“As a mother, there is nothing more important to me than the health, safety, and well-being of my children,” Giudice wrote, according to the Los Angeles Times and Us Weekly.

Giudice said the family had been through “incredibly difficult” months and that she wanted to speak publicly while protecting her daughter during what she described as an extremely vulnerable time.

She attributed Milania’s distress in part to grief, writing that her daughter had experienced “tremendous heartbreak and significant psychological trauma” after losing two of her best friends. Giudice added that grief affects people differently and said her focus was on ensuring her daughter had love, family, support and care.

“Milania is my daughter before she is anything else,” Giudice wrote, asking people to show her daughter “compassion and kindness” and allow her the privacy she needs.

What happened at the airport

The statement came after an incident at Tampa International Airport on Wednesday, September 23, in which airport police were called to intervene during a family dispute involving Giudice and Milania. Us Weekly reported that video of the exchange surfaced before Giudice’s statement.

The Los Angeles Times reported that Milania, 20, became emotional and ran away from family members and a counselor traveling with them, prompting police to respond.

Body-camera footage from the encounter was later reported by multiple outlets. In the footage described by the Los Angeles Times, Giudice tells an officer that her daughter “had fentanyl in her system” and says she wants to save her life.

That statement is an account Giudice made in the footage, not independently established medical information in the reporting reviewed here. The Los Angeles Times and The Independent report what is heard in the video; neither report independently confirms a test result.

A request for space

Giudice acknowledged that the family’s public profile could lead to questions and speculation, but asked that attention not come at the expense of her daughter’s privacy. She said Milania deserved an opportunity to heal without every moment of her pain being analyzed publicly.

The request places the family’s public statement alongside widely circulated footage of a private and emotionally charged situation. The verified details available from the cited coverage are limited: police attended the airport incident, footage was released, and Giudice subsequently described her daughter as grieving and asked for privacy.

The Los Angeles Times reported that Giudice’s statement identified the loss of two friends as a source of heartbreak for Milania. The public accounts cited here do not provide further independently verified details about those losses or Milania’s care, and Giudice specifically asked that her daughter be allowed space to navigate the situation privately.

Giudice’s message closed with an appeal to the public and media to give Milania and the family privacy as they work through a difficult period.

The actor, now 80, described the experience in an interview with "The New York Times" published September 26, speaking with journalist Lulu Garcia-Navarro as he discussed his life and career.

“It became an obsession, really bad,” Stallone said, according to the interview; he added, “It became to the point where I became bulimic.”

He said that while filming "Rocky III", he reached what he described as 2.6 percent body fat and struggled to keep food down.

Stallone described the change in his relationship with his appearance as connected to his characters and the physiques he felt they called for.

From character design to fixation

In his account, he initially saw the physique he wanted for Rocky as a kind of “armor,” and imagined making his body look more like a jaguar or cat: lean, athletic and aggressive.

He contrasted that idea with the physicality he associated with Rambo, a warrior character he said should appear more animalistic.

The New York Times interview places this account within a career that began with Stallone writing and starring in "Rocky", followed by additional films in the franchise and the "Rambo" series.

The Times describes Stallone and fellow action star Arnold Schwarzenegger as influential in shaping a particular image of masculinity in popular culture—physically imposing and emotionally restrained.

Stallone’s interview is a personal account of his experience; the reporting does not independently establish his historical body-fat measurement or provide clinical records concerning his eating disorder.

Steroid use and the toll he described

Alongside his account of bulimia, Stallone said he used steroids while pursuing the physique he wanted for his film roles.

He said the steroid use took a “terrible toll” on his body and recounted having multiple operations, including nine back operations, two shoulder operations and three neck fusions.

Stallone said he was still trying to stay in good shape, while describing himself as taking medication to keep going.

Looking back, he said he would advise himself to let someone else carry the banner and to avoid doing his own stunts.

These details come from Stallone’s own recollections as reported in the interview; the sources cited here do not supply independent medical assessments of the conditions or procedures he described.

A memoir and a long look back

The interview appeared as Stallone discussed his memoir, "The Steps", which the Times says examines his life, work and cultural impact.

The book’s title refers to the steps of the Philadelphia Museum of Art featured in "Rocky", according to the Times.

In the interview, Stallone reflected on regrets about what ambition and fame had done to his mind and body, saying he could “make a castle out of regrets.”

The memoir discussion also brought him back to difficult memories from childhood; he described revisiting them as involving mixed emotions, including tears, laughter, anger and bitterness.

