It was “All By Myself,” the song the Quebec superstar’s voice has been measured against since 1996, saved for the encore of her first full concert in more than six years — her first since stiff person syndrome, a rare, progressive neurological disease, attacked her muscles, including those of the throat.

Few doubted she could still sing. What nobody knew was whether she could get through a whole show, and then get up and do it again two nights later.

Dion gave the crowd three words: “Je vais bien.” (“I’m doing fine.”)

“When she hit that note, I grabbed my friend’s arm. I’d been holding my breath without realizing. Then I started crying. ‘She’s back. She’s really back,‘” said Élodie Marchand, 42, a primary schoolteacher from Nantes.

A disease that goes for the throat

Dion, 58, had not played a full concert since March 8, 2020. She was diagnosed in 2022 with stiff person syndrome. She canceled a world tour, then what was left of it, and went quiet. On Saturday night, 25 songs in 2 hours and 15 minutes at the Plenitude Arena in Nanterre, west of Paris, was the first night of the engagement meant to prove she can work again.

The sold-out run is punishing: 16 shows in five weeks, 10 more booked for May 2027, 26 nights in all before tens of thousands of people each time.

The last time France saw her sing, it lasted four minutes. At the Olympic opening ceremony in July 2024, Dion sang from the Eiffel Tower — one song, one night — and the world called it a resurrection. Saturday she had to do it 25 times, then get up and do it again Wednesday.

Stiff person syndrome affects one or two people in a million. It stiffens muscles and sets off spasms violent enough to break bones, triggered by loud noise, by touch, by emotional stress. An arena holding 30,000 people is all three at once. Singing with it, Dion told NBC in 2024, felt like being strangled.

“Touring can be very difficult even when you’re 100%,” she said in a statement in 2023, canceling the last of her dates.

‘I promised myself I wouldn’t cry’

She cried before she finished the first song. In a Dior gown and a Boucheron necklace, she pressed her hands together in prayer, then missed her cue in “On ne change pas,” on the line about the skinny little girl from Charlemagne, Quebec.

“I promised myself I wouldn’t cry,” she said. The crowd answered by chanting the riff from “Seven Nation Army.”

She said she had learned to live with the fragility and made it her reason to keep going. Then she sang for another two hours.

The voice has lost some of its top; it is not the instrument that sold 250 million albums. Every big note is now a decision she makes in front of 30,000 people.

She took most of them. She sang “My Heart Will Go On” and “The Power of Love,” then Catalani’s “Ebben? Ne andrò lontana” — Maria Callas’ signature aria — in pink feathers while fake snow fell. Her disease attacks the larynx. She went for it anyway.

Willo Perron’s set put her among gray megaliths, a pop Stonehenge. An 18-voice gospel choir came on in robes.

Michelle Obama watched from the seats. Outside, fans wore sashes reading “Celine Dion 2026,” like beauty pageant winners, and T-shirts from the LVMH house that shares her first name.

“My daughter kept saying, ‘Mum, we can’t go all the way to Paris for Celine,’” said Isabelle Gagnon, 52, a teacher from Montreal. “Tonight my daughter was singing beside me, and I thought: you see? This is why we came.”

“In Montreal, you grow up knowing those songs whether you mean to or not,” said Antoine Beaulieu, 31, a graphic designer. “I used to pretend I was too cool for Celine. Tonight I knew every word, so clearly that was a lie.”

More performances to come

Camille Morel, 38, a pharmacist from Lyon, put her phone away. “I wanted to actually be there,” she said. “My voice is completely gone. I’m supposed to be working tomorrow — good luck to them.”

Then the encore, and the note: the last “anymore” a cappella, the note bent upward, the orchestra surging in beneath her. She fanned herself, laughing at her own relief.

She closed with two Jean-Jacques Goldman standards and a last line to the room: I love you, my loves. Take care of yourselves.

It had taken her 2,379 days to get back. She has 25 more nights to go.

The project will reunite many of the original film’s central performers, including Rachel McAdams, Sarah Jessica Parker, Claire Danes, Dermot Mulroney, Craig T. Nelson, Luke Wilson, Tyrone Giordano, Elizabeth Reaser, Paul Schneider and Brian White.

The returning actors are expected to reprise their original roles as members of the Stone family and its extended circle.

