’s 'Elsinore' Brings Ian Charleson’s Final 'Hamlet' to the Screen
Photo Credit: Studio Canal
Andrew Scott’s portrayal of Ian Charleson in Elsinore has become the focus of fresh entertainment coverage ahead of the film’s festival premieres and theatrical release.
The recent attention follows an interview with Scott published by The Hollywood Reporter on August 31 and the British Film Institute’s announcement on September 1 of the 2026 London Film Festival’s Screen Talks programme, which will include Scott discussing his work, including Elsinore.
Charleson’s Hamlet
Charleson was a Scottish actor known internationally for playing Eric Liddell in the 1981 film Chariots of Fire.
He was also a gay actor working during the AIDS pandemic, a period when public discussion of HIV and AIDS was frequently shaped by stigma and discrimination.
In the film’s central story, Charleson prepares to play Hamlet while seriously ill with AIDS, confronting the physical demands of the role as his health deteriorates.
The National Theatre performance became Charleson’s final stage role, and he died in January 1990 at the age of 40 from AIDS-related illness.
The title Elsinore refers to the Danish setting of Shakespeare’s *Hamlet*, while the film itself focuses on the real-life circumstances surrounding Charleson’s late-career performance.
Scott’s approach to the role
Scott is an openly gay actor who plays Charleson, an openly gay actor whose sexuality and illness form part of the historical context of the story.
Speaking to The Hollywood Reporter, Scott said Charleson’s decision to perform Hamlet while facing a terminal illness remained “completely mind-blowing” to him.
Scott also connected Hamlet’s famous question—“to be or not to be”—with Charleson’s circumstances, while distinguishing the character’s existential dilemma from the actor’s real-life medical condition.
The production marks Scott’s first credited producing role, in addition to his lead performance.
Olivia Colman co-stars as Charleson’s doctor, and the ensemble also includes Billie Piper, Johnny Flynn, Luke Thompson, Joe Locke, Juliet Stevenson and Peter Mullan.
The screenplay was written by Stephen Beresford, whose previous work includes Pride, and Stone directs the project.
Festival premiere and release plans
Elsinore will open the 70th BFI London Film Festival on October 7, 2026, with its European premiere at the Southbank Centre’s Royal Festival Hall.
The festival will run from October 7 through October 18 and will present a programme of 251 titles from 88 countries.
The BFI said cast members are expected to attend the opening-night event, although the available announcement does not specify which members will appear.
Scott is also scheduled to take part in a BFI Screen Talk examining his career and his performance as Charleson in Elsinore.
The film is scheduled to receive its North American release in select United States theatres on November 20, 2026, through Focus Features.
STUDIOCANAL is scheduled to release the film in UK cinemas on January 29, 2027.
The film is also set to appear at the 2026 Toronto International Film Festival, where Scott is scheduled to participate in an on-stage conversation about his career and the new film.
A story shaped by queer history
The project places a gay actor at the centre of a major historical drama without separating his professional achievements from the conditions under which he worked.
Charleson’s story is situated in the history of the AIDS crisis, when many people living with HIV or AIDS faced widespread fear, misinformation and social prejudice.
By focusing on Charleson’s work on Hamlet, Elsinore links a canonical theatrical role with the lived experience of a gay performer whose illness was not publicly known to everyone around him at the time.
The film’s release arrives as contemporary audiences continue to reassess the contributions of LGBTQ+ artists whose careers unfolded during the AIDS crisis.
Its festival rollout will therefore give audiences in Toronto and London an early opportunity to encounter Scott’s interpretation of Charleson before the film reaches cinemas more widely.
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