His disclosures about bulimia and steroid use were also reported by "People" and the "New York Daily News" after publication of the Times interview.

The accounts provide multiple reports of what Stallone said, but the cited follow-up stories likewise draw on the same interview rather than presenting separate firsthand interviews with him about the disclosure.

The disclosures do not establish that a particular body type is necessary for an action role; they document Stallone’s description of the personal choices and consequences he associated with his own pursuit of one.

The revival is set to play the Marquis Theatre in Manhattan. Previews are scheduled to start March 24, 2027, with the official opening planned for April 20.

The production will mark the first Broadway revival of "Damn Yankees" since 1994, according to Major League Baseball’s announcement. The musical first opened on Broadway in 1955 and is based on Douglass Wallop’s novel "The Year the Yankees Lost the Pennant".

A baseball partnership—and a new setting

Major League Baseball and its production label, MLB Studios, are partners in the production, a first for a Broadway musical, MLB reported. Producers are Lia Vollack, Haley Swindal and Julie Boardman; Sergio Trujillo is directing and choreographing.

The creative team is moving the story into a different baseball era. The new adaptation is set in 2000, when the Yankees were coming off three consecutive World Series titles, rather than retaining the original’s mid-century setting. The original musical used the Washington Senators as the Yankees’ rivals; in this production, the Baltimore Orioles take that role.

Trujillo told MLB that he worked with writers Will Power and Doug Wright on the adaptation and that updating the teams was part of bringing the story into the 21st century. The production’s Young Joe Hardy is also reimagined: MLB reported that he is Black and plays for the Orioles.

MLB deputy commissioner Noah Garden said the league sees the partnership as a way to connect baseball with other areas of culture, and described the musical as sharing baseball’s themes of high stakes and drama. The partnership is also a production link between the sport and a musical whose plot turns on a fan’s desire to help his team win. The New York Times described the story as a baseball enthusiast making a Faustian bargain to improve his beloved team’s chances.

The cast and the launch

Harris’s role is Applegate, the character who makes the bargain at the heart of the story. Hough will play Lola, who is associated with Applegate, while Scott will play Young Joe Hardy, the central baseball player. MLB said the production marks Hough’s Broadway musical debut.

The announcement was planned as a spectacle at the stadium, but rain disrupted the event. The New York Times reported that plans included Harris throwing a first pitch, Scott performing the national anthem and Hough bringing a baseball to the mound through dance; after a lengthy rain delay, the actors instead met players and held a press conference. MLB reported that the cast met Yankees right fielder Aaron Judge, who gave Scott a baseball lesson.

Harris said he was looking forward to Hough’s Broadway musical debut and praised her performance abilities in comments reported by MLB. Scott told MLB that he was learning the sport’s culture and language as he prepared for the role, rather than presenting himself as a baseball expert.

What is known so far

The announcement confirms the principal cast, venue, preview date, opening date, baseball partnership and major changes to the setting and teams. The cited announcements do not provide a complete cast list or describe all the changes planned for the new staging.

The project brings together Broadway performers and a major sports organization, while placing a familiar musical in a revised baseball context. Its next public milestones, according to the schedule announced, are the start of previews on March 24, 2027, and opening night on April 20.

The rerelease grossed $26 million over the weekend and another $60 million overseas, according to studio estimates Sunday. The film, which grossed $2.8 billion in 2019, was put back into theaters with several new end-credits scenes and an introductory thank you to fans from Robert Downey Jr. and Chris Evans.

Among rereleases, only the 1997 release of “Star Wars: A New Hope” ($35.9 million) and the 2011 repeat of “The Lion King” ($30.2 million) have opened higher than “Endgame” in domestic cinemas.

Hollywood has increasingly turned to rereleases in recent years to take advantage of holes in the release schedule. But The Walt Disney Co. rerun, billed as “Endgame: Encore,” came out on top on an especially crowded weekend in theaters.

Three well-reviewed new releases — A24’s “Primetime,” with Robert Pattinson; Paramount Pictures’ “Heart of the Beast,” with Brad Pitt; and Universal Pictures’ “Forgotten Island” — all landed in theaters.

Second place, though, went to Zach Cregger’s reboot of “Resident Evil.” The Sony Pictures release followed up its above-expectations debut with $23.3 million in its second weekend. In two weeks, the video-game adaptation has grossed $103.5 million in U.S. and Canadian theaters.