The announced returning cast includes McAdams as Amy Stone, Parker as Meredith Morton, Danes as Julie Morton, Mulroney as Everett Stone, Nelson as Kelly Stone, Wilson as Ben Stone, Giordano as Thad Stone, Reaser as Susannah Stone, Schneider as Brad Stevenson and White as Patrick Thomas.

The Hollywood Reporter also identified Parker, McAdams and Wilson among the returning performers in its report on the sequel.

No release date has been announced for "The Families Stone".

The New Christmas Story

Searchlight’s synopsis places the sequel 20 years after the death of the Stone family’s mother.

The story will bring the family together for Christmas, where Kelly Stone has unexpectedly invited the woman he has fallen in love with to meet the family.

That setup shifts the focus from the original film’s introduction of Meredith Morton to the Stones toward a new relationship involving Kelly, the family patriarch.

The announcement does not identify the actor who will play Kelly’s new romantic partner.

The synopsis also does not specify how the film will portray the family’s life during the intervening two decades.

The sequel’s premise acknowledges the absence of Sybil, the character played by Diane Keaton in the first film.

Keaton died in October 2025 at age 79, according to reporting about the sequel’s development.

Bezucha Returns

Tom Bezucha is returning to write and direct "The Families Stone".

Bezucha wrote and directed the original "The Family Stone", which centered on Meredith’s visit to Everett’s family home during the Christmas season.

Michael London is returning as a producer, with Shannon Gaulding also producing for Groundswell Productions.

Parker and Alison Benson are also attached as producers through Pretty Matches Productions.

Production is scheduled to take place in New York this fall, according to Deadline.

The announcement does not provide a production budget, a planned completion date or a release window.

From Development to Official Announcement

The sequel had been discussed publicly before Searchlight confirmed the project.

In November 2025, Bezucha said he was developing a follow-up to the original film.

At that stage, the project had not received an official green light and no cast members had formally committed, Variety reported.

Bezucha had nevertheless expressed a preference for bringing back the original ensemble.

That earlier development process followed Keaton’s death and raised the question of how a continuation could address the loss of Sybil without the actor who originated the role.

Parker previously described the prospect of continuing the story as emotionally difficult because of Keaton’s absence.

The current announcement resolves the project’s earlier uncertainty about whether a substantial portion of the original cast would participate.

The Original Film’s Place in the Story

"The Family Stone" followed Meredith, a business executive played by Parker, as she traveled with Everett to spend Christmas with his family.

The original film presented the Stones as an extended family whose holiday gathering brought personal disagreements and romantic tensions into the open.

Keaton played Sybil, the family matriarch, while Nelson played Kelly, her husband and the father of the Stone siblings.

The sequel’s premise places Kelly at the center of a comparable family introduction, but with the father bringing a new partner into the household rather than one of his children introducing a prospective spouse.

Variety reported that the original film was released in December 2005 and earned approximately $92 million worldwide against an $18 million budget.

What Is Known So Far

The confirmed creative team consists of Bezucha as writer-director and the returning producers named by Deadline.

The announced principal cast consists of nine returning performers from the original film, excluding Keaton, whose character’s death is part of the sequel’s time frame.

The film is expected to enter production in New York during fall 2026.

Searchlight has not announced additional casting, a trailer, a budget or a theatrical or streaming release date.

For now, the confirmed premise is a Christmas reunion centered on Kelly Stone’s new relationship and the family’s response to it.

Page Six reported on September 11 that the couple had “recently welcomed” their first child, without identifying the precise date on which the birth occurred.

The Los Angeles Times separately reported that Gaga and Polansky had been photographed with a newborn during an outing in Northern California, attributing the initial report to Page Six.

Reuters also reported the news as a report based on People’s account and said that Page Six had first published the story.

Neither Gaga nor Polansky had issued a public announcement about the child in the reports reviewed for this article.

What Has Been Confirmed

The publicly reported information establishes that Gaga and Polansky are being described by multiple outlets as parents of their first child together.

Details about the baby’s name, sex and date of birth had not been released as of September 12.

The reports also did not establish where the child was born.

Page Six published photographs showing Gaga carrying an infant close to her chest in a baby carrier during a walk in Northern California.

The photographs also showed Polansky accompanying Gaga during the outing, according to Page Six and coverage from iHeartRadio.

The public images provide visual evidence that Gaga and Polansky were seen with an infant, but they do not independently establish the child’s name, sex, birth date or medical circumstances.

The Couple’s Relationship

Gaga and Polansky have been engaged since 2024, according to The Straits Times.

The couple began dating in 2020, the newspaper reported.

The reports described Polansky as an entrepreneur or technology investor and identified Gaga by her birth name, Stefani Germanotta.

Gaga, 40, is a Grammy- and Oscar-winning recording artist and actor, according to the Los Angeles Times.

The Los Angeles Times referred to her as a 16-time Grammy winner and noted that she is known for songs including “Bad Romance.”

Privacy Around the Newborn

The couple’s reported decision not to disclose identifying details means that information circulating online about the baby’s name, sex, birth date or place of birth should not be treated as confirmed.

The available reporting does not say whether Gaga and Polansky intend to make a formal statement or share additional photographs.

That distinction is important because the initial reports rely on media confirmation and photographs rather than a birth announcement issued directly by either parent.

People’s cited source confirmed the baby’s arrival to the magazine, while no further personal details were provided in the reports.

Why the News Is Significant

The report marks a major personal development for one of the world’s most prominent contemporary pop performers, while the limited information available reflects the couple’s control over the public disclosure of their family life.

The news also drew international coverage, including reports from The Straits Times, Reuters and other entertainment publications.

At present, the most accurate description is that Lady Gaga and Michael Polansky have reportedly welcomed their first child and have been photographed with the infant in Northern California.

All other details about the newborn remain undisclosed in the independently reported accounts available as of September 12, 2026.

The presentation will also be available to stream on HBO Max, although the companies have not announced a specific premiere date beyond the 2027 release window.

The special was recorded during the July 28, 2026, performance of the West End production at London’s Trafalgar Theatre.

Escola, who wrote the play and originated the title role, returned as Mary Todd Lincoln for the filmed performance.

Cast and Creative Team

The recorded cast includes Giles Terera as Mary’s Husband, Bianca Leigh as Mary’s Chaperone, Tony Macht as Mary’s Husband’s Assistant and Michael Urie as Mary’s Teacher.

Sam Pinkleton, who directed the stage production, directed the filmed performance.

The production was executive produced by Escola, Alex Bach and Daniel Powell for Irony Point; Carlee Briglia and Mike Lavoie for Mike & Carlee Productions; and Kevin McCollum and Lucas McMahon for Alchemation.

HBO released a teaser announcing the television adaptation, featuring Escola in costume as Mary Todd Lincoln visiting HBO Max’s offices and asking to bring the play there.

The teaser also includes surprise appearances by Sarah Jessica Parker and Cynthia Nixon.

In a statement reported by Deadline, Escola said the television release would allow the show to reach a wider audience.

Nina Rosenstein, HBO’s executive vice president of programming, late night and specials, described the production as an original comedy built around highly choreographed performance.

Pinkleton said the filmed presentation would preserve the production’s theatrical history while introducing it to viewers who may not have seen it in New York or London.

The Play’s Premise

“ Oh, Mary!” is presented as a dark comedy about Mary Todd Lincoln during the weeks before Abraham Lincoln’s assassination.

The play reimagines the former first lady as a frustrated performer who drinks heavily and dreams of becoming a cabaret star, while her marriage to the president forms part of the story’s central conflict.

The production uses an intentionally comic and historically irreverent perspective rather than presenting a conventional account of Mary Todd Lincoln’s life.

The stage comedy runs for approximately 80 minutes.

From Off Broadway to International Release

“ Oh, Mary!” opened Off Broadway in January 2024 before transferring to Broadway’s Lyceum Theatre in July of that year.

The Broadway production became the first show in the Lyceum Theatre’s history to gross more than $1 million in a single week, according to Deadline.

The production also broke its own box-office record 15 times and became the first show of the 2024–25 Broadway season to recoup its investment.

The West End staging opened in December 2025, and Escola later reprised their performance in London for the filmed presentation.

The London recording was previously reported as a planned filmed performance before HBO confirmed its 2027 television and streaming release.