In a close race for third place, “Heart of the Beast” came out just ahead of “Primetime” with an estimated $20 million from 3,435 theaters. Directed by David Ayer, the film stars Pitt as a retired veteran who must trek through the Alaskan wilderness with his combat dog after a plane crash. It added $30.1 million in international theaters.

Pattinson drives ‘Primetime’ sales

But the opening for “Primetime” was more impressive. “Heart of the Beast” cost $82 million to produce, making its path to profitability challenging. “Primetime,” starring Pattinson as “To Catch a Predator” host Chris Hansen, was made with a modest budget of $15 million and it opened in 500 fewer theaters.

Yet “Primetime,” buoyed by strong reviews and buzz out of the Venice Film Festival, debuted with $19.2 million. For Pattinson, who also starred this year in A24’s “The Drama” and Universal’s “The Odyssey,” the strong performance showed the actor’s drawing power with Gen Z audiences.

Some 69% of ticket buyers for “Primetime” were under the age of 30. Gen Z has emerged as the most regular moviegoing demographic, fueling hits this year like “Obsession” and “Backrooms.” “Primetime” is directed by 30-year-old documentarian Lance Oppenheim, who co-directed the much-anticipated Elizabeth Holmes documentary, “You Can See Everything,” due out next month.

“Forgotten Island,” from DreamWorks Animation, had a hard time standing out. The film, which cost $80 million to make, opened in fifth place with a disappointing $12.8 million domestically. In 31 overseas markets, “Forgotten Island” also didn’t make much of a dent, grossing $7.8 million internationally.

Universal will hope family audiences catch up to the movie that landed the weekend’s best CinemaScore (an “A”) and the best reviews (94% fresh on Rotten Tomatoes). “Forgotten Island,” directed by Joel Crawford and Januel Mercado, is about two friends who get stranded in a mystical world.

The confluence of releases added up to a historically good September weekend in theaters. According to Rentrak, ticket sales were up 58.5% from the same weekend last year. The domestic box office has massed $7.8 billion thus far, putting it 19% ahead of last year.

Top 10 movies by domestic box office

With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Rentrak:

1. “Avengers: Endgame: Encore,” $26 million.

2. “Resident Evil,” $23.3 million.

3. “Heart of the Beast,” $20 million.

4. “Primetime,” $19.2 million.

5. “Forgotten Island,” $12.8 million.

6. “Practical Magic 2,” $5.7 million.

7. “Spider-Man: Brand New Day,” $4.1 million.

8. “The Odyssey,” $3.7 million.

9. “Coyote vs. Acme,” $1.9 million.

10. “Daniel and the Fiery Furnace,” $1.5 million.

Earlier this week it was announced that Taylor Swift will receive the inaugural Artist Director Honors, becoming the most awarded artist in VMA history.

Swift is currently tied with Beyoncé for the title of most-awarded musician in VMA history. They have 30 each. (Eminem is the male artist with the most VMAs with 15.) The new award, which according to the VMAs is meant to recognize artists “whose work behind the camera has expanded the possibilities of music video and advanced the art of visual storytelling,” will bring her total to 31.

She will also debut the music video for her new song, “Patient Zero,” during the award show. Swift directed the visual, which stars Colin Farrell and Dakota Johnson.

“Patient Zero” is also her first single since marrying Kansas City Chiefs tight end Travis Kelce at Madison Square Garden in July.

Here's what else to know ahead of Sunday night's show.

How to watch the show

The two-hour MTV Video Music Awards show will broadcast live on CBS on Sunday, Sept. 27, at 7:30 p.m. Eastern and 4:30 p.m. Pacific, from the Peacock Theater in Los Angeles.

It is the first time since 2017 that the VMAs have picked a location that is not in New York or New Jersey.

The VMAs are also simulcast on MTV and be available to stream on Paramount+ in the U.S. It will become available to stream globally the next day on Paramount+ and MTV.

Snoop Dogg, a 13-time VMAs nominee and three-time winner, will host. Snoop made his debut on the VMAs stage in 1994. He closed the show in 1999 with Dr. Dre and Eminem and returned for a tribute to the Notorious B.I.G. and again for a performance with Eminem in 2022.

Who's nominated at the 2026 MTV VMAs

Madonna leads the 2026 MTV Video Music Award nominations. The pop superstar has been nominated in every decade of her musical career. She has 19 competitive MTV VMA wins and in 1986 became the first solo female artist to receive the Video Vanguard Award.