That earlier production announcement identified Escola as the performer playing Mary Todd Lincoln and listed Terera, Leigh, Macht and Urie among the performers appearing in the filmed staging.

What Viewers Can Expect

The HBO presentation will preserve a performance led by the writer and original star rather than replacing Escola with another actor for the screen version.

It will give audiences access to the West End staging recorded in the same theatre where the London production was presented.

The release also extends the play’s existing path across theatrical markets, from Off Broadway and Broadway to the West End and now television and streaming.

As of September 10, HBO has confirmed the year of release but has not provided a month, day or detailed rollout schedule.

Stone made the remarks during an appearance on actor and neuroscientist Mayim Bialik’s podcast, Mayim Bialik’s Breakdown, in an episode published September 8, 2026.

The podcast’s episode listing identifies Stone as its guest and describes the conversation as including discussion of her dating life and her decision to practice celibacy.

During the conversation, Stone described herself as a good girlfriend but said she had not occupied that role for a long time.

She said she had experienced both positive and negative relationships, while making clear that her current priority is being with someone she genuinely cares about.

Stone’s comments were presented as a personal account of her current romantic and sexual choices, rather than as a statement about celibacy more broadly.

Seeking Companionship Rather Than Casual Sex

Stone said that she is looking for a companion rather than someone interested only in having sex with her.

She also said that casual sexual relationships had become uninteresting to her, according to reports summarizing the podcast conversation.

The distinction Stone drew was between sexual contact without the type of emotional connection she wants and a relationship centered on mutual care.

She said that her children are now grown and that this stage of her life has influenced what she wants from a future relationship.

Stone did not announce a new relationship or identify a prospective partner during the podcast appearance.

She also did not specify how long she had been celibate.

What Stone Said About Love

When discussing whether she had experienced the greatest love of her life, Stone said that she had had love in her life but did not believe she had yet experienced that particular relationship.

That comment placed her decision in the context of what she described as an ongoing search for a significant and emotionally meaningful partnership.

Stone’s remarks did not amount to a declaration that she had permanently rejected romance.

Instead, the reports describe her as saying that she wants to be selective about the kind of relationship she enters.

Her stated goal was not simply to avoid dating but to find someone with whom she feels a meaningful connection.

Earlier Comments About Dating

Stone has previously spoken publicly about frustration with dating and about preferring time with her children and friends.

Those earlier remarks came during a 2020 appearance on The Drew Barrymore Show, when Stone said she was “done dating” and criticized what she characterized as insincerity and games in romantic relationships.

The 2026 podcast comments differ in emphasis because Stone spoke specifically about celibacy and about wanting a companion rather than a casual sexual relationship.

Her latest comments therefore provide a more specific account of her current priorities than her earlier statements about being tired of dating.

The Podcast Conversation

The episode was promoted by Mayim Bialik’s Breakdown as a wide-ranging interview with Stone.

The program’s description also references Stone’s account of a near-death experience and her discussion of spirituality.

The celibacy discussion was one part of the episode rather than the episode’s sole subject.

People reported the remarks on September 10, two days after the episode’s publication.

Page Six separately reported that Stone described herself as having been without sex for an extended period and wanting a meaningful connection.

The original podcast listing and the independent reports agree on the central point: Stone said she has chosen celibacy while seeking a relationship based on emotional significance.

A Personal Choice, Not a Medical Claim

Stone’s comments concern her personal relationships and sexual boundaries.

She did not describe celibacy as a treatment, diagnosis or medical necessity.

She also did not attribute her decision to a specific health condition in the reported conversation.

The available reports support describing the decision as Stone’s stated preference at this point in her life.

Stone’s disclosure has attracted attention because it offers a direct account of a public figure setting boundaries around dating, sex and emotional intimacy.

The central message of her comments was that she would rather remain celibate than pursue a relationship that does not meet her expectations for care and companionship.

The album was created in collaboration with Andrew Hodges, the biographer of Alan Turing. It examines eight significant chapters in Turing’s life and death, presenting the story as a chronological musical biography rather than as a conventional collection of unrelated songs.

The new recording was produced by Pet Shop Boys and German composer Sven Helbig. Helbig also created the string arrangements, including a more intimate arrangement for the revised version. The recording combines electronic music with orchestral and choral elements.

A New Version of a 2014 Work

Neil Tennant and Chris Lowe originally debuted A Man From The Future at London’s Royal Albert Hall during the 2014 BBC Proms. That performance featured the BBC Concert Orchestra and the BBC Singers. The 2026 edition revises both the text and the music of the earlier work.

Juliet Stevenson, who narrated the 2014 performance, returns as narrator for the new recording. Her narration is edited from Hodges’ biography Alan Turing: The Enigma, which Hodges updated for the 2026 revision. The Manchester Camerata Octet performs the string parts, while the Manchester Grammar School choir also appears in the recording.

According to the BBC’s description, the eight-part work follows Turing from his school days and early interest in science and mathematics to his time at Cambridge University. It then addresses his wartime work for the British government decrypting messages encoded by the German Enigma machine. Later sections cover his contribution to the development of digital computing, his predictions concerning artificial intelligence, his prosecution for a same-sex relationship, his death in 1954, his 2013 royal pardon and his continuing influence.

Turing’s Legacy and the Work’s Themes

The BBC identifies Turing as a pioneering mathematician and cryptanalyst whose work influenced computing and whose wartime codebreaking contributed to the Allied effort. The broadcaster also describes the composition as an exploration of Turing’s life, death and influence.

In a statement carried by the BBC, Pet Shop Boys said their motive was to create “a musical memorial to Alan Turing.” The duo’s statement also referred to Turing’s prosecution because of his sexuality and to his expectation that gay people would eventually be accepted as normal. The wording reflects the historical context of Turing’s prosecution for a same-sex relationship, which is included as one of the work’s eight narrative sections.

The project therefore connects the Pet Shop Boys’ electronic musical language with a historical account of scientific achievement, state persecution and Turing’s later public recognition. The production’s subject also links the history of computing with the history of LGBTQ+ persecution in Britain, as the work explicitly includes Turing’s prosecution and subsequent pardon.

BBC World Premiere

The BBC will broadcast the new recording as a world exclusive in October. BBC Radio 6 Music will air the 2026 edition on Sunday, October 4, during Stuart Maconie’s Freak Zone, which is scheduled from 8 p.m. to 10 p.m. Maconie will also hear from Tennant, Lowe and Hodges about the creative process behind the reworking and the combination of electronic and orchestral music.

The work will be broadcast later that evening on BBC Radio 3 during Unclassified, scheduled from 11:30 p.m. to 12:30 a.m. Tennant, Lowe and Hodges will join presenter Elizabeth Alker to discuss the original performance and the 2026 evolution of the composition. Both programmes will be available on BBC Sounds for 30 days after transmission.

Manchester Event

Pet Shop Boys and Hodges will take part in a listening and conversation event at the Imperial War Museum North in Manchester on Thursday, October 8. The event is set to include a complete playback of the album followed by a discussion involving the duo and Hodges. The group said the conversation would be filmed and made available online after the event.

Tickets went on sale on September 7 at 10 a.m. British Summer Time, and the event has since sold out. Further details about the online release of the filmed conversation are due to be provided by Pet Shop Boys.

The album is available to preorder in multiple formats ahead of its October 9 release. Its release and the BBC broadcasts will bring the revised Turing work to audiences beyond the concert setting where the composition began in 2014.

The reports have not established that Fike and Schafer are dating again. Both performers have remained publicly silent about the nature of their recent interactions, leaving the available information limited to reported sightings, fan-posted material and Fike’s remarks at a concert.

The latest development came when Fike introduced his song “Great Pretender” during a recent show by saying that he had written it about his “girlfriend.” He then added, “I used to not be able to say that.”

Fike did not name the person he was referring to. The available report therefore does not independently establish that the comment concerned Schafer.

What Has Been Reported

Schafer was reportedly seen at Fike’s concert at Chicago’s Aragon Ballroom on Aug. 27. Other reports said the pair were seen together in Chicago, including at a restaurant, although those accounts were based on eyewitness submissions and social-media material rather than statements from either performer.

A report published by India Times said that further sightings allegedly occurred in Seattle on Aug. 31, where Fike was performing as part of his current concert schedule. The report described claims that the two visited a pop-up shop and were later seen leaving a venue together.