She is up for 11 awards at this year’s ceremony, including video, artist and song of the year, as well as best collaboration, dance, direction, art direction, cinematography, editing, choreography and visual effects.

Taylor Swift follows with the second-most nominations with nine. She is up for video and artist of the year as well as best pop, direction, art direction, cinematography, editing, choreography and visual effects.

Madonna and Swift are followed by Ariana Grande and Sabrina Carpenter with seven nods each to their names, as well as Bruno Mars, PinkPantheress and Zara Larsson with five. Blackpink’s LISA has four and Shakira, Tate McRae, GENER8ION and Yung Lean are tied for three.

Who’s performing at the 2026 MTV VMAs

Madonna will open the show. It will mark her first performance at the VMAs in 23 years.

Kacey Musgraves will pay homage to the late, great Dolly Parton. The country music icon, whose soaring vibrato vocals, poignant songwriting and sparkling costumes defined her rise from a log cabin in the Tennessee mountains to the height of stardom and acclaim, died in Nashville of cancer in August. She was 80.

Raye, Sombr and Teddy Swims will pay tribute to George Michael, who died 10 years ago on Christmas Day. He was 53.

It's double duty for Raye, who also will perform solo.

Other performers include GENER8ION with Yung Lean, Shaboozey with Gunna, as well as Lisa and Sienna Spiro.

Who's presenting at the 2026 MTV VMAs

Alex Warren, Belmont Cameli, Charli xcx, Ciara Miller, David Corenswet, Ella Bright, Isabel May, Jeff Probst, Rachel Dratch, Teyana Taylor, Tyla and Troye Sivan will present.

___

For more coverage of this year’s MTV Video Music Awards, visit https://apnews.com/hub/mtv-video-music-awards

The images were framed by LGBTQ+ outlets as a “thirst trap”—social-media content designed to attract attention through glamour, flirtation or sexual appeal. The coverage used playful language, but the underlying news event was a renewed burst of online interest in Scott as he returned to queer cultural conversation through his film and television work. The photo shoot itself is not new, and no evidence reviewed for this article establishes that Scott released a new jockstrap image during the three-week period beginning September 4th.

"Out" separately reported on the images, describing Scott in a harness, shirtless, and wearing trousers low enough for a jockstrap to be visible. The publication’s account confirms the basic visual details reported by "Instinct Magazine", while also placing the images within renewed interest in Scott’s public profile.

Neither publication reported that Scott had made a public statement specifically about the jockstrap images. The images should therefore be understood as a fashion and celebrity-media story, rather than evidence of any new personal disclosure by the actor. Scott is a gay actor, but coverage of his appearance should not be treated as a substitute for his own words about his identity or private life.

The wider context is explicitly queer

The renewed attention coincides with Scott’s role in "Elsinore", a drama about Ian Charleson, the Scottish actor who played Hamlet at London’s National Theatre in 1989 while living with AIDS. Scott portrays Charleson during the final months of his life and his preparation for the production.

The film’s subject connects the online thirst-trap conversation to a significant chapter in LGBTQ+ cultural history. Charleson was a gay actor who publicly disclosed that he had AIDS, and his death in 1990 occurred during a period when AIDS-related stigma and misinformation profoundly affected gay men and other communities. The sources reviewed here specifically confirm the film’s focus on Charleson’s life with AIDS, but do not independently establish every historical detail about his public advocacy or personal experience.

The Guardian described Scott’s performance as a portrayal of Charleson and noted Scott’s connection to openly gay representation, including his appearance in the 2014 film "Pride". The review characterized "Elsinore" as an AIDS drama and called attention to the historical and emotional dimensions of the role.

The film also received attention at the 2026 Toronto International Film Festival. According to "Instinct Magazine", "Elsinore" won the International People’s Choice Award at the festival. The publication embedded a post from the official Toronto International Film Festival account, Instagram: @tiff_net, discussing Scott and Charleson after the film’s Canadian premiere.

A second viral moment

Scott was also discussed online because of a clip from A24’s forthcoming series "It Gets Worse". The clip, circulated on X by Queer Frames on September 9, 2026, features Scott delivering the sexually explicit line, “You’re just a hole. You’re just a hole for daddy.” "Instinct Magazine" embedded the post and presented it as a separate viral moment from the older Diaries99 images.

The clip’s circulation illustrates how celebrity attention can move between formal entertainment promotion and queer social-media culture. Scott’s recent work spans a historical AIDS drama, a project associated with queer cinema, and a deliberately provocative comedy or dramatic series moment. Those projects have given online audiences several different ways to discuss him at once: as an established actor, a gay public figure, a performer in queer narratives and the subject of flirtatious fan attention.