Cosmopolitan separately reported that Fike was seen with Schafer at a bar before his Sept. 1 Seattle performance opening for Green Day. The same report said that fans had interpreted the sightings as possible evidence of a reconciliation, while noting that neither performer had confirmed a renewed relationship.

The reports differ in the level of detail they provide, but they converge on two points: Schafer was reportedly present at one of Fike’s recent performances, and the pair were subsequently reported to have spent time together away from the stage.

Why “Great Pretender” Became Part of the Story

The concert comment drew particular attention because fans have associated “Great Pretender” with Schafer. PinkNews reported that online users connected Fike’s reference to the former couple, although the outlet emphasized that Fike did not identify Schafer as the person he called his girlfriend.

That distinction is important. A performer’s reference to an unnamed girlfriend is not confirmation of a particular relationship, and the available reporting does not provide a direct statement from Fike identifying Schafer.

The footage of the remark was reportedly recorded by an audience member and circulated on TikTok before being discussed in media reports. The existence of the recording supports the fact that Fike made the quoted remark, but it does not resolve whom he meant.

Their Previous Relationship

Fike and Schafer met while working on the second season of HBO’s Euphoria, in which Schafer plays Jules Vaughn and Fike joined the cast as Elliot.

The pair publicly confirmed their relationship in February 2022 by sharing a photograph of themselves kissing. Fike later confirmed that they had separated, and he discussed his decision to step away from relationships during a conversation with Apple Music’s Zane Lowe.

Schafer discussed the breakup in a 2024 interview and described it as a mutually agreed-upon separation. She also said that infidelity had affected the relationship and that the experience had changed her.

Those earlier comments have been referenced in recent online discussion about the new sightings. India Times included questions from social-media users about the couple’s previous breakup while reporting on the Seattle claims.

What Is Confirmed and What Is Not

It is confirmed that recent media reports have described Fike and Schafer as being seen in the same locations, and that Fike referred to an unnamed “girlfriend” while introducing “Great Pretender.”

It is not confirmed that Fike’s comment referred to Schafer, that the two have resumed a romantic relationship, or that reports of public affection accurately describe what occurred. PinkNews, Cosmopolitan and India Times each noted the lack of official confirmation from the performers.

For now, the most supportable conclusion is that the former couple’s recent reported interactions have generated renewed public interest, not that a reconciliation has been established. Neither Fike nor Schafer has publicly confirmed that they are together again.

The decision means that the BBC will not commission or broadcast future main-series episodes of the British edition. The programme’s current eighth series will continue its scheduled run on BBC Three and BBC iPlayer.

The broadcaster attributed the move to “significant financial pressures” and the savings it is required to make. In a statement reported by multiple outlets, a BBC spokesperson said the corporation had been forced to make “some very difficult choices, none of which have been taken lightly.”

The BBC said it was “incredibly proud” of the programme and thanked RuPaul, World of Wonder and everyone involved in making it.

A move to WOW Presents Plus

The franchise will continue on WOW Presents Plus, the streaming service operated by World of Wonder, the production company behind the programme.

The move will include future seasons of the main UK competition and the international spin-off RuPaul’s Drag Race UK vs The World. The programme itself is therefore continuing, although its UK broadcast home is changing from the BBC to a subscription streaming platform.

Variety reported that UK subscribers to WOW Presents Plus will be able to access all eight main-series seasons and all three seasons of UK vs The World. The Independent likewise reported that the existing main-series and spin-off catalogue would remain available through the service once the transition is complete.

The change may alter how audiences in the United Kingdom watch the programme. The BBC currently makes the series available through BBC Three and iPlayer, while WOW Presents Plus is a streaming service requiring platform access.

What “eight series” means

Reports have described the decision as the end of Drag Race UK after eight series, while some coverage has referred to 11 series.

The distinction reflects the difference between the eight main UK competition series and the three series of the international spin-off RuPaul’s Drag Race UK vs The World Taken together, those programmes account for 11 series associated with the BBC-era UK franchise.

The eighth main series began airing on BBC Three in September 2026 and remains on the BBC during the current run. The BBC’s announcement therefore concerns future seasons rather than an immediate cancellation of episodes already being broadcast.

First UK All Stars edition announced

World of Wonder has also confirmed plans for RuPaul’s Drag Race UK: All Stars.