PinkNews covered Scott’s “daddy” moment on September 8th, describing the online reaction to the clip from "It Gets Worse". Its report provides independent confirmation that the scene was being discussed by LGBTQ+ media during the relevant period.

"Elsinore" is scheduled to open in United States theaters on November 20, 2026 in a limited release before expanding during the Thanksgiving period and through December. The United Kingdom and Ireland release is scheduled for January 29, 2027, according to "Instinct Magazine".

The tribute is scheduled for Sunday, September 27, at the Peacock Theater in Los Angeles. The ceremony will be hosted by Snoop Dogg and broadcast on CBS, simulcast on MTV and streamed on Paramount+ in the United States. The announcement did not specify which Michael songs the performers will sing. Billboard reported that the tribute would feature the three artists together, while RAYE is also scheduled to make her solo performance debut at the VMAs.

Why Fans Are Objecting

The criticism centers on the fact that none of the three announced tribute performers is publicly known as an out LGBTQ+ artist, according to reporting on the reaction. One social-media post argued that organizers should have booked “a gay guy that can sing down,” while other commenters proposed Sam Smith, Adam Lambert and Troye Sivan as possible alternatives.

Michael, who was born Georgios Kyriacos Panayiotou in London in 1963, first became internationally famous as one half of Wham! before establishing a successful solo career. His major solo songs included “Faith,” “Father Figure” and “Freedom! ’90.”

Michael was an important trailblazer for LGBTQ+ recording artists. His public identity and career have therefore made questions about queer representation particularly prominent whenever major institutions revisit his work. That connection is reflected in the fan response reported after the VMAs announcement.

Michael died on December 25, 2016, at age 53, of liver and heart disease.

The 2026 tribute comes close to the 10th anniversary of Michael’s death. Billboard also reported that it precedes the planned worldwide release of the live album "George Michael: The Faith Tour" on November 6 and a feature-length film of the same name scheduled for U.S. theaters on December 11.

Across the world, communities are dedicating Friday to honoring the beloved country singer. The day is falling on Sept. 25, a wink at Parton’s hit song “9 to 5.”

Parton, who died of cancer last month at age 80, built an impressive legacy over the decades as a singer-songwriter, actor, philanthropist and entrepreneur — leaving big and small ways to honor the icon.

So whether it’s dusting off your rhinestones, donating a book or throwing back a pink-themed cocktail, here’s how you can celebrate Dolly Parton Day.

Join a celebration

In the U.S., a growing number of state and local leaders are establishing Sept. 25 as an annual Dolly Parton Day from California to the borough of Manhattan in New York City. The proclamations highlight Parton’s successful career and stress her lifelong commitment to promoting literacy.

In Nashville — where Parton had lived since she was 18 — the city will honor the singer with pink lights and posters and give away stickers, buttons and bookmarks. Meanwhile, Southwest Airlines announced that it would hold a Parton-inspired karaoke Friday for travelers and employees. Tennessee state and local officials are currently in the process of renaming the airport after Parton.

“Dolly Parton’s impact on Nashville will be felt for generations, through the music she has given us, the people she has helped and the example she continues to set,” said Nashville Mayor Freddie O’Connell in a statement. “She has shown us that caring for a community means showing up for one another.”

Over in New Orleans, the marching group Krewe of Dolly will lead a parade through the city’s French Quarter to honor Parton.

And in San Francisco, organizers are planning a public event in the heart of the city, called “Dolly Day,” designed to be a celebration of life that will include “singing loud, dressing up, and being a little kinder than usual in her honor.”

Donate a book to Imagination Library

For those chained to their actual 9 to 5 job on Friday, sneaking away for an event may be challenging. Instead, you can channel Parton’s giving spirit.

Parton made it her mission to improve literacy through her Imagination Library book giveaway program. The program has quickly expanded, resulting in more than a million books sent out each month to children in the U.S., Canada, the United Kingdom, Ireland and Australia.

The Imagination Library is encouraging the public to give directly to their local Imagination Library Partner on Dolly Parton Day, or help establish a new program in their community.

Don’t know where to start? The Dollywood Foundation is directing people to ImaginationLibrary.com, where a ZIP code search can find nearby programs.