Variety reported that the programme is scheduled to premiere globally on WOW Presents Plus in autumn 2027. It will be the first UK edition of the All Stars format and is intended to bring back queens who have previously competed in the UK franchise.

The planned series will be available to viewers worldwide on WOW Presents Plus, including subscribers in the UK. The announcement gives the franchise a confirmed continuation beyond the current BBC run, although details about the cast and format have not been announced in the sources reviewed for this article.

Financial pressures and representation

The BBC’s explanation places the decision within a wider effort to reduce spending. Deadline reported that the broadcaster is seeking savings of £500 million, with Drag Race UK among the programmes affected by the financial situation.

The BBC has not said that the programme was removed because of its subject matter or LGBTQ+ content. Its public explanation has focused on financial pressures and required savings. The broadcaster has also described the series as groundbreaking and expressed its appreciation for the people who made it.

The Independent reported that the announcement prompted criticism from people concerned about the BBC’s treatment of programmes serving marginalised audiences. Those reactions are separate from the BBC’s stated financial rationale and do not establish that LGBTQ+ representation was a factor in the commissioning decision.

For transgender people, queer communities and drag performers who have appeared on or followed the programme, the practical change is that future UK episodes will no longer be released through the BBC’s public-service platforms. The available reporting confirms the change in distribution but does not provide audience figures or research measuring its effect on LGBTQ+ representation.

The current series will remain available through BBC Three and BBC iPlayer during its run, while the franchise’s next phase is planned for WOW Presents Plus. The first scheduled production under the new arrangement identified in current reporting is RuPaul’s Drag Race UK: All Stars, due in autumn 2027.

In an interview published by The Australian on September 10, Anderson described herself as “pan, as in pansexual, as in attracted to all genders.”

The statement represents a change in emphasis from Anderson’s earlier public comments, in which she discussed relationships with women but stopped short of choosing a definitive sexual-identity label.

Anderson is known internationally for playing FBI agent Dana Scully in The X-Files and for appearing in productions including The Crown and Sex Education.

What pansexual means

GLAAD defines pansexual as an adjective describing the capacity to form physical, romantic or emotional attractions to people of any gender, regardless of gender identity.

The organization places pansexuality among identities commonly included under the broader bi+ umbrella, while recognizing that people may use “pansexual” and “bisexual” in different ways.

Anderson’s own wording—“attracted to all genders”—was reported as part of her explanation of why the term “pansexual” feels appropriate to her.

The term describes an individual’s potential pattern of attraction; it does not require a person to have had relationships with people of every gender.

A label considered over time

Anderson’s latest comments follow a discussion that became more public after the release of her book Want: Sexual Fantasies by Anonymous, an edited collection concerning women’s anonymous sexual fantasies.

In a 2024 profile for The New Yorker, Anderson questioned whether “bisexual” or “pansexual” might describe her, while also expressing concern about overstating her experiences or claiming an identity that did not feel fully hers.

The New Yorker reported that Anderson’s reflections on sexuality developed while she was working on the book and considering the language available to describe her past relationships.

In a separate interview published in August 2026, Anderson discussed a relationship with an older girl during high school and said the relationship felt secretive because she and the girl believed they would not be accepted as a couple.

PinkNews reported that Anderson said she did not think of herself as LGBTQ+ at the time because she had also had relationships with boys.

That earlier account did not amount to a public declaration of a particular identity label, but it provided additional context for Anderson’s later comments about attraction and self-description.

Why the announcement matters

Anderson’s remarks have been reported by LGBTQ+ publications including PinkNews, Them and Pride following publication of the Australian interview.

The coverage has focused on Anderson’s own words rather than treating her previous relationships as proof of an identity she had not chosen for herself.

That distinction is significant because sexual orientation is self-defined, and the existence of a relationship or sexual experience does not automatically determine the label a person uses.

Anderson’s comments also illustrate that people may arrive at an identity label after years of reflection rather than adopting one immediately.

The actor’s statement does not require a revision of her earlier descriptions of her relationships, because those accounts and her current self-identification address different aspects of her personal history.

For now, Anderson’s clearest public description is her own: she is “pan,” meaning pansexual, and attracted to all genders.