“For Dolly, giving was always personal and from her heart,” said Jeff Conyers, president of The Dollywood Foundation, in a statement. “She believed deeply in helping people, especially children, and she always felt if you are in a position to help, you should help.”

Get inspired by Parton's style and songs

The Queen of Country was known for her over-the-top style, proudly wearing sequins with big hair and plenty of fringe in her signature color pink.

Parton especially adored butterflies, singing that “love is like a butterfly, as soft and gentle as a sigh.”

Dig into your closet and throw on something extra flashy, shiny or sparkly. Feeling adventurous? Some tattoo artists are offering Dolly-inspired tattoos on Friday, but a butterfly clip will also work.

Of course, there's no easier way to celebrate Parton than by playing one of her many, many albums throughout the day.

Known for her hits “9 to 5,” “Jolene,” and “I Will Always Love You,” Parton's catalog runs deep, and there's room to discover new favorites.

It was Parton’s wish that her songs would have a lasting impact, and that in turn, she would be remembered for trying to make the world a better place.

“I hope that a lot of my songs may last that long. And I hope I’ll be remembered as somebody that tried to do some good in the world and left, you know, a few good things,” she told The Associated Press in 2024.

Murphy disclosed the development to "Entertainment Tonight" on Wednesday, Sept. 23, at the New York City premiere of the 13th season of "American Horror Story".

“Funny you ask, because I just finished the script an hour ago,” Murphy told "Entertainment Tonight".

The writer and producer said the script was written with Brad Falchuk and Ian Brennan, the co-creators who worked with Murphy on the original series.

“Brad, Ian and I, who wrote all the first two seasons, have written something,” Murphy said.

The existence of a script does not mean that a new series has been ordered. "Deadline" reported that the proposed project, from 20th Television, had not been set up at a platform as of Sept. 24.

Murphy also indicated that the script remains at an early stage of development.

“Nobody’s read it, so I don’t know, we’ll see,” Murphy said.

Original Cast Members Have Been Contacted

Murphy said he had been in touch with approximately 10 members of the original "Glee" cast about the possibility of returning.

According to Murphy, the cast members he contacted asked questions about the proposed continuation but were enthusiastic about the idea.

“It’s very sweet, and they all had a lot of questions, but they all were very enthusiastic about the idea,” Murphy said.

That response does not represent formal casting confirmation. The actors have not read the completed script, and no returning cast members have been officially announced for a new production.

Murphy said he wanted to write additional material before presenting the story to the cast.

“I vowed to myself that I wanted to write a couple of them to see what people think, particularly the cast, because we were very close when we were making it,” Murphy said.

His comments leave open several questions, including whether the proposed project would be ordered, where it would be released, and which performers might participate.

A New Incarnation of the Musical Series

The reported project is being described as a reboot, revival, or new incarnation rather than a confirmed continuation with an announced format.

Murphy had previously discussed revisiting the "Glee" universe, saying in July that the idea had “come back around.”

The July report said Falchuk had also previously raised the possibility of rebooting the series.

The latest announcement marks a change from earlier discussions because Murphy now says that a script has been completed.

However, no story details have been released. Murphy has not publicly identified the characters involved, described the setting, or explained whether the proposed project would follow the original characters or introduce a new group of performers.

The Original Series’ Legacy

The original "Glee" was a Fox musical comedy-drama that ran for six seasons from 2009 to 2015.

The series centered on the members of a high-school show choir and combined musical performances with storylines about friendship, identity, relationships, family, bullying, disability, sexuality, and belonging.

Its ensemble included performers such as Lea Michele, Jane Lynch, Matthew Morrison, Chris Colfer, Darren Criss, Amber Riley, Heather Morris, Kevin McHale and Naya Rivera.

The program also became closely associated with LGBTQ+ representation through characters including Kurt Hummel, played by openly gay actor Chris Colfer, and Santana Lopez, played by Naya Rivera.

Any future production would therefore enter a television landscape in which audiences and performers may closely examine how LGBTQ+ characters and storylines are represented. The available reports do not state whether the proposed script includes transgender characters, queer characters, or any specific LGBTQ+ storylines.

What Happens Next

For now, Murphy’s announcement establishes only that he, Falchuk and Brennan have completed one script for a possible "Glee" reboot.

The script has not been publicly released, the original cast has not read it, a platform has not been identified, and no production schedule has been announced.

Murphy’s next stated step is to write more material and assess the response, particularly from cast members who worked on the original series.

Until those development steps occur, the project remains a potential revival rather than an officially commissioned television series.